Batman #700

From the Random Stack of Unread Comics.

Title: Batman
Issue: 700
Date: August 2010
Publisher: DC Comics
Writer: Grant Morrison
Artist: Tony Daniel, Frank Quitely, Scott Kolins, Andy Kubert, David Finch, Richard Friend
Colorist: Ian Hannin, Alex Sinclair, Tony Avina, Brad Anderson, Peter Steigerwald
Letterer: Jared K. Fletcher
Editor: Mike Marts, Janelle Siegel

I reviewed Batman #699 way back in 2011, in the early days of this blog (it was the first time I missed a day, something that I learned to get a lot less uptight about since then, as this blog has not usually been even close to daily since then).

I'm always a fan of "big round number" milestone issues. This one had two special features. The frist was a Batman pinup gallery by Shane Davis, Juan Doe, Guillem March, Dustin Nguyen, Tim Sale, Bill Sienkiewicz, and Phillip Tan. The other bonus item was a detailed map of the Batcave by Freddie Williams II.

The main story was something of a hot mess, a time-travel piece involving multiple version of the Batman, bunches of classic villains, and too much Damian Wayne. It did feature a lot of great visuals by its rotating cast of artists, some great action, and a ton of nods to past stories (I particularly liked the use of the Mutants gang from The Dark Knight Returns, and a rare appearance by Chief O'Hara). It was not very accessible to the casual fan, which is too bad, as these milestone issues often attract some casual fan interest, and the convoluted plot of this story would probably leave a lot of them wondering what the heck they just read.

I was a bit unsure myself. Very pretty issue, but not enough reward for the effort of parsing all of the time travel threads to try to get it to make sense.

Rating: 5/10

Doom Patrol #44

From the Ramdom stack of unread comics.

Title: Doom Patrol
Issue: 44
Date: May 1991
Publisher: DC Comics
Writer: Grant Morrison
Penciller: Richard Case
Inker: Mark McKenna
Colorist: Dan Vozzo
Letterer: Jay Workman
Editor: Art Young, Tom Peyer

Who runs America? Who runs the world? Why is the Pentagon the shape it is?

Dorothy and Flex Mentallo are prisoners of the Men from N.O.W.H.E.R.E. in a secret chamber beneath the Pentagon, and the machine known as the Ant Farm is about to exterminate imagination and strangeness from the world.

Well, there is no lack of strangeness in this story. I read this issue in isolation, and it has a lot going on, so I'm sure I missed quite a bit. But what I did get was excellent: the wild telephone-company conspiracy theories, the dropped references to everything from the Principia Discordia to Apocalypse Now, and the surreal final confrontation in which Dorothy has to make a dangerous bargain for the power to save her friends.

This was a visual spectacle and a total trip down the rabbit-hole in terms of storytelling. It tried a bit too hard to juggle too many characters, but it had so much delicious strangeness, that I can forgive the somewhat scattered focus.

Rating: 7.5/10

All Star Superman #1 Free Comic Book Day 2008 Edition

From the stack of random unread comics, and originally from Free Comic Book Day 2008.

Title: All-Star Superman
Issue: #1
Date: June, 2008
Publisher: DC Comics
Writer: Grant Morrison
Penciler: Frank Quitely
Inker: Jamie Grant
Colorist: Jamie Grant
Letterer: Phil Balsman
Editor: Brandon Montclare, Bob Schreck

This is one of several promotional reprints that DC Comics has produced of the first issue of All Star Superman. I read and reviewed a more recent reprint (coinciding with the release of the Man of Steel film) here.

This edition uses the original cover (formatted for Free Comic Book Day), which is something of an improvement on the Man of Steel promo (or rather, the new cover for the Man of Steel promo was not an improvement on the original).

My opinion on the story holds up after a second reading (actually, this was probably at least my fourth time reading this; I've got the original printing somewhere).

This is an excellent, and complex story, with Superman facing the possibility of his own mortality due to a scheme by Lex Luthor that lured Superman into the sun and left his cells dying slowly from a solar radiation overdose. The story feels very Silver-Age, and is reminiscent of Alan Moore's great Silver Age tribute, "What Ever Happened to the Man of Tomorrow?".

The artwork is absolutely gorgeous.

It's not the best introductory story for non-fans, in spite of DC constantly reprinting it as such, but for a fan, this is a really intriguing beginning that holds up nicely after multiple readings.

Rating is up half a point due to the better cover.

Rating: 8.5/10

Action Comics #6

I still have a lot of early New 52 books to read. I'm on the #5's and #6's with most of the titles that I kept following. I read up to #7 on most of those, and that was when I realized that the comics were stacking up unread again and I stopped buying them regularly.

Title: Action Comics
Issue: 6
Date: April 2012
Publisher: DC Comics
Writer: Grant Morrison, Sholly Fisch
Penciler: Andy Kubert, Chriscross
Inker: John Dell, Chriscross
Colorist: Brad Anderson, Jose Villarrubia
Letterer: Patrick Brosseau, Carlos M. Mangual
Editor: Wil Moss, Matt Idelson
Cover: Rags Morales, Brad Anderson

Superman gets some help from time-traveling members of the Legion of Superheroes to deal with a threat that is hiding in plain sight. This story had a lot going on, and a ton of plot twists. Some of the paths taken to get to the end were a bit awkward and overly complicated, but the good moments were really good, including a really awesome Superboy/Legion ending.

Backup story is another look into the past. This time, it's Clark Kent's last day in Smallville before heading to college. It's sweet and sentimental, with some amusing bits of dialogue.

This was worth the slogging through all of the time-travel silliness.

Rating: 8/10

All-Star Superman #1 (Special Edition)

This was "free with any purchase" at Barnes & Noble this week. Free comic? I'll take that, please.

Title: All-Star Superman
Issue: #1
Date: August, 2013
Publisher: DC Comics
Writer: Grant Morrison
Penciler: Frank Quitely
Inker: Jamie Grant
Colorist: Jamie Grant
Letterer: Phil Balsman
Editor: Brandon Montclare, Bob Schreck



This is a reprint of the first issue of the All-Star Superman series from 2005, reissued this year as a free promo given out at various retail stores (I got my copy at Barnes & Noble; I know it's also available at Sears) in conjunction with the release of the film Man of Steel.


Superman rescues a mission organized by Dr. Leo Quintum to research the sun. The ship had been sabotaged by Lex Luthor. As a result, Superman is poisoned by an overdose of solar radiation, the Dr. Quintum determines that Superman is terminally ill. With only one year to live, Superman begins to think about what there still is to accomplish.

This story reminds me a bit of Alan Moore's "Whatever Happened to the Man of Tomorrow?" in the sense that it embraces much of the Silver-Age fantastical elements of the Superman mythology and still tells a serious story. This is not a toned-down Superman for the sake of realism. This is a Superman who flies into the sun.

It's also a complex story written for readers who know Superman. There is a lot going on, even in this first issue, and the large cast of supporting characters shows plenty of promise.

Frank Quitely's art is perfect for capturing the awesomeness as well as the humanity of the Man of Steel.

Rating: 8/10

The New 52 FCBD Special Edition #1

From my Free Comic Book Day haul.

Title: The New 52 FCBD Special Edition
Issue: 1
Date: June 2012
Publisher: DC Comics
Writer: Geoff Johns, Grant Morrison, China Mieville, James Robinson, Paul Levitz, Howard Mackie, Jimmy Palmiotti, Justin Gray, JT Krul
Artist: Jim Lee, Scott Williams, Ivan Reis, Joe Prado, Kenneth Rocafort, Gene Ha, Chris Burnham, Mateus Santolouco, Nicola Scott, Trevor Scott, Kevin Maguire, George Perez, Ian Churchill, Norm Rapmund
Colorist: Rod Reis, Alex Sinclair, Blond, Art Lyon, Dan Panosian, Ariel Olivetti
Letterer: Sal Cipriano
Editor: Kate Stewart, Dan Didio, Eddie Berganza
Cover: Jim Lee, Alex Sinclair, Scott Williams

This was DC's major 2012 Free Comic Book Day edition. This is all teasers, but it's good eye candy for the most part. The giant fold-out center spread is gimmicky but fun.

The story focuses on the origin of Pandora, who was the mystery woman drawn into the backgrounds of all 52 of the reboot issues. She is the same Pandora we know from mythology, but she's part of a trio of ancient sinners who were cursed with eternal torment in one form or another. The other two beings appear to be reboots of the Phantom Stranger and the Question.

And speaking of reboots, welcome back Etta Candy (now black and skinny). Not minding the change there. She was a character who went through an awful lot of reimagining over the years.

There is a lot of back-and-forth with Pandora infiltrating top-secret labs and storage facilities for alien/mystical technology. Steve Trevor is clearly being shoehorned into the Nick Fury role, which comes off a bit generic. Also, he demands "Find me John Constantine!". Be careful what you wish for, Steve. Oh, and Black Orchid gets namedropped.

The second half of the book is just preview pages from new titles. The most intriguing of those was Dial H, featuring the first comic writing by China Mieville. It looked like it had some potential. World's Finest was amusing and engaging. It was nice to see the Unknown Soldier in the GI Combat preview, but the rest didn't interest me much.

Rating: 6/10

Action Comics #5

Title: Action Comics
Issue: 5
Date: February 2012
Publisher: DC Comics
Writer: Grant Morrison, Sholly Fisch
Penciler: Andy Kubert, Chriscross
Inker: Jesse Delperdang, Chriscross
Colorist: Brad Anderson, Jose Villarrubia
Letterer: Patrick Brosseau, Carlos M. Mangual
Editor: Wil Moss, Matt Idelson
Cover: Rags Morales, Brad Anderson

Variant cover is pictured.

This issue is almost entirely made up of retellings of bits of the Superman origin story. It's effective, but not terribly groundbreaking. There's some retconning, of course, but again, nothing that is all that shocking.

When we finally get into current plot, it's a messy time travel story that doesn't really go in any direction except toward the needlessly complicated.

Backup story is more Superman origin stuff, this time focusing on Jon and Martha Kent in the early years of their marriage and their struggles with infertility. It's generally good, although it very quickly goes down the path of "everything happens for a purpose" which is pretty much the least interesting thematic direction this could have been taken in.

All of that being said, there are some good details throughout the issue, and it does a nice job of laying seeds for future stories.

Rating: 5.5/10

Action Comics #4

Title: Action Comics
Issue: 4
Date: February 2012
Publisher: DC Comics
Writer: Grant Morrison, Sholly Fisch
Penciler: Rags Morales, Brad Walker
Inker: Rick Bryant, Sean Parsons, Brad Walker
Colorist: Brad Anderson, Jay David Ramos
Letterer: Patrick Brosseau, Carlos M. Mangual
Editor: Wil Moss, Matt Idelson
Cover: Rags Morales, Brad Anderson

In the midst of a full-scale robot invasion, the people of Metropolis begin to realize that Superman is one of the good guys. I particularly liked Clark's reaction to the police who try to arrest him (As a huge robot looms over them: "Slap on the bracelets, boys. Otherwise, stand back and let me do my job.").

The alien force behind the robot invasion is the same force that "collected" Kandor. Now it's grabbing a significant chunk of Metropolis (including Lois Lane). Meanwhile Superman has his own problems in the form of John Wayne Corben AKA Metallo.

But Superman has some backup too. As it turns out, Corben isn't the only guy named John who can put on a suit of armor.

Steel gets the backup feature, and his introduction is handled in short-and-sweet style that integrates nicely into the overall plot. And references back to the original tale of John Henry are always fun in Steel's stories.

Rating: 7.5/10

Action Comics #3

So, of course, after a weekend of running bonus reviews to get back on track toward 365 in 2012, I get hit with a stomach flu and a major malware problem simultaneously. I'm recovering, and so is my PC. So onward with the reviews!

Title: Action Comics
Issue: 3
Date: January 2012
Publisher: DC Comics
Writer: Grant Morrison
Penciler: Rags Morales, Gene Ha
Inker: Rick Bryant, Gene Ha
Colorist: Brad Anderson, Art Lyon
Letterer: Patrick Brosseau
Editor: Wil Moss, Matt Idelson
Cover: Rags Morales, Brad Anderson

The third issue of the new Action Comics gives us our first look at Krypton, focusing on the destruction (well, shrinking, I suppose) of Kandor, rather than the fate of the planet Krypton itself. The scene give a few interesting new insights, including a link to some of the current villains in the main timeline, but it's also presented as something of a confusing jumble of telepathic chatter that detracts more than it enlightens.

Things get better when we get back to Clark Kent, who gets in some great lines ("You need to be the cop you wanted to be when you were a kid."), while making classic amateur superhero blunders, and questioning his own path in the face of an onslaught of bad press from corrupt media tycoon Glen Glenmorgan (doing his very best J. Jonah Jameson; all we needed was "Superman: Threat or Menace?" on the cover of the Planet).

Most awesome detail in this issue? A glimpse inside Clark's perfectly organized sock drawer! Ha!

The ending brings the issue full circle with the origin of Metallo and a robotic invasion all connected back to Kandor.

Everything worked but the opening scene.

Rating: 7/10

Action Comics #2

Title: Action Comics
Issue: 2
Date: December 2011
Publisher: DC Comics
Writer: Grant Morrison
Penciler: Rags Morales, Brent Anderson
Inker: Rick Bryant, Brent Anderson
Colorist: Brad Anderson
Letterer: Patrick Brosseau
Editor: Wil Moss, Matt Idelson
Cover: Rags Morales, Brad Anderson

Still in the "Superman Year One" mode. The military has captured Superman following last issue's train collision, and Lex Luthor is in charge of giving the Man of Steel a little taste of what Dick Cheney liked to call "enhanced interrogation techniques". In this case, it involves an electric chair. When Luthor is done with that, he plans to try some fluoroantimonic acid (Which is actually pretty cool stuff! Wikipedia it! I did!). And speaking of chemistry, Clark gets the best line of the series with this exchange:

Luthor: Does the word 'Krypton' mean anything to you?
Superman: Noble gas... Number 36...

Oh, hey! It's John Henry Irons! We also get to see General Lane (who gets a visit from his daughter, who's on the trail of the captured Superman). Also introduced is John Corben, who has some past romantic history with Lois.

Not surprisingly, the army doesn't hold Superman captive for long, but the story had lots of good details and little plot developments along the way to its inevitable ending. A major revelation about Lex Luthor sets the stage very nicely for some future storylines.

This was good. Superman is still "super" but a bit more limited than in some past versions. The young, inexperienced, and slightly cocky attitude is refreshing, while still maintaining the underlying potential to grow into the familiar heroic persona. The supporting cast had plenty to do and the action was fun and clever.

Backup feature is picture-essay with the creative team discussing character and prop design and it's a pretty interesting read, especially the revelations about their inspirations from very early Superman stories.

I've neglected to mention this in a few previous reviews, but all of the New 52 #2's contain a preview of the Christmas-themed Batman graphic novel, Batman: Noel. The artwork is gorgeous, but there isn't much you can make out as far a plot goes. It appears to be a variation on Dicken's A Christmas Carol.

Rating: 7.5/10

Action Comics #1

Title: Action Comics
Issue: 1
Date: November 2011
Publisher: DC Comics
Writer: Grant Morrison
Penciler: Rags Morales
Inker: Rick Bryant
Colorist: Brad Anderson
Letterer: Patrick Brosseau
Editor: Wil Moss, Matt Idelson
Cover: Jim Lee, Scott Williams, Alex Sinclair

The first Action Comics #1 since 1938! I'm still disappointed that the series won't go to #1000, but as I've mentioned before I understand how DC felt that the renumbering would only be seen as a true relaunch if they renumbered all their titles, including the "big number" books like Action and Detective.

I bought the variant cover version with Jim Lee's artwork, which is actually taken from a (really good) splash page in Justice League #1 (my review of that issue is here).

What we have here is a new take on Superman. He's younger, and clearly inexperienced. He's also got a solid case of cynicism for the legal system, and a cocky and arrogant attitude, particularly toward the Metropolis Police Department. Detective Blake: "We used to have laws in this town. Like gravity." Ha!

The opening scene has him pulling a Batman-style stunt of dropping a white-collar criminal off of building ledge and catching him just before impact to force a (clearly inadmissible!) confession.

Superman's powers have also been scaled back considerably. He's a lot more vulnerable to harm (although still tough enough to take a shot from a tank's main gun).

As for villains, we've got a decent (and pretty much by-the-book) portrayal of Lex Luthor working as a consultant for General Lane (Lois' father). Oh, and the other major adversary in this issue is a bullet train (emphasis on "bullet").

A lot of people probably won't like Superman's new cocky attitude. I didn't think I would. But I did find myself enjoying this portrayal of the character, particularly if the direction we're going in is toward a some growth and maturing. The villains were spot-on (bonus points for Luthor's reference to the brown tree snake and the cane toad!). I liked Clark's interaction with his landlady, who seems like a good supporting character, and I liked his vibe with Jimmy Olsen. There was also a fun scene where some bystanders came to Superman's aid against the military.

The ending sequence was visually pretty cool, but I was a bit lost on the logic behind the scene, which involved a bomb on a train for no reason that I could figure out. It looked like this was a case of trying to fit too much material into a limited number of pages. Something had to get rushed. The ending cliffhanger was still pretty effective, with an great visual.

Rating: 7/10