Just One More Hug: A For Better or For Worse Collection

 

From the bookshelf at my mother-in-law's house.

Title: Just One More Hug: A For Better or For Worse Collection
Date: March, 1990 (originally published in 1984)
Publisher: Andrews McMeel
Writer: Lynn Johnston
Artist: Lynn Johnston

This is the second For Better or For Worse collection I've read, but this one comes earlier in the series than Keep the Home Fries Burning (reviewed here). I continue to love the art style that mixes some cartoonish elements with realistic bodies and a generally cozy feel that matches the tone of the writing. The punchlines can be a little hit-or-miss, but definitely more hit than miss. I did find that this book had fewer ongoing plot elements than what I found in the later compilation, although there are still some here.

Elly's ongoing interactions with her bachelor-lifestyle brother with their looks back at their childhood together are a lot of fun. So is the family's visit to their "country cousins" out in farm country. A storyline involving Michael dealing with a bully at school gets a too-quick and convenient resolution, although I did enjoy the nostalgia vibes of Michael spending time at the arcade.

This continues to be some of the best slice-of-life humor out there, and it gets a lot of the little interactions of family life spot-on.

Rating: 7.5/10

Y: The Last Man: Book 1: Unmanned

From the shelf of unread books.

Title: Y: The Last Man
Issue: Book 1
Date: 2003
Publisher: DC Comics (Vertigo)
Writer: Brian K. Vaughan 
Penciler: Pia Guerra 
Inker: Jose Marzan, Jr. 
Colorist: Pamela Rambo
Letterer: Clem Robins 

Collects the first five issues of Y: The Last Man, featuring the story of the last man on Earth when a plague (biological attack? something supernatural? something else?) instantly kills every male on the planet except for the protagonist, Yorick and his pet monkey.

The thought-experiment aspect of this can be a bit frustrating in places as I was left trying to make some sense out of the setup scenario, but of course the point here is the symbolism more so than the chain of logic, and as symbolism this is great, both in the story an embedded in the art. It's also a really interesting story that does a good job of building tension with plenty of violent action while introducing characters and setting up longterm plotlines. This is a story with a lot going on.

The character of Yorick, an escape artist, has some really clever moments, and his pairing with a hardcore intelligence agent makes for fun chemistry.

As a side note, I had just finished reading The Amazing Adventures of Kavalier & Clay by Michael Chabon, which also features an escape artist protagonist, and included a bonus story in which the character of Sam Clay meets none other than a young Brian K. Vaughan. I didn't review that book on this blog, but you can find my review here.

I was late to the party as far as reading this series, having only previously read the first issue, but this was a really good start.

Rating: 8/10

GI Joe Origins Volume 1

First review of 2026! From a Little Free Library in Ware MA USA.

Title: G.I. Joe Origins
Issue: Volume 1
Date: September 2009
Publisher: IDW Publishing
Writer: Larry Hama
Art: Mike Hawthorne, Tom Feister
Colorist: Erik Swanson
Letterer: Robbie Robbins, Chris Mowry, Neil Uyetake
Editor: Andy Schmidt, Justin Eisinger

Trade paperback collection covering the first mission of the G.I. Joe team. Duke and Scarlet get airdropped into the Nevada desert on a secret mission that is partly training, partly a test, and partly a real mission, in a way that really doesn't make any sense.

Meanwhile a villain named Chimera (who I guess might go on to eventually become one of the better-known villains like Cobra Commander? Maybe?) singlehandedly fights off a SWAT team, and generally make all of law enforcement look incompetent as he pulls of an escalating series of crimes, leading to the launching of a deadly plan from a secret base. The kind of plan with an unnecessary countdown and some monologuing to explain it. Clearly Chimera did not read The Watchmen.

I did like seeing the early formation of the bond between Scarlet and Snake Eyes.

I did not like Scarlet getting damseled. I was also not thrilled that the story introduced a character who was more interesting than anyone on the Joe team and proceeded to kill her about a fourth of the way through the book.

Rating: 3/10

Mage: The Hero Discovered Collected Edition Book 1

From the books unpacked from storage.

Title: Mage: The Hero Discovered Collected Edition
Issue: Book 1
Date: October, 1998
Publisher: Image Comics
Writer: Matt Wagner
Artist: Matt Wagner
Colorist: Jeromy Cox, James Rochelle

This collected edition from Image Comics reprints the first two issues of Matt Wagner's take on Arthurian mythology which was the precursor to his classic Grendel and one of the mainstays of the independent comics boom of the 1980s.

Loner Kevin Matchstick sits down and spills his guts to a mysterious stranger on a streetcorner, and things get weird from there. Part urban fantasy with a bit of a superhero vibe (and a little bit of a Captain Marvel tribute), the story develops quickly but stays straightforward through concise use of dialogue and some solid action sequences. The coloring by Jeromy Cox and James Rochelle give the story a perfect 80s neon-noir feel.

This was fun without going in for the excessive grimdark that later 80s urban fantasies would rely on.

Rating: 8.5/10

Batman/Superman: World's Finest, Vol. 1: The Devil Nezha

Read this at the Clapp Memorial Library in Belchertown MA USA. Nice selection of graphic novels there, considering it's a small library.

Title: Batman/Superman: World's Finest: The Devil Nezha
Issue: Volume 1
Date: January, 2024
Publisher: DC Comics
Writer: Mark Waid
Artist: Dan Mora
Colorist: Tamra Bonvillain
Letterer: Aditya Bidikar
Editor: Paul Kaminski

Reprinting the first four issues of the latest World's Finest reboot. Poison Ivy attacks the Daily Planet, and finds herself up against the Batman, Robin, and Superman. But before the heroes can defeat her, Metallo shows up, adding a whole new level of threat when he injects Superman with red kryptonite.

As it turns out, this is just the beginning, as an ancient demonic figure named Nezha takes control of villains, and then heroes to set them against Superman and the Batman.

This turned complicated quickly, with a time-travel subplot, and continuously-escalating threats as Nexha takes control of more and more powerful metahumans to try to wipe out all potential resistance to his conquest of Earth and beyond.

The character work and action in this story are solid, especially the little insights into the relationship between Clark and Bruce and how they look out for each other.

The weak point is the villain, who's a mess of inconsistent powers, unclear motivation, and bland generic-villain personality.

There was enough of interest here that I'd be willing to check out more of the series once it moves past Nezha.

Rating: 5/10

Keep the Home Fries Burning: A For Better or For Worse Collection

From the bookshelf at my mother-in-law's house.

Title: Keep the Home Fries Burning: A For Better or For Worse Collection
Date: June, 1989
Publisher: Andrews McMeel
Writer: Lynn Johnston
Artist: Lynn Johnston

This collection covers about a year in the lives of the Patterson family, as Elly's best friend Connie moves to another city while in the midst of relationship drama. The move also results in Michael getting separated from his best friend. Over the course of the year, there are new friends and neighbors, a Halloween dance, a new baby among the Pattersons' friends circle, and the possible beginning of a writing career for Elly.

I love the pacing of For Better or For Worse. The stories always feel very real and very grounded, and the author does a great job with putting low-key but effective punchlines in to end each newspaper strip installment while still building multiple long-term storylines.

There were some really genuinely funny gags sprinkled among a lot of excellent storytelling and good character work. The art style is delightful, with enough realism to make the character come to life while still keeping things simple.

Rating: 8.5/10

Hellboy: The Wild Hunt

Bought at Boocup, Kerry Parkside, Pudong, Shanghai, China.

Title: Hellboy: The Wild Hunt
Publisher: Dark Horse Comics
Date: October, 2018
Writer: Mike Mignola
Artist: Duncan Fegredo
Colorist: Dave Stewart
Letterer: Clem Robins
Editor: Scott Allie

Hellboy is recruited to join the Wild Hunt to defeat a gang of six giants who have awakened from their tombs. But the battle with the giants leads to betrayal and plunges Hellboy into a rapidly-brewing war between the forces of mythical Britain.

This was a beautifully atmospheric deep dive into Arthurian mythology with Hellboy's own distinctively snarky viewpoint laid over the ancient forces a play.

There is a lot going on in terms of plot and characters, and much of this volume is simply putting pieces onto the board for the game to come, but the setup is lovely to watch unfold.

Duncan Fegredo does a great job with the art, incorporating the mythical elements while keeping the distinctive look of Hellboy.

Rating: 8.5/10

The Stand Volume 6: The Night Has Come

I bought this one here in Shanghai, probably at Boocup, but I didn't make a note when I got it.

Title: The Stand
Issue: Volume 6: The Night Has Come
Publisher: Marvel Comics
Date: 2013
Writer: Stephen King, Roberto Aguirre-Sacasa
Artist: Mike Perkins
Colorist: Laura Martin
Letterer: VC's Joe Sabino
Editor: Nicole Boose
Cover: Tom Coker, Laura Martin

The sixth volume of the trade paperback collections of Marvel's adaptation of The Stand is the final volume, covering the final confrontation between Randal Flagg and the forces of the Free Zone, plus all of the aftermath of that climactic scene.

This was a very strong adaptation that stuck closely to the source. I thought the look of the characters was great, the selection of dialogue worked, and the pacing was excellent. It felt familiar in a good way, an excellent revisit to a favorite story of mine.

I didn't read the previous volumes of the adaptation, but would definitely give them a look on the basis of this one.

Rating: 8/10

Star Wars: Allegiance

Bought at Boocup, Kerry Parkside, Shanghai, China.

Title: Star Wars: Allegiance
Publisher: Marvel Comics
Date: 2019
Writer: Ethan Sacks
Artist: Luke Ross
Colorist: Lee Loughridge
Letterer: VC's Clayton Cowles
Editor: Mark Paniccia, Tom Groneman
Cover: Marco Checchetto

This was really odd. It's a prequel to Rise of Skywalker, but it's very clear that the writer of this story had been given no information on the plot of Rise of Skywalker, and so in hindsight, it reads like the prequel to what everyone expected Rise of Skywalker to be, rather than the prequel to what we actually got.

No mention of Palpatine, of course, because, well, that would have been a spoiler at the time this was released.

The result is a rather uneven mixing of two separate plots. Finn and Poe (with BB8) try to retrieve some weaponry for the Resistance and end up hunted by bounty hunters. And Leia visits Mon Cala with Chewie, Rey, 3PO, R2, and Rose on a diplomatic mission.

Complications of the usual sort arise in both scenarios, and there are a few good moments for some of the characters, along with a fair amount of wasted potential. I'm always here for Rose getting to be part of the action, and was happy to see her shine in a few places, but much like in Rise of Skywalker itself, she still spent too much time standing around with nothing to do. I also thought there was a bit too much playing into the hothead side of Rey's persona. Leia came off as a good diplomat, but we expect brilliance out of Leia.

The story also leaned a bit heavily into tired cliches. Trial by combat? Really?

The crew of bounty hunters introduced in the Poe/Finn subplot were the most interesting people in the story, although that was due in some respect to novelty.

Rating: 4/10

Doomsday Clock Part 1

Bought at Boocup, Kerry Parkside Mall, Pudong, Shanghai, China

Title: Doomsday Clock
Issue: Volume 1
Date: 2019
Publisher: DC Comics
Writer: Geoff Johns
Artist: Gary Frank
Colorist: Brad Anderson
Letterer: Rob Leigh
Editor:Brian Cunningham, Robin Wildman

Hardcover collection of the first six issues of Doomsday Clock, a DC-Universe/Watchmen crossover.

So first of all, The Watchmen did not need a sequel. It stands very well on its own, and the self-contained story and universe of the Watchmen is in some ways part of the point of why it is so good.

That being said, a lot of this was entertaining, even if in places it felt a bit like reading Watchmen fanfic.

We get a new Rorschach, and he's a pretty interesting character. We get a new pair of costumed criminals from the Watchmen universe with a solid backstory and pretty interesting chemistry between them.

We also get the return of a number of key Watchmen players, including (of course) some brought back from the dead).

And we get Superman, the Batman, the Joker, and a bunch of DC heroes and villains. The Watchmen world (I'm sure it's been given an Earth-Number, because of course it has, but I don't know which it is and whether it's a number between 1 and 52) is descending into nuclear war after Adrian Veidt's attempt to force world peace has, to the surprise of no one as Lex Luthor snarkily points out, collapsed under the weight of human nature.

And things aren't much better on Earth, um, is it 1 or 2 these days? Anyway, in whatever slightly-off version of the standard DC Universe this is, there is a conspiracy theory that claims that almost all superheroes and villains are actually government agents simply playing their roles while the US government, well, controls them.

This conspiracy has taken hold of the public consciousness and the result is anti-superhero (dare we say, anti-mask?) sentiment in the streets and rising international tensions. In short, similar circumstances that the Watchmen world faced in the original story.

And somewhere, Doctor Manhattan is manipulating things from behind the scenes.

This collection covers six issues and spends a lot of the time introducing the new characters, which is fine because they're pretty interesting. The rest of it alternates between a fairly intriguing plot with many moving pieces, an assortment of bits that are just violence for the sake of showing that various characters are violent, and bits from a series of Nathaniel Dusk noir films that play a similar role in this series to Tales of the Black Freighter.

Overall, this was an interesting enough story to keep me entertained. It's certainly no Watchmen, but that may be an unfair standard of comparison. A lot of attention to detail went into this, it's visually effective and introduces new characters that hold their own in the company of some iconic creations.

Rating: 6/10

Saga Compendium 1

From the staff book exchange shelf at my school.

Title: Saga Compendium
Issue: Volume 1
Date: September , 2019
Publisher: Image Comics
Writer: Brian K. Vaughan
Artist: Fiona Staples
Letterer: Fonografiks, Steven Finch
Cover: Fiona Staples
Editor: Eric Stephenson

This phonebook-sized (a comparison that is becoming less and less meaningful as I get older!) volume collects the first 54 issues of the Brian K. Vaughan/Fiona Staples epic. Narrated by a child of two soldiers on opposite sides of a seemingly endless galactic war between a techological planet and its magical moon, Saga is romance, satire, dark comedy, grim action, and most of all, a story about the nature of family.

I read the first issue of this (review is here), and really liked it, but hadn't had the chance to pick up any of the subsequent issues. Reading them as a compilation was a great experience given the huge scope of the story and the numerous plot threads that it weaves.

As I mentioned with the first issue, this is definitely R-rated material, including graphic sex and brutal violence, but the story always seems to re-center and find its heart, even in the face of a lot of sudden and tragic twists of fate.

The plot twists are a real strong point of Saga. Vaughan's writing delivers shock after shock, and Staples' artwork sets every plot twist up perfectly. The story has great pacing, moving in furious bursts and then taking time for characters to age and grow so that the reader really feels the changing dynamics of the family.

In spite of the size of this compilation, an awful lot is left unresolved at the end, and I look forward to the return of Saga in the coming year.

Rating: 9/10

Moon Girl and Devil Dinosaur: The Beginning

 Bought at Foreign Languages Bookstore, Shanghai, China.

Title: Moon Girl and Devil Dinosaur: The Beginning
Publisher: Marvel Comics
Date: 2018
Writer: Brandon Montclare, Amy Reeder
Artist: Natacha Bustos, Marco Failla
Colorist: Tamra Bonvillain
Letterer: VC's Travis Lanham
Cover: Amy Reeder
Editor: Mark Paniccia, Emily Shaw, Jennifer Grunwald

Reprints issues 1-12 of Moon Girl and Devil Dinosaur.

I loved the original run of Devil Dinosaur as a kid, so this brought back all of the nostalgic vibes, in spite of it bringing Devil Dinosaur out of prehistory and into the modern Marvel Universe continuity. Nine-year-old Lunella Lafayette is a brilliant mind stuck and bored in a New York public school. She is also a carrier of the inhuman gene, and terrified of the transformation that could happen if she is exposed to the terragen mists, which have been activating the powers of other inhumans around New York. Devil Dinosaur is, well, a dinosaur, but he pretty much plays the big slobbering dog role in this story.

Add in a timeshifted tribe of "Killer Folk", a kree boy with big ambitions and some daddy-issues, and guest appearances by Ms. Marvel and (Amadeus Cho) Hulk for a fast-moving story that brings the Moon Girl and Devil Dinosaur pairing into the ranks of Marvel's New York based heroes.

That fast pace does hurt things a bit. Interactions between Lunella and her parents come as generic fare, as do a lot of the school scenes. Lunella herself is a nice blend of snarky and clever, but the story doesn't do enough to show how brilliant she is. Devil Dinosaur is wonderfully expressive, but there is not much potential for character development there.

And character development is what this story needs. "Captain Kree" gets a simple, but satisfying story arc, and the interactions with Amadeus Cho and Kamala Khan show good potential, but need more space to grow.

The Killer Folk are not very interesting villains, but are used sparingly, and are mostly absent from the second half of this volume. I can't say that I am particularly eager for their inevitable return.

What I would like to see is more of Lunella Lafayette. She has great potential here, but in twelve issues, we are still seeing only the beginnings of that potential.

Rating: 6.5/10

Hawkeye: Rio Bravo

Bought at Boocup, Kerry Parkside, Pudong, Shanghai, China.

Title: Hawkeye: Rio Bravo
Publisher: Marvel Comics
Date: 2015
Writer: Matt Fraction
Artist: Chris Eliopoulos, David Aja, Francesco Francavilla
Colorist: Jordie Bellaire, Francesco Francavilla, Matt Hollingsworth
Letterer: Chris Eliopoulos, David Aja
Editor:Sana Amanat, Stephen Wacker, Jennifer Grunwald

Collecting the end of Matt Fraction's Hawkeye series, originally published in 2013-2015. There are a few gaps in the collection, due to the focus on Clint's storyline in this collection, so some issues focusing on Kate were skipped. The story as presented here is pretty coherent, although it does leave some loose ends.

Clint Barton deals with a bunch of personal problems, the biggest of which is the return of his brother Barney into his life, and the attempt by some mafia-types to force him out of the Brooklyn apartment building he owns.

Clint takes a beating as he rallies his neighbors against an onslaught of tracksuit-wearing goons reminiscent of WWE's Imperium faction. There are plenty of Marvel cameos in what is essentially a street-level story with a gritty look reminiscent of early Frank Miller Daredevil.

The story itself plays around with out-of-sequence plotting, and the opening dream/parody sequence involving a kids' holiday special lend a bit of surreal feel to the collection, but it picks up direction and momentum as it gets going. The relationship between the Barton brothers is at the heart of the story and it is well told with plenty of emotional impact, and something of a surprise ending.

While the villains' nefarious plot is a pretty generic one, the action and character interplay carried the story.

Rating: 7/10

Neil Gaiman's Mr. Hero: The Newmatic Man Volume One

I bought this one at my school's book fair back in 2018.

Title: Neil Gaiman's Mr. Hero: The Newmatic Man
Issue: Volume One
Date: 2016
Publisher: Super Genius
Writer: Neil Gaiman, James Vance
Penciler: Ted Slampyak, Bryan Talbot, Marc Sasso
Inker: Bob McLeod, Mike Witherby, Art Nichols, John Coulthart, Dave Hunt, Terry Beatty, Angus McKie, Bryan Talbot, Marc Sasso
Colorist: Kell-O-Graphics, Zachary Lynch, Angus McKie, Tony Kelly, Marc Sasso, Alan Craddock
Letterer: John Workman

Reprinting the first 9 issues of the 1995 series from Tekno Comix, which was a venture by Sci-Fi Channel (now SyFy; because things are cooler when spelled with y's, I guess) that brought in authors and media stars as creators and worldbuilders and then handed those projects over to the Tekno Comix writing and art teams for the production of the actual comics stories.

In this case, the "name" writer was Gaiman, who actually created five interconnected titles for Tekno Comix.

Mr. Hero tells the story of a Victorian-era steam-powered automaton, an intelligent robot used in magic shows in the 19th century, but whose real origin is a much more sinister one, linked to the demonic Teknophage, who has been manipulating events on Earth and other planets for centuries.

The Mr. Hero robot is discovered by aspiring magician and mime Jenny Hale in the basement of a museum of stage magic. The Teknophage at first wants the robot back, but later embarks on a more elaborate scheme of corrupting Jenny with wealth while using experimental brainwashing on her best friend.

Mr. Hero the robotic pugilist with a noble heart and 19th Century mannerisms does his best to protect Jenny, along with his alternate head, the Ratiocinator, who considers himself the brains of the operation.

There is a whole cast of oddball henchpersons and mysterious figures, and a fair amount of scheming, plotting, and infighting, while the friendship between Jenny and Mr. Hero shines through all of the mayhem.

The villains are the weakness of this story. They are SO incompetent. And a lot of that is intentional, part of the humor that makes the story entertaining. But it gets to be a bit eyeroll-inducing as they  just make dumb move after dumb move.

That being said, Jenny is a great character, and her chemistry with her robot friend is charming. Both versions of Mr. Hero are fun, and they are distinctive enough to add some variety to the dialogue.

The plot is more convoluted than it needed to be, but I really enjoyed this for the main characters.

Rating: 7.5/10

Avengers Endgame Prelude

Bought at Boocup, Kerry Parkside Mall, Pudong, Shanghai, China.

Title: Avengers Endgame Prelude
Publisher: Marvel Comics
Date: 2019
Writer: Will Corona Pilgrim, Jim Starlin, Brian Michael Bendis
Artist: Paco Diaz, George Perez, Josef Rubinstein, Tom Christopher, Valerio Schiti, Phil Noto, Andrea Sorrentino, Ed McGuinness, Mark Morales, Arthur Adams, Kevin Maguire, Mark Bagley, Andrew Hennessey, Sara Pichelli, Filipe Andrade
Colorist: Dono-Sanchez-Almara, Max Scheele, Ian Laughlin, Richard Isanove
Letterer: VC's Travis Lanham, Jack Morelli, VC's Cory Petit
Editor: Mark Basso, Jennifer Grunwald

This trade paperback was released in anticipation of the Avengers Endgame film. It contains three parts: A complete adaptation of the film Avengers: Infinity War, a reprint of the first issue of the original Marvel series The Infinity Gauntlet from 1991, and a reprint of Guardians of the Galaxy #19 from 2015.

Much like DC's Harley Quinn and the Birds of Prey (reviewed here), this collection has something of a thrown-together feel to it, like Marvel was fishing for relevant material in anticipation of the movie release.

The adaptation of Avengers: Infinity War has issues with pacing, and scenes that needed to be cut for space considerations. It fails to make the kind of visual impact that the film does, and the humor in the dialogue also falls flat when translated into the comic medium. The serious dialogue does work reasonably well, so that the emotional beats of the story still pack a punch. As a recap for people about to watch Endgame, it accomplishes the purpose of refreshing the major details of the story, but it doesn't do so in a way that is particularly memorable.

I read the original Infinity Gauntlet storyline when it was released and was not impressed with it at the time. That may have been partly due to having a bit of crossover fatigue after several years of collecting and reading major titles from the "Big Two", but upon rereading it, The Infinity Gauntlet still strikes me as a pretty dumb story. It's the story of how a person gets godlike power that go above and beyond the already godlike power of other established beings in a universe full of beings with godlike power. And then he proceeds to squander it all in a series of bad decisions, because there is no way for the heroes to ever win this scenario. It's Thanos' scenario to lose. And lose he does. Of course much of that nonsense happens later in the series. The first issue is mostly Thanos trying to decide what to do with his power and trying to impress his Lady Death, while Mephisto looks on with amusement and Silver Surfer tries to warn Doctor Strange of what is coming. The first issue ends with the Snap, and its immediate aftermath, mostly as felt on Earth.

While I was never a fan of this series, one thing that I failed to give it credit for was the art. George Perez knocks it out of the park, and rereading this now was worth it just to get another look at the visuals of this first issue. There is some spectacular and inventive "Marvel-cosmic" imagery, but also tremendous detail work on characters and their emotional reactions and body language.

The final part of this collection is a fairly goofy Guardians of the Galaxy story with Thanos leading a coalition of alien forces in an attack on Earth that is thwarted handily by the Guardians and multiple allies. It makes Thanos look like a chump, and he comes off the best of his villain allies. The story is very feel-good, but with this being released with Endgame on the Horizon, it felt a bit out of place to be jobbing out the MCU's #1 BBEG in what felt like an afterthought.

The story had some good laughs, nice visuals (with a big crew of guest artists brought in for Brian Michael Bendis' finale on the series), and even a tender moment or two between Kitty Pryde and Peter Quill, who I did not realize were a thing, but who apparently are.

So, a movie adaptation, a very pretty bit of history/nostalgia, and a goofy throwaway story with Thanos getting beat more easily than he probably should. Probably not necessary to get anyone in the mood for a movie that was already the one of the most anticipated of all time.

Rating: 4/10

Harley Quinn and the Birds of Prey

Bought at Boocup, Kerry Parkside Mall, Pudong, Shanghai, China

Title: Harley Quinn and the Birds of Prey
Date: 2019
Publisher: DC Comics
Writer: Scott Beatty, Scott Young, Greg Rucka, Anderson Gabrych
Artist: Yvel Guichet, Aaron Sowd, Phil Winslade, Rick Burchett, Pablo Raimondi, Walden Wong, Brian Stelfreeze, Al Barrionuevo, Bit
Colorist: Tom McCraw, Hi-Fi, Brad Anderson
Editor:Alewx Galer

This is a collection of reprints, featuring characters associated with the Birds of Prey (and in particular, characters featured in the movie version of Birds of Prey) in solo action.

Harley (from Detective Comics #831, published in 2007) takes on the new version of the Ventriloquist and Scarface, and more importantly takes on the Arkham Asylum parole board (with Bruce Wayne as one of the members deciding her fate).

Black Canary, guided by Oracle, teams up with Lois Lane to break up an illegal sweatshop and it's psionic-powered foreman (From Showcase '96 #3, published in 1996).

Huntress teams up with Nightwing to investigate the mafia murder of an undercover cop (from Nightwing/Huntress #2, published in 1998).

Renee Montoya deals with harassment from a previous case where the perpetrator walked (from Gotham Central #6, published in 2003).

Cassandra Cain faces off against her father, assassin David Cain, during the epic No Man's Land event (from  Batman #567, published in 1999).

Last up, Catwoman takes on Black Mask and Sylvia Sinclair, who have taken Selina's friend Holly and Selina's sister Maggie hostage (From Catwoman #16, published in 2003.

The opening Harley Quinn story and the Lance/Lane team-up were both good, especially the interaction between Lois and Dinah, which was loads of fun in spite of a pretty generic plot.

From there, the book seemed to run out of one-shot stories and just gave us pieces of longer storylines that felt unsatisfying, and in some cases, didn't even focus enough on the featured character. There was a lot more Nightwing than Huntress in the segment from their team-up, and the Gotham Central storyline had a lot of subplots going on, and not much in the way of develop or resolution for Renee Montoya.

In spite me not being a big fan of Cassandta Cain, her origin story from No Man's Land had visually powerful moments. But again, it's a piece of a massive long-term storyline.

The Catwoman story with Black Mask felt more complete than it really had the right to thanks to a lot of recapping in the narration.

Overall, the result of this collection of fragments is a collection that has some great individual moments and some beautiful artwork, but feels thrown together, and is not as effective as it could be at introducing readers to the lineup of characters for the Birds of Prey film.

Rating: 5/10

Supergirl: Being Super

Bought at my school's Spring book fair.

Title: Supergirl: Being Super
Date: May, 2018
Publisher: DC Comics
Writer: Mariko Tamaki
Artist: Joelle Jones, Sandu Florea
Colorist: Kelly Fitzpatrick
Letterer: Saida Temofonte
Cover: Joelle Jones, Kelly Fitzpatrick
Editor: Paul Kaminski, Andrew Marino, Robin Wildman

Trade paperback collection of Supergirl: Being Super issues #1-4 from 2016-2017.

It feels like rebooted origin stories are getting to the point where they are separated by months, rather than years these days. So I had a bit of trepidation approaching yet another origin reboot (putting aside the question of whether this was main-canon continuity or not; that's also something that's become more and more fuzzy these days).

But this was really good. Not for the plot, necessarily, although the plot did its job adequately. It was the dialogue and supporting cast that really made this work. Kara Danvers of (Smallville stand-in) Midvale, Kansas, turns sixteen years old, having hid the powers that make her different from her peers since childhood, only to have those powers fail her when she needs them most.

In the face of tragedy, Kara begins to question everything about her life, and she uncovers the secrets that will set her on the path to, well, to being super.

Kara's interactions with her friends were interesting enough that I was to some extent disappointed that this is essentially the story of her leaving home to start her hero's journey. I would happily read further adventures of Kara's best friend Dolly, without needing a bit more superhero stuff. And her relationship with her parents was intriguing, and definitely worth further exploration.

The villains introduced here (two new ones and one very familiar one) are likely to be seen again and all of them have plenty of story potential.

Joelle Jones does great work with the art all through the series, ending with an awesome visual on the last page.

This was a great fresh start for a classic character, and I would be happy to have this be the definitive Supergirl origin story moving forward.

Rating: 8/10

Batman: Whatever Happened to the Caped Crusader?

First comic purchase and first review of 202!
Bought at Boocup, Kerry Parkside, Pudong, Shanghai, China.

Title: Batman: Whatever Happened to the Caped Crusader?
Date: October, 2010
Publisher: DC Comics
Writer: Neil Gaiman
Artist: Andy Kubert, Scott Williams, Simon Bisley, Mark Buckingham, Mike Hoffman, Kevin Nowlan, Bernie Mireault, Matt Wagner, Alex Ross
Colorist: Alex Sinclair, Nansi Hoolahan, Tim McCraw, Joe Matt
Letterer: Jared K. Fletcher, John Costanza, Augustin Mas, Todd Klein
Editor: Scott Nybakken, Maggie Howell

The title feature of this trade paperback is the two-part story that spanned Batman #686 and Detective Comics #853, which were the last issues of those series before they were renumbered as part of the New 52. The title is a tribute to the classic Alan Moore two-parter, Whatever Happened to the Man of Tomorrow, which was published at a similar moment, marking the division between the Pre-Crisis (On Infinite Earths) and Post-Crisis DC Universe.

The story has the Batman attending his own funeral, held in the back room of a Crime Alley bar, where Joe Chill serves as bartender, and all of the Batman's rogues gallery is in attendance as mourners, along with some more respectable members of the supporting cast. All of them are telling stories of the Batman's death while the Batman himself looks on unseen, with a mysterious woman as his guide.

And the stories are all contradictory.

This was an interesting examination of the symbolism of the Batman, and something of a reversal of the typical tale of transition into an afterlife. The fully-realized stories told by Selina Kyle and Alfred Pennyworth read like reasonably decent "What If?" tales, and artist Andy Kubert does a great job of evoking the styles of classic Batman artists. There are also some interesting stories that are just told as fragments from characters like Detective Bullock and Clayface.

The ending is a strange and surreal variant on (of all things), Margaret Wise Brown's Goodnight Moon, that should never have worked, but which Gaiman somehow manages to just about pull off.

Backup stories in this volume include a miscellany of Gaiman's Batman writing from Batman: Black and White and Secret Origins. The Black and White piece is an amusing bit of fourth-wall breaking. Of the Secret Origins stories, the Riddler story was the best of the bunch, a loving tribute to the Silver Age, and a lament against the turn toward darker fare that followed.

None of this is anywhere Gaiman's best work in terms of writing, but it's a nice look at his relationship with comics in general and the Batman in particular, and it has a decent number of stand-out moments.

Rating: 7/10

Rival Angels Season 3 Volume 2

Part of a Kickstarter reward package.

Title: Rival Angels: Season 3 Volume 2
Date: 2018
Publisher: Rival Angels
Writer: Alan Evans, Justin Riley, Cale Ranots
Artist: Alan Evans, Cale Ranots
Colorist: Aaron Daly, Mabel Lim, Kay King

After 10 years without missing an update, the pro wrestling webcomic Rival Angels wrapped up with a massive cross-promotional storyline, collected in this final trade paperback volume.

Although multiple backstage storylines are wrapped up here, the wrestling really takes center stage, with a classic wrestling angle in the style of Kenny Omega's current cross-promotional reign in AEW, AAA, and Impact.

In the Rival Angels world, this kicks off with all four of the Upstarts buying front-row tickets when Japanese promotion BRA does a Chicago stop on their US tour. This serves to reignite storylines that were left behind when Sabrina Mancini left Japan at the end of Season 2, Volume 1.

A cross-promotional PPV is quickly organized, headlined by Olympic medalist Camille Cote challenging Yvonne Carmichel for the Rival Angels World Championship. And that's just the beginning of the final push that results in the emergence of a powerful new faction, and completes the journey of the Upstarts to the main event level.

The wrestling angles and matches are pretty much spot-on perfect here, and the interactions between Sabrina and Sun are a highlight, although all of the Upstarts get their moments.

There are also a few nice epilogues bits that take a look into the future, as well as a backup story by Cale Ranots that goes into the technical aspects of BJJ and catch wrestling in a training session.

Considering the epic journey of this series, this was a great conclusion that really showcased the creator's love of pro wrestling, and sent the fans home happy.

Rating: 9/10

Thor: Who Holds the Hammer?

Bought at Boocup, Kerry Parkside, Pudong, Shanghai, China.

Title: Thor: Who Holds the Hammer?
Issue: Volume 2: Who Holds the Hammer?
Publisher: Marvel Comics
Date: 2016
Writer: Jason Aaron, Noelle Stevenson, CM Punk, Don Glut
Artist: Russell Dauterman, Timothy Truman, Marguerite Sauvage, Rob Guillory, Rafael Albuquerque, Rick Hoberg, Dave Hunt
Colorist: Matthew Wilson, Frank Martin, Marguerite Sauvage, Rob Guillory, G. Gafford
Letterer: VC's Joe Sabino, Carol Lay
Editor: Wil Moss, Jon Moisan

This collection reprints Thor #6-8 from 2014, plus Thor Annual #1, and a classic What If? story from 1977.

The major story point covered here is the revelation of the identity of the new female Thor, which follows a battle between the Destroyer and Thor, who is joined by Odinson, Freya, and a whole crew of female superheroes from the list of people that Odinson thought might be Thor.

Destroyer, unfortunately, is not a terribly interesting villain, and the drama between Freya and Odin during the fight only helps matters minimally, as most of the action is just Destroyer no-selling everyone's attacks.

I did like the new Thor, and the revelation of her identity was a great scene, even if it followed a not-too-convincing red herring.

The rest of the book is the very definition of "mixed bag", with three stories from the Thor annual showing Thor in different eras. The future-Thor story was clever, if a bit simple. Noelle Stevenson's rendition of the present Thor was sweet while still capturing the flavor of some of the more humorous Norse myths. The story set in the past, penned by former wrestler CM Punk was a bit less subtle on the humor front, with Mephisto taking on Thor in a drinking contest, but it did have some funny bits.

The last feature is this collection was the reprint of the 1977 story What If Jane Foster Had Found the Hammer of Thor? This had a surprising number of plot twists, including one dubious one that attempts to give a satisfactory ending to the story's romantic elements and ends up just seeming... weird. But I did like Jane Foster as Thordis, who comes off as smart and serious in the superhero role.

Rating: 6/10