From a Little Free Library in Rindge NH USA.
Title: Harley Quinn Lootcrate Exclusive
Issue: 1
Date: February, 2016
Publisher: DC Comics
Writer: Amanda Conner and Jimmy Palmiotti
Artist: Amanda Conner, Chad Hardin
Colorist: Paul Mounts, Alex Sinclair
Letterer: John J. Hill
Editor: Chris Conroy, Dave Wielgosz
Harley finds a genie bottle, complete with wish-granting genie, and she is sure that she is going to be way better at this than anyone who has ever found a wish-granting genie and messed things up.
Spoiler: She's not better at this.
And that's pretty much the whole story, along with an above-average number of poop jokes, which were sufficiently clever that you might be amused if you like poop jokes.
The ending of this did redeem it a little bit, as it finishes up with a feel-good vibe. And another poop joke.
Rating: 4/10
Showing posts with label alex sinclair. Show all posts
Showing posts with label alex sinclair. Show all posts
Wednesday, July 2, 2025
Wednesday, February 6, 2019
Batman #700
From the Random Stack of Unread Comics.
Title: Batman
Issue: 700
Date: August 2010
Publisher: DC Comics
Writer: Grant Morrison
Artist: Tony Daniel, Frank Quitely, Scott Kolins, Andy Kubert, David Finch, Richard Friend
Colorist: Ian Hannin, Alex Sinclair, Tony Avina, Brad Anderson, Peter Steigerwald
Letterer: Jared K. Fletcher
Editor: Mike Marts, Janelle Siegel
I reviewed Batman #699 way back in 2011, in the early days of this blog (it was the first time I missed a day, something that I learned to get a lot less uptight about since then, as this blog has not usually been even close to daily since then).
I'm always a fan of "big round number" milestone issues. This one had two special features. The frist was a Batman pinup gallery by Shane Davis, Juan Doe, Guillem March, Dustin Nguyen, Tim Sale, Bill Sienkiewicz, and Phillip Tan. The other bonus item was a detailed map of the Batcave by Freddie Williams II.
The main story was something of a hot mess, a time-travel piece involving multiple version of the Batman, bunches of classic villains, and too much Damian Wayne. It did feature a lot of great visuals by its rotating cast of artists, some great action, and a ton of nods to past stories (I particularly liked the use of the Mutants gang from The Dark Knight Returns, and a rare appearance by Chief O'Hara). It was not very accessible to the casual fan, which is too bad, as these milestone issues often attract some casual fan interest, and the convoluted plot of this story would probably leave a lot of them wondering what the heck they just read.
I was a bit unsure myself. Very pretty issue, but not enough reward for the effort of parsing all of the time travel threads to try to get it to make sense.
Rating: 5/10
Title: Batman
Issue: 700
Date: August 2010
Publisher: DC Comics
Writer: Grant Morrison
Artist: Tony Daniel, Frank Quitely, Scott Kolins, Andy Kubert, David Finch, Richard Friend
Colorist: Ian Hannin, Alex Sinclair, Tony Avina, Brad Anderson, Peter Steigerwald
Letterer: Jared K. Fletcher
Editor: Mike Marts, Janelle Siegel
I reviewed Batman #699 way back in 2011, in the early days of this blog (it was the first time I missed a day, something that I learned to get a lot less uptight about since then, as this blog has not usually been even close to daily since then).
I'm always a fan of "big round number" milestone issues. This one had two special features. The frist was a Batman pinup gallery by Shane Davis, Juan Doe, Guillem March, Dustin Nguyen, Tim Sale, Bill Sienkiewicz, and Phillip Tan. The other bonus item was a detailed map of the Batcave by Freddie Williams II.
The main story was something of a hot mess, a time-travel piece involving multiple version of the Batman, bunches of classic villains, and too much Damian Wayne. It did feature a lot of great visuals by its rotating cast of artists, some great action, and a ton of nods to past stories (I particularly liked the use of the Mutants gang from The Dark Knight Returns, and a rare appearance by Chief O'Hara). It was not very accessible to the casual fan, which is too bad, as these milestone issues often attract some casual fan interest, and the convoluted plot of this story would probably leave a lot of them wondering what the heck they just read.
I was a bit unsure myself. Very pretty issue, but not enough reward for the effort of parsing all of the time travel threads to try to get it to make sense.
Rating: 5/10
Labels:
alex sinclair,
andy kubert,
batman,
brad anderson,
david finch,
dc comics,
frank quitely,
grant morrison,
ian hannin,
peter steigerwald,
richard friend,
scott kolins,
tony avina,
tony daniel
Friday, July 6, 2018
DC Nation #0
First of several reviews of comics I got while visiting the US on summer break. I got this one at Newbury Comics at the Maine Mall in Portland ME.
Title: DC Nation
Issue: 0
Date: July 2018
Publisher: DC Comics
Writer: Tom King, Brian Michael Bendis, Scott Snyder, James Tynion IV, Joshua Williamson
Artist: Clay Mann, Jose Luis Garcia-Lopez, Dexter Vines, Jorge Jimenez
Colorist: Jordie Bellaire, Alex Sinclair, Alejandro Sanchez
Letterer: Clayton Cowles, Josh Reed, Andworld Design
Cover: Jorge Jimenez, Alejandro Sanchez
Editor: Jamie S. Rich, Brittany Holzherr, Mike Cotton, Jessica Chen, Rebecca Taylor, Andrea Shea
Three stories here, all lead-ins to summer releases from DC.
First up is a Joker story with the Joker holding a random guy hostage while he waits for the mail to arrive. This was the kind of thing that would have been creepy and disturbing in the late 1980s, but is just run-of-the-mill Joker stuff today. The ending was pretty much the least interesting of all possible outcomes.
Things improved significantly with the Superman story, which focused on the very underappreciated Perry White. It was great to see Perry get some solid character development. It also opened up the possibility of some interesting workplace drama at the Daily Planet with the introduction of a new antagonist with a lot of potential. It felt like a bit of a soft reboot, which are way too common in comics these days, but the characters really carried the story.
Third was a big cosmic-scale Justice League story. There is a rather silly reason given for the creation of four new teams based on the properties of Entropy (Batman, Lobo, Deathstroke, Beast Boy, Lex Luthor), Mystery (J'onn J'onzz, Superman, Starfire, Sinestro, Starro), Wonder (Wonder Woman, Doctor Fate, Etrigan, Raven, Zatanna), and Wisdom (Damian Wayne, Flash, Atom, Cyborg, Harley Quinn).
So this is all just an excuse for ridiculous teamups between heroes and villains. It had its moments. And Etrigan rhymes, so that's something anyway. I still have questions... How the heck did Damian Wayne land on team Wisdom? Is Wonder Woman just on team Wonder because of her name? Starro? Really? Starro?
The last bit reveals the cosmic threat that has prompted all of this, and it's... the Celestials, freshly arrived from the Marvel Universe! Well, I guess technically not, but they are too pretty and colorful to be Eldrazi, so they are Celestials for all intents and purposes.
Hopefully those wacky teamups will be fun, because the overall plot of this looks as dull as can be.
I suppose one out of three for a book like this is about all that could be hoped for.
Rating: 3.5/10
Title: DC Nation
Issue: 0
Date: July 2018
Publisher: DC Comics
Writer: Tom King, Brian Michael Bendis, Scott Snyder, James Tynion IV, Joshua Williamson
Artist: Clay Mann, Jose Luis Garcia-Lopez, Dexter Vines, Jorge Jimenez
Colorist: Jordie Bellaire, Alex Sinclair, Alejandro Sanchez
Letterer: Clayton Cowles, Josh Reed, Andworld Design
Cover: Jorge Jimenez, Alejandro Sanchez
Editor: Jamie S. Rich, Brittany Holzherr, Mike Cotton, Jessica Chen, Rebecca Taylor, Andrea Shea
Three stories here, all lead-ins to summer releases from DC.
First up is a Joker story with the Joker holding a random guy hostage while he waits for the mail to arrive. This was the kind of thing that would have been creepy and disturbing in the late 1980s, but is just run-of-the-mill Joker stuff today. The ending was pretty much the least interesting of all possible outcomes.
Things improved significantly with the Superman story, which focused on the very underappreciated Perry White. It was great to see Perry get some solid character development. It also opened up the possibility of some interesting workplace drama at the Daily Planet with the introduction of a new antagonist with a lot of potential. It felt like a bit of a soft reboot, which are way too common in comics these days, but the characters really carried the story.
Third was a big cosmic-scale Justice League story. There is a rather silly reason given for the creation of four new teams based on the properties of Entropy (Batman, Lobo, Deathstroke, Beast Boy, Lex Luthor), Mystery (J'onn J'onzz, Superman, Starfire, Sinestro, Starro), Wonder (Wonder Woman, Doctor Fate, Etrigan, Raven, Zatanna), and Wisdom (Damian Wayne, Flash, Atom, Cyborg, Harley Quinn).
So this is all just an excuse for ridiculous teamups between heroes and villains. It had its moments. And Etrigan rhymes, so that's something anyway. I still have questions... How the heck did Damian Wayne land on team Wisdom? Is Wonder Woman just on team Wonder because of her name? Starro? Really? Starro?
The last bit reveals the cosmic threat that has prompted all of this, and it's... the Celestials, freshly arrived from the Marvel Universe! Well, I guess technically not, but they are too pretty and colorful to be Eldrazi, so they are Celestials for all intents and purposes.
Hopefully those wacky teamups will be fun, because the overall plot of this looks as dull as can be.
I suppose one out of three for a book like this is about all that could be hoped for.
Rating: 3.5/10
Monday, January 16, 2017
Blackest Night #0 (Free Comic Book Day Edition)
Back to the stack of random unread comics. Here's one of DC's Free Comic Book Day offerings from 2009, and the start of one of their big multi-book crossovers.
Title: Blackest Night
Issue: #0 (FCBD Edition)
Date: June, 2009
Publisher: DC Comics
Writer: Geoff Johns
Penciller: Ivan Reis
Inker: Oclair Albert, Rob Hunter
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Editor: Eddie Berganza, Adam Schlagman
Blackest Night was one of those crossovers that felt like it had a ton of potential in the beginning, but (for me anyway) failed to hold interest as it stretched on and on. Since this is the #0 issue, this is still in that stage were the story intrigued me.
Most of this issue is a discussion between Hal Jordan and Barry Allen as they visit the Wayne family plot and talk about the nature of life, death, and resurrection as they have experienced it.
At this particular moment in the continuity, Bruce Wayne is dead at the hands of Darkseid and his Omega Beams (or, as I like to call it, the "dis that don't miss"). This would be a death that did not last long. Aquaman and Martian Manhunter are also apparently spending some time "dead in the DC Universe", so there is a lot of death to discuss between two individuals both fairly recently resurrected themselves.
Given all of the overarching silliness of this, the dialogue is actually quite good. There are some nice insights into both characters and into their relationship with the Justice League.
The dialogue ends and we segue into a tease of what is to come in Blackest Night, including a very awesome Black Lantern Oath.
Backup feature is a handy guide to all the different colors of lantern corps, featuring lovely illustrations and some basic info on each set of ring-followers.
This was very heavily invested in DC Universe continuity, but still managed to be enjoyable, if a bit on the grim side.
Rating: 6/10
Issue: #0 (FCBD Edition)
Date: June, 2009
Publisher: DC Comics
Writer: Geoff Johns
Penciller: Ivan Reis
Inker: Oclair Albert, Rob Hunter
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Editor: Eddie Berganza, Adam Schlagman
Blackest Night was one of those crossovers that felt like it had a ton of potential in the beginning, but (for me anyway) failed to hold interest as it stretched on and on. Since this is the #0 issue, this is still in that stage were the story intrigued me.
Most of this issue is a discussion between Hal Jordan and Barry Allen as they visit the Wayne family plot and talk about the nature of life, death, and resurrection as they have experienced it.
At this particular moment in the continuity, Bruce Wayne is dead at the hands of Darkseid and his Omega Beams (or, as I like to call it, the "dis that don't miss"). This would be a death that did not last long. Aquaman and Martian Manhunter are also apparently spending some time "dead in the DC Universe", so there is a lot of death to discuss between two individuals both fairly recently resurrected themselves.
Given all of the overarching silliness of this, the dialogue is actually quite good. There are some nice insights into both characters and into their relationship with the Justice League.
The dialogue ends and we segue into a tease of what is to come in Blackest Night, including a very awesome Black Lantern Oath.
Backup feature is a handy guide to all the different colors of lantern corps, featuring lovely illustrations and some basic info on each set of ring-followers.
This was very heavily invested in DC Universe continuity, but still managed to be enjoyable, if a bit on the grim side.
Rating: 6/10
Labels:
2009,
adam schlagman,
alex sinclair,
blackest night,
dc comics,
eddie berganza,
fcbd,
free comic book day,
geoff johns,
ivan reis,
nick j napolitano,
oclair albert,
rob hunter
Friday, June 6, 2014
Superman #206
Here's another comic that I got at Free Comic Book Day 2014 at New England Comics in Quincy MA. Once again, this was an extra giveaway, and not one of the official FCBD books.
Title: Superman
Issue: 206
Date: August, 2004
Publisher: DC Comics
Writer: Brian Azzarello
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Rob Leigh
Editor: Will Dennis, Eddie Berganza
Cover: Jim Lee
This continues a storyline (I review issue #205 here) involving Superman attempting to intervene to stop a war in the Middle East, as told through the frame of Superman talking with Father Leone, the Metropolis priest who has served as an informal spiritual advisor to the Man of Steel.
In this issue, Superman recounts the end of the civil war, and his actions once he realized that victory for rebel General Nox is inevitable.
I'm still enjoying the approach of no easy answers for Superman in this storyline. The situation in the fictional country where it is set is complex and constantly changing, and Superman is just trying to do good, even if it means he must give his support to Nox, who has his own insurance policy in the form of super-soldier Equus.
There is some nice buildup to a full battle with Equus. Superman's frustration comes through loud and clear as circumstances keep preventing him from having that confrontation.
This continues to be a good, complex story.
Rating: 7/10
Title: SupermanIssue: 206
Date: August, 2004
Publisher: DC Comics
Writer: Brian Azzarello
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Rob Leigh
Editor: Will Dennis, Eddie Berganza
Cover: Jim Lee
This continues a storyline (I review issue #205 here) involving Superman attempting to intervene to stop a war in the Middle East, as told through the frame of Superman talking with Father Leone, the Metropolis priest who has served as an informal spiritual advisor to the Man of Steel.
In this issue, Superman recounts the end of the civil war, and his actions once he realized that victory for rebel General Nox is inevitable.
I'm still enjoying the approach of no easy answers for Superman in this storyline. The situation in the fictional country where it is set is complex and constantly changing, and Superman is just trying to do good, even if it means he must give his support to Nox, who has his own insurance policy in the form of super-soldier Equus.
There is some nice buildup to a full battle with Equus. Superman's frustration comes through loud and clear as circumstances keep preventing him from having that confrontation.
This continues to be a good, complex story.
Rating: 7/10
Thursday, May 15, 2014
Superman #205
Time was tight for me on Free Comic Book Day this year, with two family events occupying most of the day. I only managed to get in a brief visit to one comic shop, which was New England Comics in Quincy MA.
NEC always puts on a huge event for FCBD. They had the creative team of one of the new Tick comics on hand, and a picked up an autographed book from them along with some of the regular FCBD books. NEC also gives away some bonus comics, which are regular back issues they have overstocked. This is one of those bonus freebies that I picked up this year.
Here is my complete haul:
And now for tonight's review!
Title: Superman
Issue: 205
Date: July, 2004
Publisher: DC Comics
Writer: Brian Azzarello
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Nick Napolitano
Editor: Casey Seijas, Will Dennis, Eddie Berganza
Cover: Jim Lee, Scott Williams
This is a fairly introspective and quiet issue, with even the opening action scene proving to be a flashback. It focuses on Father Leone, who Clark (as Superman) has been turning to for spiritual advice.
Clark is struggling in the aftermath of a recent attempt to stop the fighting in an unnamed and mostly-symbolic Middle Eastern country. As might be expected, Superman's paternalistic approach of taking away everyone's weapon and scolding them to just get along proved to be an ineffective approach.
Not much was resolved here. This story raised more questions than it answered, and it only presented a very simplistic scenario in response to the rather complex question of whether Superman can literally function as the world's policeman.
In spite of the lack of easy answers (which was, to a large extent, the point), I enjoyed this issue. There was good character development for Father Leone, who is a fairly complex and interesting character. I also liked seeing Superman take some time to think about the consequences of his actions.In a comic book universe where there are few things Superman is not capable of accomplishing, it was interesting to see the focus on something that he is preceiving as a shortcoming.
Interesting read.
Rating: 7/10
NEC always puts on a huge event for FCBD. They had the creative team of one of the new Tick comics on hand, and a picked up an autographed book from them along with some of the regular FCBD books. NEC also gives away some bonus comics, which are regular back issues they have overstocked. This is one of those bonus freebies that I picked up this year.
Here is my complete haul:
And now for tonight's review!
Title: SupermanIssue: 205
Date: July, 2004
Publisher: DC Comics
Writer: Brian Azzarello
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Nick Napolitano
Editor: Casey Seijas, Will Dennis, Eddie Berganza
Cover: Jim Lee, Scott Williams
This is a fairly introspective and quiet issue, with even the opening action scene proving to be a flashback. It focuses on Father Leone, who Clark (as Superman) has been turning to for spiritual advice.
Clark is struggling in the aftermath of a recent attempt to stop the fighting in an unnamed and mostly-symbolic Middle Eastern country. As might be expected, Superman's paternalistic approach of taking away everyone's weapon and scolding them to just get along proved to be an ineffective approach.
Not much was resolved here. This story raised more questions than it answered, and it only presented a very simplistic scenario in response to the rather complex question of whether Superman can literally function as the world's policeman.
In spite of the lack of easy answers (which was, to a large extent, the point), I enjoyed this issue. There was good character development for Father Leone, who is a fairly complex and interesting character. I also liked seeing Superman take some time to think about the consequences of his actions.In a comic book universe where there are few things Superman is not capable of accomplishing, it was interesting to see the focus on something that he is preceiving as a shortcoming.
Interesting read.
Rating: 7/10
Labels:
2004,
alex sinclair,
brian azzarello,
casey sejsf,
dc comics,
eddie berganza,
fcbd,
free comic book day,
jim lee,
nec,
new england comics,
nick napolitano,
scott williams,
superman,
will dennis
Tuesday, September 4, 2012
Justice League #12
Title: Justice LeagueIssue: 12
Date: October 2012
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee, Ivan Reis, Joe Prado, David Finch
Inker: Scott Williams, Ivan Reis, Joe Prado, David Finch, Sandra Hope, Jonathan Glapion, Mark Irwin, Matt Banning, Rob Hunter, Joe Weems, Alex Garner, Trevor Scott
Colorist: Alex Sinclair, Gabe Eltaeb, Tony Avina, Sonia Oback, Pete Pantazis
Letterer: Patrick Brosseau
Editor: Katie Kubert, Brian Cunningham
Cover: Jim Lee, Alex Sinclair, Scott Williams
I've totally fallen behind on my New 52 reading, and this one generated a bit of buzz with the Superman/Wonder Woman kiss on the cover, so I skipped ahead to it.
This issue begins a transition into some membership changes for the Justice League that will go along with the release of a new Justice League of America title.
It also wraps up a plotline involving David Gray, who has abducted and possibly killed Steve Trevor as part of a scheme for revenge against the Justice League, who Gray blames for the deaths of his wife and children.
The final battle takes place on Mount Sumeru, which is conveniently labeled via caption as the "Mythic Valley of Souls". Not quite sure how it can be a mountain and a valley at the same time.
The battle pits the League against what appears to be the spirits of their deceased loved ones. It's well-handled, but nothing exceptional. This sort of thing has definitely been done before. A lot. Once the actual brawling starts, things proceed at a nice pace to endgame and about half the book ends up getting devoted to epilogue material, all of which is pretty good.
Most noticeably for me in these scenes is the fact that somewhere between issues 6 and 11 Hal Jordan stopped being a complete jerk. His scene here is great, and a lot more in keeping with the hero that Hal ought to be. Maybe the memories of the awful Green Lantern film are finally being put to rest.
Wonder Woman's scenes with Steve Trevor and with Superman were also good. Clark and Diana's kiss (not really a spoiler here, since it's on the front cover) comes somewhat out of nowhere, but the lead-in dialogue worked well, and the earlier scene involving Steve was genuinely powerful.
Not disappointed I picked this issue up.
Rating: 8/10
Labels:
2012,
alex sinclair,
brian cunningham,
david finch,
dc comics,
geof johns,
ivan reis,
jim lee,
joe prado,
jonathan glapion,
justice league,
katie kubert,
mark irwin,
sandra hope,
scott williams,
the new 52
Tuesday, June 19, 2012
The New 52 FCBD Special Edition #1
From my Free Comic Book Day haul.Title: The New 52 FCBD Special Edition
Issue: 1
Date: June 2012
Publisher: DC Comics
Writer: Geoff Johns, Grant Morrison, China Mieville, James Robinson, Paul Levitz, Howard Mackie, Jimmy Palmiotti, Justin Gray, JT Krul
Artist: Jim Lee, Scott Williams, Ivan Reis, Joe Prado, Kenneth Rocafort, Gene Ha, Chris Burnham, Mateus Santolouco, Nicola Scott, Trevor Scott, Kevin Maguire, George Perez, Ian Churchill, Norm Rapmund
Colorist: Rod Reis, Alex Sinclair, Blond, Art Lyon, Dan Panosian, Ariel Olivetti
Letterer: Sal Cipriano
Editor: Kate Stewart, Dan Didio, Eddie Berganza
Cover: Jim Lee, Alex Sinclair, Scott Williams
This was DC's major 2012 Free Comic Book Day edition. This is all teasers, but it's good eye candy for the most part. The giant fold-out center spread is gimmicky but fun.
The story focuses on the origin of Pandora, who was the mystery woman drawn into the backgrounds of all 52 of the reboot issues. She is the same Pandora we know from mythology, but she's part of a trio of ancient sinners who were cursed with eternal torment in one form or another. The other two beings appear to be reboots of the Phantom Stranger and the Question.
And speaking of reboots, welcome back Etta Candy (now black and skinny). Not minding the change there. She was a character who went through an awful lot of reimagining over the years.
There is a lot of back-and-forth with Pandora infiltrating top-secret labs and storage facilities for alien/mystical technology. Steve Trevor is clearly being shoehorned into the Nick Fury role, which comes off a bit generic. Also, he demands "Find me John Constantine!". Be careful what you wish for, Steve. Oh, and Black Orchid gets namedropped.
The second half of the book is just preview pages from new titles. The most intriguing of those was Dial H, featuring the first comic writing by China Mieville. It looked like it had some potential. World's Finest was amusing and engaging. It was nice to see the Unknown Soldier in the GI Combat preview, but the rest didn't interest me much.
Rating: 6/10
Labels:
alex sinclair,
china mieville,
dan didio,
dc comics,
eddie berganza,
geoff johns,
grant morrison,
ivan reis,
jim lee,
joe prado,
kate stewart,
rod reis,
sal cipriano,
scott williams,
the new 52
Saturday, March 24, 2012
Batman: The Dark Knight #5
Title: Batman: The Dark KnightIssue: 5
Date: March 2012
Publisher: DC Comics
Writer: Paul Jenkins, David Finch
Penciler: David Finch
Inker: Richard Friend
Colorist: Jeromy Cox
Letterer: Sal Cipriano
Editor: Mike Marts, Rickey Purdin
Cover: David Finch, Richard Friend, Alex Sinclair
A scarecrow fear gas story! How... unexpected. Not.
Scarecrow enlightens the Batman on his darkest fears and the Batman resists, and it's nothing we haven't seen before. When good old reliable fear gas doesn't work, it's on to the new stuff, which seems to be the New 52 version of venom. Batman becomes fearless and extremely angry. No, I mean more so than he usually is.
He even punches Superman around. And calls him a fascist.
This title has apparently been designated as the place where the Justice League guest appearances are going to happen, and the Superman appearance is pretty well handled here. The confrontation between the Batman and the Scarecrow is the part that needed work.
Rating: 6.5/10
Monday, March 5, 2012
Batman: The Dark Knight #4
Title: Batman: The Dark KnightIssue: 4
Date: February 2012
Publisher: DC Comics
Writer: Paul Jenkins, David Finch
Penciler: David Finch
Inker: Richard Friend
Colorist: Jeromy Cox
Letterer: Sal Cipriano
Editor: Mike Marts, Rickey Purdin
Cover: David Finch, Richard Friend, Alex Sinclair
Caption-based narration by the (until the last panel) essentially takes the entire issue to tell us what the Eagles once did in two lines: "Somebody's gonna hurt someone, before the night is through/Somebody's gonna come undone, there's nothing you can do." Um, without the rhymes, though.
The plot is basically a series of random encounters. First an Aubrey II that Poison Ivy left to guard her lair. Then an encounter with a venomed-up Deathstroke. Much to my amusement, Deathstroke jobs clean and quick to the Batman.
By the way, I'm using the term "venom" here because we really do seem to be heading for a reboot of the "venom" concept. And no, I do not mean the alien symbiote guy over at the other company. I am expecting that the major villain revealed at the end of this issue is not, in fact, the mastermind behind all of the mayhem that's been happening in this series. There's one more enemy waiting in the wings, and they are timing his arrival for maximum movie-crossover potential. And if that's the case, than the drug that is turning all of these villains into bad 1990s Image Comics art is indeed the New 52 version of venom.
Until then, the Batman is getting no further direct help from the Justice League as they are busy rounding up more escaped Arkham inmates (Spellbinder and Electrocutioner get mentions but not actual appearances; Wonder Woman does actually appear in two panels). Bruce is left to content with Deathstroke, White Rabbit, and this issue's new (not all that surprising) surprise villain. Poison Ivy, meanwhile, is apparently an unwilling participant in all of this.
Random digression:
Something that I noticed: Batman has some of the most vicious and psychotic villains in comics... Except for the female ones. Ever notice how many Batman villainesses turn out to have some amount of goodness deep in their hearts, or at least manage to take on "anti-hero" roles on the side of good? Catwoman (own series), Harley Quinn (Suicide Squad), Talia (plenty of mixed motives/emotions in various past stories), Poison Ivy (Birds of Prey). White Rabbit gets played for sympathy in this series, and even Lady Shiva gets some sympathetic portrayals. Compare this to, say, Cheetah, who is typically portrayed (in modern versions) as an absolutely bloodthirsty monster in her appearances. Not sure what to make of this. Just an interesting observation.
Back to the story at hand. Interestingly, even though they weren't really meaningful scenes in terms of plot, I actually found the action sequences in this issue to be better than the more character development-related scenes. I blame the dialogue. A scene with Jim Gordon drags on without really getting anywhere, while Alfred's dialogue is hokey enough to be something out of 1966 TV. And Alfred is a character that can usually be counted on for good dialogue.
The action scenes are effective, but very little plot was actually accomplished here.
Rating: 4.5/10
Wednesday, February 15, 2012
Justice League #4
Continuing with the DC #4's.Title: Justice League
Issue: 4
Date: February 2012
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair, Gabe Eltaeb
Letterer: Patrick Brosseau
Editor: Darren Shan, Brian Cunningham
Cover: Jim Lee, Alex Sinclair, Scott Williams
There are really three things going on here. First is the introduction of Aquqman, who basically takes the attitude that someone has got to be the leader of the rather disorganized team of heroes that have banded together to fight the parademon invasion. And, well, he's the only one who's a king, so it might as well be him.
Green Lantern (still acting like an idiot) issues the "Really? What can you do that we can't?" challenge. The answer is a resounding "Talk to fish!" in the form of great white sharks jumping out of the water and nom-nom-nom-ing some parademons. Which is actually not all that impressive when you think about it. Lanter, Superman, or Wonder Woman could have done the same amount of damage with less effort and no endangered species in the line of fire. Still, the sharks plus Aquaman putting a trident through the head of a parademon prove sufficient to win at least a grudging acceptance.
In the midst of all of this is an attempt at comedy when Lantern just happens to "accidentally" have his hand on Wonder Woman's lasso and becomes a bit more truthful than he might have liked to be. So Lantern is consistently a sexist jerk. Yay for consistency, I suppose.
The other two big plotlines are the continuing origin of Cyborg, which is going about how you would expect, and the arrival of Darkseid, which is, well, big. As in two-page- turn-the-comic-sideways big. Nice job of making him impressive, but it will be next issue before he does anything more than announce his name.
Goofy fun, but this issue leaned a bit too heavily on the goofy side.
Rating: 5.5/10
Monday, January 30, 2012
Batman: The Dark Knight #3
Issue: 3
Date: December 2012
Publisher: DC Comics
Writer: Paul Jenkins, David Finch
Penciler: David Finch
Inker: Richard Friend
Colorist: Jeromy Cox
Letterer: Sal Cipriano
Editor: Mike Marts, Rickey Purdin
Cover: David Finch, Richard Friend, Alex Sinclair
After the mess that was the third issue of Detective Comics (see my review here), it was nice to see this title heading in the right direction.
Nothing profound here, but a lot of fun, even if it required a bit of "stunt booking" to achieve it.
We get started with a hulked-up (drugged-up, really) Joker and the White Rabbit. But things are not exactly as they appear, and the Batman's quick bit of on-the-fly detective work in the midst of the ensuing fight is one of the little touches that makes this amusing.
We go immediately to a high-powered guest star from the Justice League, who lends a hand in classic 70s-style team-up fashion. It's a nice nostalgic bit that makes reasonable sense and reminds the reader that there is a whole DC Universe out there. The guest star gets written out in somewhat over-arbitrary fashion later, but I still enjoyed it.
I'm also starting to warm to White Rabbit as a villain now that we're seeing her in action a bit more. Still not thrilled with the Playboy Bunny costume, but at least her actions are starting to make a bit more sense.
Also starting to grow on me: new romantic interest Jaina Hudson. Might just be a matter of personal taste, but she's one of the few women in comics that gets a "Wow, she is really beautiful!" reaction from me. Her scene with Bruce Wayne was mostly just more flirting, but I did like the detail that a text from Alfred did NOT result in Bruce abruptly calling off the date. Nice little bit of cliche breaking.
Ends with a bit more thickening of the plot and a little bit of crossover with the events of Birds of Prey. Oh, and a preview of The Ray, which was just kinda there.
Rating: 7/10
Wednesday, December 7, 2011
Justice League #3
I'm on the road today and looking through the comics I have on me, all I've got is #3's from the New 52. So here's a little jump ahead, as I look at Justice League #3.Title: Justice League
Issue: 3
Date: January 2012
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair, Hi-Fi, Gabe Eltaeb
Letterer: Patrick Brosseau
Editor: Darren Shan, Brian Cunningham
Cover: Jim Lee, Alex Sinclair, Scott Williams
Amazingly, Hal Jordan barely gets any lines here, but it only takes him one word four letters long ("Dibs"; his reaction to seeing Diana for the first time) to cement his place as as sexist jerk for this issue.
Wonder Woman herself is the major focus of this issue, with a rather clumsily handled attempt at portraying her as totally naive to the ways of human civilization. The problem is that there is a fine line between naive and dumb, and Diana spends a bit too much time on the wrong side of that line. That being said, the kid who introduces her to ice cream is adorable and should be a recurring character.
The main plot here is a large-scale attack on Earth by enough parademons to make the heroes look somewhat impressive fighting them, but not nearly enough to actually mount a successful invasion.
We also get some progress on Cyborg's origin, as well as the introduction of Aquaman (who gets a great first line). Dialogue in general was pretty sharp. Flash to the Batman. "You don't have powers? I thought you were a vampire or something!" Ha! There's a cute introductory exchange between Superman and Wonder Woman as well.
Art continues to be great. It's nothing all that daring or innovative, but it looks great, and as mentioned before, it's really exactly the look that a big and loud action-oriented book like this needs.
Rating: 7/10
Monday, December 5, 2011
Justice League #2
Title: Justice LeagueIssue: 2
Date: December 2011
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Patrick Brosseau
Editor: Eddie Berganza, Rex Ogle
Cover: Jim Lee, Alex Sinclair, Scott Williams
We open with a quick introduction of Barry Allen, then it's back to Superman vs. Green Lantern and the Batman. This is a pretty standard, fight-until-cooler-heads-prevail scene, but it's handled well. The Flash joins in as backup called by Hal Jordan and he gets a particularly fun sequence against Superman.
Hal Jordan continues to be written as an annoying twit, which is frustrating for me, so it must be extra-frustrating for people who are actual Green Lantern fans.
Other than that, the character interactions are good, including a nice scene between Victor Stone and his dad, a head scientist at STAR Labs.
The art team of Lee, Williams, and Sinclair continue to do a great job of giving the book the big, explosive look that a major superhero team book should have.
A couple of backup features give us some concept sketches for Batman and Superman, as well as a text piece that does a reasonable job of laying down the foundation for introducing Wonder Woman next issue.
The major flaw in the first issue was Hal Jordan, and he's still terrible, but now he's essentially a fourth of the team rather than half, which is sort of an improvement by subtraction. Everything else is simply an improvement.
Rating: 7/10
Tuesday, November 8, 2011
Batman: The Dark Knight #2
Title: Batman: The Dark KnightIssue: 2
Date: December 2011
Publisher: DC Comics
Writer: Paul Jenkins, David Finch
Penciler: David Finch
Inker: Richard Friend
Colorist: Alex Sinclair
Letterer: Sal Cipriano
Editor: Mike Marts, Rickey Purdin
Cover: David Finch, Richard Friend, Alex Sinclair
Harvey Dent's tagline at the end of the first issue actually makes no sense at all, but that doesn't stop the drugged-up and muscled-up Two Face from beating on the Batman in a pretty one-sided brawl that ends when the Batman is effectively saved by the bell.
It turns out that someone has been injecting the Batman villains with a drug that I at first assumed to be Venom, but is actually some variant on the scarecrow's fear-gas. Its effects include superhuman strength, fearlessness, and really badly-drawn anatomy.
In spite of the rather goofy nature of the premise, the creative team milks it for all its worth, including a montage of Bat-Family members getting trounced by an array of second and third rate villains on (for all intents and purposes) steroids.
Some minor gripes:
More dead GCPD officers. Is this really necessary? These guys must spend their off-duty time doing nothing but attending funerals for their fellow officers. I don't have a grip with violence when it serves a purpose, but to draw in a few dead bodies of cops just for the sake of getting a villain over is lazy storytelling, and it has been happening way too much in the DCnU (in the old DCU in recent years too). How about doing this a lot less often but making an effort to get the readers to care?
Also, Damian Wayne only appears on two pages (good!), but he is completely out of character in this scene. Some consistency would be nice (even if it involves making a character consistently intolerable).
I was also a bit puzzled with the kid-gloves approach that the Batman takes with the White Rabbit, who is pretty clearly one of the bad guys.
On the good side, the pacing was great. Art was solid aside from the Image Comics 1990s look for all the drugged-up villains. And the story was a lot more complex than in the first issue. All in all, despite some problems, an improvement.
Rating: 6
Wednesday, October 19, 2011
Batman: The Dark Knight #1
Back to the New 52. Still working my way through first issues.Title: Batman: The Dark Knight
Issue: 1
Date: November 2011
Publisher: DC Comics
Writer: Paul Jenkins, David Finch
Penciler: David Finch
Inker: Richard Friend
Colorist: Alex Sinclair
Letterer: Sal Cipriano
Editor: Mike Marts, Rickey Purdin
Cover: David Finch, Richard Friend, Alex Sinclair
You know the line in Austin Powers where Dr. Evil gives up on making a creative plan for world domination and just says "The hell with it. Let's just do what we always do and hijack a nuclear weapon."?
This book felt a lot like that. No original ideas? No problem. Let's just do what we always do and have a mass breakout from Arkham Asylum. That always works.
In the lead-up, we get a little bit of narrated monologue on the nature of fear, followed by a scene of Bruce Wayne doing his playboy/philanthropist gig. Two long-term complications are introduced right off the bat (Bat! Get it! Never mind...). First there's a Gotham internal affairs detective who's got his sights set on Bruce Wayne and Jim Gordon. Then we have Jaina Hudson, a possible new love interest, who's flirting more than a bit outrageously at first sight.
From there it's mayhem at Arkham, and as usual, it doesn't matter how many cops you've got. The only way to restore order is to have the Batman lead the charge fists-flying. Oh, and in the midst of it, there's some random villainess in what is basically a Playboy bunny outfit who manages to strike pretty much the most sexist pose possible while dodging bullets. But that's not who the Batman is going after. He's heading straight into the heart of darkness to find Two-Face before he gets... Oops too late. Harvey Dent has been redrawn by way of the Rob Liefeld School Of Excessive Muscles.
The two new supporting cast members seemed decent. Everything else here has been done before. Only a lot better.
Rating: 4/10
Thursday, September 8, 2011
Action Comics #1
Title: Action ComicsIssue: 1
Date: November 2011
Publisher: DC Comics
Writer: Grant Morrison
Penciler: Rags Morales
Inker: Rick Bryant
Colorist: Brad Anderson
Letterer: Patrick Brosseau
Editor: Wil Moss, Matt Idelson
Cover: Jim Lee, Scott Williams, Alex Sinclair
The first Action Comics #1 since 1938! I'm still disappointed that the series won't go to #1000, but as I've mentioned before I understand how DC felt that the renumbering would only be seen as a true relaunch if they renumbered all their titles, including the "big number" books like Action and Detective.
I bought the variant cover version with Jim Lee's artwork, which is actually taken from a (really good) splash page in Justice League #1 (my review of that issue is here).
What we have here is a new take on Superman. He's younger, and clearly inexperienced. He's also got a solid case of cynicism for the legal system, and a cocky and arrogant attitude, particularly toward the Metropolis Police Department. Detective Blake: "We used to have laws in this town. Like gravity." Ha!
The opening scene has him pulling a Batman-style stunt of dropping a white-collar criminal off of building ledge and catching him just before impact to force a (clearly inadmissible!) confession.
Superman's powers have also been scaled back considerably. He's a lot more vulnerable to harm (although still tough enough to take a shot from a tank's main gun).
As for villains, we've got a decent (and pretty much by-the-book) portrayal of Lex Luthor working as a consultant for General Lane (Lois' father). Oh, and the other major adversary in this issue is a bullet train (emphasis on "bullet").
A lot of people probably won't like Superman's new cocky attitude. I didn't think I would. But I did find myself enjoying this portrayal of the character, particularly if the direction we're going in is toward a some growth and maturing. The villains were spot-on (bonus points for Luthor's reference to the brown tree snake and the cane toad!). I liked Clark's interaction with his landlady, who seems like a good supporting character, and I liked his vibe with Jimmy Olsen. There was also a fun scene where some bystanders came to Superman's aid against the military.
The ending sequence was visually pretty cool, but I was a bit lost on the logic behind the scene, which involved a bomb on a train for no reason that I could figure out. It looked like this was a case of trying to fit too much material into a limited number of pages. Something had to get rushed. The ending cliffhanger was still pretty effective, with an great visual.
Rating: 7/10
Labels:
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Monday, September 5, 2011
Flashpoint #5
Issue: 5
Date: October 2011
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Andy Kubert
Inker: Sandra Hope, Jesse Delperdang
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Editor: Eddie Berganza, Rex Ogle
Cover: Andy Kubert, Sandra Hope, Alex Sinclair
Disclaimer: I didn't read any other issues of this series. But, having read this one and skimmed the Wikipedia Page, I don't really feel like I needed to.
In the midst of a whole bunch of mayhem, Zoom confronts Flash and restores Barry's lost memories by "resetting your internal vibrations". Apparently this is extremely painful. Probably because the human brain has a limited tolerance for horribly contrived pseudoscientific nonsense.
It is then revealed that...
SPOILER WARNING
The entire Flashpoint miniseries is nothing more than a good old fashioned time travel story about how you can't just go an change the past because all kinds of unforeseen stuff will happen. That's all there is to it.
Five issues. Sixteen different miniseries. A whole bunch of one-shots. And a map of Africa featuring the words "Ape Controlled" (Really, DC? Really?).
And the whole point was to tell the same story about what happens if you go back in time and
So, in terms of the actual explanation it was a bit underwhelming.
The big climactic battle suffered from the same problem that the big climactic battles in these crossover series always suffer from: Too many characters need to get their big final resolution scenes. The result is a series of quick deaths with no emotional impact (and even less in this series because of the "Elseworlds" nature of the whole thing and the looming DC Universe reboot that will restore most of these characters).
That being said, Zoom gets a pretty good comeuppance that works well in the context of the story and delivers some satisfying impact. And the story does get quite a bit better once we enter epilogue mode and have dispensed with the mass battle stuff. The resolution of affairs between Barry and his mom is a nice touch and the fact that she goes knowingly to her fate is an interesting choice of plot direction. Likewise the final scene with Barry and Bruce Wayne is excellent and it gets a full seven pages.
The actual "reset the timeline" bit was a full two-page spread featuring some hooded woman who I probably should recognize but don't explaining (non-explaining, really) that there were three timelines because the "history of heroes" was shattered, and that they will now merge into one. Okay. This will probably make sense to some of the serious DC fanboys. For people like me, they kept it short and provided lots of random pictures of different version of DC superheroes in the background.
The problem I had with this series in general is that nothing in it really matters. Everyone knew going in that the reset button was going to get hit. Like most time travel stories, the final goal is simply to put the universe back to what it was before (or in this case a very slightly altered version to coincide with the relaunch). So there's no real emotional investment in the end result, nor are there any real stakes being decided while we're in Elseworlds mode. Or, to use Marvel's terminology, this entire series was a huge "What If?" story. And the appeal of "What If?" is to give us a glimpse of an altered version of the world. The altered version presented in this series was nasty, brutish, and ultimately uninteresting.
Given the limitations of what DC set out to do, I'm actually surprised that this final issue had anything worth reading in it at all. It did, and that's something at least. But I'm not exactly regretting not reading the rest of this mess.
Rating: 5.5/10
Sunday, September 4, 2011
Justice League #1
Issue: 1
Date: October 2011
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Patrick Brosseau
Editor: Eddie Berganza, Rex Ogle
Cover: Jim Lee, Alex Sinclair, Scott Williams
And we're off! Here's the first of the "New 52" from DC. Justice League is taking a bit of a slow build, and a "Year One" type story that is set five years before the "present" in the new DC continuity.
Only three actual members appear in this issue (in costume, anyway), and Superman only shows up in the last couple of pages.
Up to then, it's essentially Brave & The Bold: Batman & Green Lantern. Except that Hal Jordan has somehow become an idiot in the new continuity. Don't they have Guy Gardner for that?
So the Batman is chasing a demonic-looking creature over the Gotham rooftops while an unsympathetic (but still horribly ineffective) GPD shoots first and asks questions later. Just as the demon/alien/whatever (I think he's one of Darkseid's actually, so I guess he qualifies as all three) is getting the upper hand, Hal Jordan shows up and has everything under control. No, really. He's got this. No problem. He's got the most powerful weapon in the universe, after all.
The Batman is all like "What? You mean this?" and swipes Hal's power ring like he's taking candy from a baby. Admittedly, this was a horribly contrived cheap shot, and I'd be up in arms if I was a raving GL fanboy. However, 1) I'm not a Green Lantern fanboy (in the words of Kurt Angle, "Green Lantern? Aquaman talks to fish and even he's cooler than Green Lantern!") and 2) As mentioned, this version of Hal Jordan is behaving like an egotistical idiot. So it was mildly amusing.
For no real logical reason, once the Batman and Green Lantern put their differences aside, they decide to go to Metropolis, because the creature they were fighting was an alien and they've heard that Superman might be an alien too, so clearly there must be a connection. This is a stretch even in the "Year One" context.
They show up and Hal decides that acting like a moron around the Batman wasn't enough. So he goes and ticks off Superman. You know how the song goes. You don't tug on Superman's cape and you don't spit in the wind. The result is about what you'd expect. Hey, come to think of it, if Superman had been dressed in yellow, Hal Jordan would probably be dead at the end of this book! Fortunately, they didn't go THAT extreme on Superman's costume changes.
Next issue promises Batman vs. Superman. I'm hoping the Batman pulls the "I've attached a bomb to a person somewhere and it will explode and kill that person if you touch me" trick. That one was pretty awesome the last time they rebooted Superman.
As for this issue, several pages of Jim Lee's art are pretty awesome: The first power-ring construct, a football scene involving Vic Stone, and the first splash page appearance of Superman are impressive.
Not much else in this book is.
Rating: 4.5/10
Sunday, July 24, 2011
DC Comics: The New 52 #1
Title: DC Comics: The New 52Date: 2011
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Editor: Jim Lee, Dan DiDio
If you're following mainstream comics at all, then you're probably aware of the DC comics relaunch that's coming in a few weeks. This is a preview book covering the complete revamping of the DC Universe, with every ongoing comic being restarted with a new issue #1 (even longterm legacy books like Action Comics and Detective Comics, both of which were closing in on #1000 in the next few years).
This book is a freebie, and it contains two basic components. The first is five pages of the new Justice League #1 by Geoff Johns and Jim Lee. To make matters slightly more confusing, the sample scene takes place in a five-year flashback to "a time when the world didn't know what a super-hero was". So you've got the Batman doing his typical Batman thing, chasing down some generic villain/monster across the rooftops of Gotham with the GCPD (who are apparently still incompetent; I guess some things just never change). Green Lantern shows up dispatches the bad guy with a firetruck construct before going all fangirlish for the Batman, who apparently has better things to do than to sign an autograph for Hal Jordan.
Jim Lee's art is gorgeous. The writing was simply dull. We've seen this kind of "Year One" stuff a million times, and nothing about this was fresh, new, or even all that interesting.
The rest of the book is just a big ad for all 52 of the new series that will constitute the new version of the DC Universe, at least until the next Crisis, which if they are true to schedule should occur sometime in mid-2013.
As a bonus for putting up with my cynicism, here are my (brief) thoughts on every book in the New 52:
Justice League: Good solid lineup (Aquaman, Wonder Woman, Flash, The Batman, Superman, Green Lantern; although my understanding is that they'll be including a bunch of second-stringers as cannon fodder). Jim Lee's art should be great for this. Stories will probably be fairly generic.
Justice League International: August General in Iron? Really? Really? Fire and Ice are usually cute and entertaining. So is Rocket Red for that matter. Guy Gardner is good for comic relief. So is Booster Gold. Actually just about everyone on this team is good for comic relief. Oh, and the Batman (who is not usually good for comic relief, except when paired with pretty much anyone on this team) is on here too, just in case August General in Iron fails to sell books.
Aquaman: Apparently they have a new race of creatures called (oddly) The Trench. They claim The Trench will be the most talked-about new characters in the DC Universe. From the glimpse we get in this book I'm expecting that HP Lovecraft fans will do lots of talking about how The Trench are a ripoff of Lovecraft's Deep Ones. Oh, and Aquaman in the book too. Hopefully he will do some talking to fish.
Wonder Woman: So, she's carrying a bloody sword in the sample art. I'm guessing she has not reverted back to the pacifist version from the George Perez run. Which is too bad. Angry warrior Wonder Woman is tedious.
The Flash: Barry Allen! The preview of this book was pretty generic, but the DC Universe went without Barry Allen for so long that the character is actually pretty fresh at this point. And since Flashpoint is what got us into this whole mess, I would expect this to be a pretty important book.
The Fury of Firestorm: They seem to be going with the shared body thing here, and the two inhabitants can't stand each other. This is the superhero version of one of those movies where two prisoners escape from jail but are handcuffed to each other.
Green Arrow: "Now armed with cutting-edge weaponry and illegally gained intel". Which means the trick arrows are back. Is the boxing-glove arrow considered cutting edge? I love Ollie, and he's been a character who is consistently well written in spite of the idiocy around him, but this looks pretty generic.
The Savage Hawkman: As opposed to the civilized one? Hawkman never did much for me. I expect that trend to continue.
DC Universe Presents: This could be a really great platform for new talent and obscure characters. Or it could be a dumping ground for crap (see Action Comics Weekly). The initial arc features Deadman, so there is some potential at least.
Mister Terrific: Iron-Man ripoff.
Action Comics: I'm a bit of a traditionalist, so I cringe to see this being renumbered. On the other hand, I understand that DC felt that it wouldn't be a clean break if they didn't renumber the big-number books. They claim this is a very different take on Superman, and the sample artwork shows the police shooting at him, so I'm guessing they'll be going for more of a vigilante feel (which would indeed be different, although not that great a fit for the Man of Steel). I wonder if he's still an American citizen.
Superman: The preview of this book focuses more on the Clark Kent identity, which gets a major reboot. In particular, we're going back to bachelorhood for Clark. Oh, and there's a monstrous threat to Metropolis and Superman just might be the cause of it! How very Silver Age of them.
Supergirl: All the powers of Superman, but with teenaged angst. You know, Alan Moore did this. It was called Kid Miracleman, and let me assure you, it did not end well for humanity. This looks like it has the potential to be a disaster more in the bad writing category.
Superboy: This would be a part-human, part-kryptonian clone. Can he develop a conscience? Or a regular readership?
Batman: This is Bruce Wayne as the Batman, to nobody's surprise. The preview promises that the Batman learns that Gotham City is deadlier than he knew. Really? Has he been paying attention lately? Gotham is pretty deadly.
Detective Comics: Preview art (which looks great) features the Joker, although the text says the the Batman is up against a new villain with the rather creative name of The Gotham Ripper.
Batwoman: Kate Kane is one of those characters that I love the concept of, but have not actually read all that much of. So she may be getting a sidekick here (her cousin Bette Kane is third-rate heroine Firebird, apparently). Notably absent from the writeup, any mention of Kate's ex-lover Renee Montoya.
Batman: The Dark Knight: This book apparently will contain follow-up from the Batman Incorporated storyline, corporate intrigue involving Waynecorp, and the Batman fighting through a gauntlet of villains at Arkham Asylum. Nothing really new here, but at least it sounds like it's packed with good Batman lore and loaded with action.
Batman And Robin: The big mystery here is how annoying will Damien Wayne need to get before the Batman smacks him. The new villain is named NoBody, which should at least make for some funny (and Homeric!) dialogue.
Batwing: The Batman of Africa. This actually looks really cool. It will probably be canceled around issue 5.
Batgirl: Wow. Where to begin? This is definitely the most controversial book in the new lineup, and I honestly don't know where I stand in the debate over whether it's the right move to "cure" Barbara Gordon. I will say that I agree with those who have said that Oracle was an absolutely awesome character, and was better written than anything done with Batgirl before that. They've got Gail Simone writing this, so they've got a shot at making it work. I'm really hoping that they get this right somehow.
Nightwing: This is a character that works well, and is usually pretty well written. The opening story involves the return of Haley's Circus to Gotham, so it should be an entertaining nod to the past, and an emotional adventure for Dick Grayson. This one definitely has potential.
Catwoman: "This is a tough, sexy, violent, over-the-top book." - writer Judd Winick. You know, I'm pretty okay with that description for a Catwoman book (less than thrilled to see that the same could probably be said about the new Wonder Woman book, and really about all the books involving female characters).
Birds of Prey: This is going to be the Dinah Lance show, which is good, because she's been great in Birds of Prey. No idea who the heck Starling is, and the rest of the team in the sample art looks silly (Katana? Really? And is that Poison Ivy?).
Red Hood And The Outlaws: What the HECK is Starfire doing in this book? That makes no sense at all.
Green Lantern: Sinestro as Green Lantern. I'm intrigued.
Green Lantern Corps: Looks like we've got Jon Stewart, Killawog, and Guy Gardner, along with a couple of other Lanterns whose names I should know but don't. I'm also pretty sure several of them were dead in the previous continuity. The Corps never did much for me, but I know some people love this stuff. I could never get too far past the can't-affect-yellow foolishness.
Green Lantern: New Guardians: Completely new concept for the team. This is a sort of power-ring rainbow group. We get almost no preview art, but the text assures us that this is the "most powerful team in the universe". Apparently, they also don't get along all that well. Just once I'd love to see someone come up with a team book of guys/gals with mediocre powers, but who get along and work together really well. They'd probably trounce every super-team in the DCU.
Red Lanterns: They're just like the Green Lanterns, but more violent. Yeah, that's exactly what comics needed. Moving on.
Justice League Dark: Okay, I'm not usually into "dark" as much as some folks, but how can you not love a team that consists of Shade: The Changing Man, Madame Xanadu, Deadman, Zatanna, and John f'n Constantine?!? Add in the fact that the original Vertigo Shade: The Changing Man writer Peter Milligan is on board and you've got the first book in this lineup that I'm really excited about.
Swamp Thing: Good to see the Swamp Thing back in the DC Universe. Loads of potential here, but not much revealed in the description.
Animal Man: I really like the fact that they seem to be carrying on the themes of the Vertigo series in this book. Could be really good.
Frankenstein: Agent of S.H.A.D.E.: Okay, first of all everyone knows that the monster is NOT named Frankenstein. Has DC not been paying attention? Oh, and S.H.A.D.E. stands for Super Human Advanced Defense Executive.
I, Vampire: Where's Buffy when you need her?
Resurrection Man: Gets reborn with new powers every time he dies. Hey, this sounds like, well, pretty much the entire DC Universe over the last 20-30 years. Nobody stays dead and they're constantly getting repackaged.
Demon Knights: Set during the Middle Ages, Jason Blood/Etrigan get all medieval. No word on whether Etrigan's dialogue will rhyme. I pretty much require rhyming dialogue if I'm going to read an Etrigan book.
Stormwatch: The super-secret Stormwatch team (which sounds like the weather unit on the Channel 5 news) is on a mission to recover the [Information Redacted]. No, really. It actually says that in the writeup. The team includes Martian Manhunter and a bunch of guys I've never heard of.
Voodoo: "Learn the truth about Priscilla Kitaen as she leaves a trail of violence across America." Ooh, a trail of violence across America! What a new and refreshing idea! Oh, and her costume looks like Elektra's except that she's got a scaly dragon-claw hand. This looks awful.
Grifter: Okay, so this guy is apparently the biggest sweet talker of all time. Why does he need the guns, then?
Suicide Squad: Harley Quinn's new costume is basically a wonderful summation of everything that is wrong with the treatment of female characters in comics. Anyway, as much as I like Deadshot, if there's no Amanda Waller (one of the few female characters that DC has ever really gotten right), then I'm not buying.
Deathstroke: Because they just can't call a guy "The Terminator" anymore. Looks like pretty generic anti-hero stuff. This guy really doesn't work for me as the star of his own book.
Teen Titans: Tim Drake is a great character, and Tim as new team leader is a pretty awesome concept. The rest of the team sounds at least entertaining, and it's a pretty classic lineup with Superboy, Wonder Girl, and Kid Flash. Titans has never been my thing (again, I know it's a book that a lot of people love; I'll be making this disclaimer again when we get to the Legion), but this does look like it could be good.
Static Shock: Static moves to NYC all the way from the Dakota Universe (remember that?). They seem to be going for a Spider-Man vibe here. Could have potential.
Hawk And Dove: They're up against someone who is out to plunge the USA into a new civil war. What? Does this mean they're fighting Fox News? Actually that would be kinda cool. The actual book does not look kinda cool. It looks kinda dull.
Blue Beetle: This is basically DC saying "No, you ARE going to like our new version of Blue Beetle. Really." Sorry, still not buying.
All-Star Western: Okay, I love the idea of a 19th Century Gotham City with Amadeus Arkham and Jonah Hex. But since when is Gotham City in the WEST? I always thought it was in New Jersey!
O.M.A.C.: Wait, the Brother Eye Satellite is STILL in orbit after all those various Crises? Really? Checkmate is in this one, in case you were lamenting the loss of Checkmate from the DCU. Oh, and O.M.A.C. now stands for One MACHINE Army Corps. Even an acronym enthusiast like me is having a hard time caring.
Blackhawks: Tom Clancy style vibe here. This could actually be pretty cool.
Men of War: Easy Company are now ex-military men turned contractors. Mercenaries, in other words. I don't mean to sound like a Republican here, but what is the problem with doing a book about the actual US Military? You know, REAL heroes? The Sgt. Rock I grew up with wouldn't work for Blackwater.
Legion Lost: Seven heroes from the future come back to warn all the mutants that the Sentinels are going to take over and... Oh, wait. Sorry, wrong time travel plot. Anyway, this is Legion of Superheroes people stuck in the present. I wonder what the present-day superheroes will think of all the goofy -lad and -lass names? And will any of them become their own ancestors?
And finally... Number fifty-two...
Legion of Super-Heroes: The Legion has been decimated (somehow, I get the impression that DC is not using the technically correct definition of that term; no one ever seems to get that right). The students at the Legion Academy must rise to the challenge of helping the team rebuild while the usual generic cosmic threat looms. I know that a lot of people are really dedicated Legion fans. I've never been that into it, although I am curious to see if they're keeping the goofy names.
Wow. That is a lot of comics. Justice League #1 arrives August 31 and the rest of the books come out in September.
This preview book had lots of nice art samples, but a lot of the descriptions lacked specific information that might be helpful. Still, it's a pretty good overview for readers considering jumping on board the new DCU, and there's a handy checklist on the back cover.
Rating: 6/10
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