Angel & Faith #17

Last summer at MASSive Comic Con, someone was giving away some issues of this series, and I ended up with two consecutive issues. This is the first of those.

Title: Angel & Faith
Issue: 17
Date: 2012
Publisher: Dark Horse Comics
Writer: Joss Whedon, Christos Gage
Artist: Rebekah Isaacs
Colorist: Dan Jackson
Letterer: Richard Starkings, Comicraft's Jimmy Betancourt
Editor: Scott Allie, Sierra Hahn, Freddye Lins
Cover: Steve Morris

I really have no right to complain about this being hard to follow, given that I'm jumping into the series at issue #17, not to mention that it's an adaptation (continuation, really) of a show I've only ever seen one episode of. So this gets a pass from me on needing a scorecard to figure out who is who and what is going on.

There are basically two parallel stories happening. The first involves Angel and Faith doing some fairly standard detective work to try to figure out who stole the body of Giles during his funeral. This is with the intention of eventually resurrecting Giles.

Meanwhile, the second storyline has some sort of alternate-rules zombie bad guy deceiving a crew of young women (slayers?) with a promise to resurrect a dead friend of theirs. This half of the plot also features flashbacks to a group of young dabblers in the supernatural years back in London.

The interplay between Angel and Faith was strong, with some good dialogue, and nice progression on the unraveling of the mystery elements of the story.

Meanwhile, the battle between the bad guys and their (outmatched but scrappy) victims was enough to at least evoke some sympathy.

I wouldn't say this has me looking to go out and buy more of these, but I am looking forward to reading the next issue which I already have.

Rating: 5.5/10

Fight Club: Free Comic Book Day 2015

My third review from my FCBD stack this year is another of the official Free Comic Book Day releases, this time from Dark Horse Comics.

Title: Free Comic Book Day 2015
Date: May, 2015
Publisher: Dark Horse Comics
Writer:Chuck Palahniuk, Eric Powell, David Lapham
Artist: Cameron Stewart, Eric Powell, Mike Huddleston
Colorist: Dave Stewart, Dan Jackson
Letterer: Nate Piekos of Blambot, Clem Robins
Cover: David Mack (front cover), Eric Powell (back cover)
Editor: Scott Allie, Sierra Hahn, Shantel LaRocque

Three stories here, headlined by Chuck Palahniuk's official sequel to Fight Club. The Fight Club story jumps right into where the novel left off. The writing is sharp, but there wasn't a lot of new material here, probably intentionally because this was aimed at a general audience, not all of whom would be familiar with the original book or the movie. It definitely kept the flavor of the original, but it really only teased the new directions that the sequel would be taking.

The Goon, on the other hand, was a complete short story, and a very amusing one at that. A bit of monologue by the Goon about vampires during the climactic scene is priceless. Definitely the best read out of the three stories here, and it stands up very well on its own.

The third story was from Guillermo Del Toro's The Strain. This is a prequel to the main storyline, and it's set in the 1960s. It involves a man with a rare book to sell, treacherous intentions, and predictable results. It is well told, but nothing all that original.

Rating: 6.5/10

Orchid #1

Bought this one when it came out in 2011. Finally got around to reading it. 

Title: Orchid
Issue: 1
Date: October, 2011
Publisher: Dark Horse Comics
Writer:Tom Morello
Artist: Scott Hepburn
Colorist: Dan Jackson
Letterer: Nate Piekos of Blambot
Cover: Massimo Carnevale
Editor: Jim Gibbons, Patrick Thorpe, Sierra Hahn, Dave Land


I went into this with high hopes for Tom Morello as a comic book writer. While I haven't listened to too much Rage Against the Machine, or The Nightwatchman, I have enjoyed Morello's collaborations with Bruce Springsteen, and he did have that time when he awesomely told off Paul Ryan in the pages of Rolling Stone. The guy is essentially a member of the E Street Band at this point, and so I feel some obligation as a huge Springsteen fan to give him props.

So I really wanted to like this. It had an awesome cover, by the way (actually, this is apparently the variant cover; regardless it's pretty awesome).

Unfortunately, that was about where my liking of it ended.

The story is set in a postapocalyptic world featuring a mostly submerged Earth (not explained, although there were vague references that the dumping of chemicals in the oceans was somehow to blame) inhabited my mutated animals right out of, well, right out of a postapocalyptic world. A postapocalyptic world writting in 1983 or so, that is. We're talking serious Gamma World style creatures.

So the setting is a bit goofy, although the plot, involving the last survivor of a failed rebellion on the run, seems to take itself completely seriously. The silly setting was not the main issue.

The main issue was misogyny, which is pretty much the unintentional main theme of the story here. Look, I get it. The setting is supposed to be horribly dystopian. The villains are supposed to be horrible human beings and we will cheer for them getting their comeuppance in a future issue. At least the readers who stick around long enough will. I will not be one of them.

Women forced into prostitution with the word "property" tattooed onto them was just too distasteful for me to want to continue reading this. That sentence was going to start with "Sorry, but". I'm not actually sorry. This story was loaded with violence against women, both implied and explicit, and it was woven into the society of the setting. It was done excessively, and unnecessarily for the purposes of the story Morello was trying to tell. That is not a story I want to read and it's not a series I want to support. No apologies.

I had a hard time finding any reason to care about the characters, even as horrible things happened to them.

Dystopia is a tough sell for me. I am not a fan of harsh and dark settings, but when I think of an example of a Dystopian story that I like, I realize that before The Hunger Games had fully revealed how truly terrible its setting and society were, the story had given reason to care about Katniss and several of the supporting characters.

All that Orchid gave me in the first issue was reasons to stop reading.

Rating: 2/10

The Strain #1

Special $1 introductory issue released a few weeks ago.

Title: The Strain
Issue: 1
Date: 2011
Publisher: Dark Horse Comics
Writer: Guillermo Del Toro, Chuck Hogan, David Lapham
Artist: Mike Huddleston
Letterer: Clem Robins
Colorist: Dan Jackson
Editor: Jim Gibbons, Sierra Hahn

Comic adaptation of the first novel of a trilogy by film director Guillermo Del Toro and writer Chuck Hogan. David Lapham adapts the story to script.

The opening flashback is standard vampire fare, with a young boy in Romania in 1927 hearing a local legend from his grandmother.

Flash forward to the present and there's a plane quarantined on the tarmac at JFK with all communication cut off and a bioterrorism response team en route. CDC doctor Ephraim Goodweather finds all but three passengers dead in an incident that apparently lasted only six minutes.

All of this is a reasonable prologue for what seems to be a full-scale vampire apocalypse. Like the investigators themselves, I'm left trying to figure out how things transpired on the plane, and it makes for a pretty engaging mystery.

Doctor Goodweather comes off as rather generic as main characters go. The other main character, Abraham Setrakian, seems a bit more interesting, but the present-time version of him just gets a tease in the last two pages.

This issue did a nice job of setting the scene, but other than the opening flashback, there the story felt like it was all setup and no depth. The arrival by plane was a nice variant on the events of Dracula, but the really interesting aspects that will distinguish this from other vampire stories are not yet apparent.

Rating: 6/10