Dark Horse: 20 Years

From the Random Stack of Unread Comics.

Title: Dark Horse: 20 Years
Publisher: Dark Horse Comics
Date: 2006
Artist: Adam Hughes, Art Adams, Doug Mahnke, John Sommariva, Sean Parsons, Mark A Nelson, Cary Nord, Sergio Aragones, Paul Chadwick, Chris Warner, Kilian Plunkett, Eric Powell, Matt Wagner, Jason Alexander, Thomas Yeates, Tony Millionaire, Rick Geary, Joss Whedon, Buzz Parker, Stan Sakai, Frank Miller
Colorist: Michelle Madsen, Edgar Delgado, Dave Stewart, Tom Luth, Dan Jackson, David Nestelle
Editor: Matt Dryer, Matt Hollingsworth, Jim Campbell
Cover: Mike Mignola, Dave Stewart

This is an anniversary pinup book, distributed as a $.25 promo from Dark Horse Comics, celebrating 20 years of their history.

Lots of classic characters and stories are represented here, with some great-looking artwork. What's really fun about this book, though, is getting to see artists do characters by other creators. Highlights included Adam Hughes on Hellboy, Matt Wagner's rendition of the Goon, Frank Miller drawing Usagi Yojimbo and Stan Sakai's take on Sin City, Paul Chadwick's Groo, and Sergio Aragones bringing a very Groo-style take to Conan the Barbarian. There's even a rare art credit for Joss Whedon, who drew Emily the Strange.

Nice way to celebrate 20 years.

Rating: 7.5/10

Astonishing X-Men #2

From the Random Stack of Unread (actually previously read, but not reviewed) Comics.

Title: Astonishing X-Men
Issue: 2
Publisher: Marvel Comics
Date: August, 2004
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Stephanie Moore, Cory Sedlmeier

My review of the previous issue is here.

The second issue of this series sends the team into action. A villain has taken hostages in a high rise tower, and the X-Men, looking to get back into being superheroes, show up to do battle.

Unfortunately, neither the initial jobber-squash with the X-Man taking out the terrorist minions, nor the main event, with alien villain Ord trouncing the X-Men, is all that interesting. Ord is one of those generic overpowered villains that show up all the time in X-Men books, with no rhyme or reason as to why he's able to pretty much have his way with the team (only to be taken out by *removed for spoilers* in the book's one really fun moment).

As an aside, Emma Frost's ability to change into diamond is ridiculous. I don't read a ton of X-Men, so I'm sure this is all part of the established canon, but apparently someone decided that one of the Marvel Universe's most powerful telepaths needed more powers? So that she could punch people?

The second plotline, fortunately, is a lot more intriguing, as a top scientist announces that she has developed a "cure" for mutation, and the ending sequence is genuinely cool, setting some really interesting clashes of personality down the road.

Something of a mixed bag, but it ended on a high note.

Rating: 6.5/10

Astonishing X-Men #1

From the Random Stack of Unread Comics... Well, actually, I had previously read this issue, but this it my first time reviewing it.

Title: Astonishing X-Men
Issue: 1
Publisher: Marvel Comics
Date: July, 2004
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts

This is a reboot for the X-Men, with film/TV writer/director Joss Whedon writing. We are introduced to a new semester at the Xavier School, and a new X-Men team: Kitty Pryde, Beast, Cyclops, Wolverine, and Emma Frost. It's a good lineup, that provides plenty of fodder for conflicts within the team.

In fact, most of this first issue is the team working out their role as teachers, teammates, and as superheroes, something that the X-Men have not always been seen as.

Whedon is a master of one-liners, and this issue included several really great ones (Kitty: "Did I miss the Sorting Hat?"; also Kitty to Emma, "I'm sorry, I was busy remembering to put on all my clothes.").

The interplay between the characters is fun, and the hints that are dropped about the larger scale plot are just enough to leave the readers intrigued.

X-Men has so much history behind it that it can get overly complicated too fast in many cases. This story managed to keep things moving along, giving the space to get to know the core team members before too much mayhem is allowed to happen, and the result is an excellent jumping-in point for new readers.

Rating: 8/10

Avengers: Age of Ultron Prelude

The Kiddo bought this at am imports bookstore in Pudong, Shanghai.

Title: Avengers: Age of Ultron Prelude
Publisher: Marvel Comics
Date: 2015
Writer: Zak Penn, Joss Whedon, Will Corona Pilgrim, Roy Thomas, Kurt Busiek, George Perez, Brian Michael Bendis
Artist: Joe Bennett, Agustin Padilla, Marcio Loerzer Bennett, Wellinton Alves, Manny Clark, John Buscema, George Klein, George Perez, Al Vey, Bryan Hitch, Paul Neary
Colorist: Jay David Ramos, Tom Smith, Paul Mounts
Letterer: VC's Clayton Cowles, Sam Rosen, RS & Comicraft, VC's Cory Petit
Editor: Jennifer Grunwald, Sarah Brunstad, Stan Lee, Tom Brevoort, Lauren Sankovitch

This is essentially a promotional book, released to hype the second Avengers film. It contains a comic adaptation containing most of the plot of the first Avengers movie, plus adaptations end-credit scenes and DVD extras to bridge the gap leading up to Age of Ultron. The film adaptations take up about the first fourth of this graphic novel.


The remainder is reprints of classic Avengers stories involving Ultron, starting with the original appearance of Ultron and the Vision in 1963, 1998's ultron storyline from Avengers #21-22, and Avengers 12.1 from 2010.

The movie adaptations are a nice summary, but lack the emotional impact of the films, and from the point of view of a reader, they feel more like a recap than a particularly immersive experience. The pacing also feels rushed.


The reprints were fun. I hadn't read any of these stories previously, and there was a lot of good material here. The original Vision story from 1963 is a particularly strong piece of writing by Roy Thomas, and it holds up quite well after over 50 years.


The story from 1998 has Ultron wiping out (and robot-zombifying) the entire population of the fictional nation of Slorenia (not to be confused with Serkovia... or Latveria for that matter), which is one of those excessive bits of extreme violence that get casually thrown into recent comics way too often. The idea is to add emotional impact, but really, it has the opposite effect.

That being said, it improves as the story progresses, and the final scenes, focusing on the often-overlooked Hank Pym, are excellent. George Perez does a great job with the art, including a breathtaking two-page spread involving hundreds of Ultrons.

The last story is a prelude to a new Ultron storyline by Brian Michael Bendis. It focuses on Spider-Woman, who has been captured by a crew of (mostly B-grade) villains, and her rescue by her Avengers teammates. A lot of the story is played for laughs, which clashes somewhat with the doom-and-gloom proclamation that it ends on. In general it felt a bit inconsistent, although it had some amusing individual moments and one-liners.

This book feels like it's unsure of who its target audience is. It's trying to be an introduction to Ultron to movie fans who aren't regular comics readers, but it's also trying to function as a "Ultron's greatest hits" collection for diehard fans. It makes a decent attempt at performing both functions, but it is not exceptionally good at either.

Rating: 6/10

Angel & Faith #17

Last summer at MASSive Comic Con, someone was giving away some issues of this series, and I ended up with two consecutive issues. This is the first of those.

Title: Angel & Faith
Issue: 17
Date: 2012
Publisher: Dark Horse Comics
Writer: Joss Whedon, Christos Gage
Artist: Rebekah Isaacs
Colorist: Dan Jackson
Letterer: Richard Starkings, Comicraft's Jimmy Betancourt
Editor: Scott Allie, Sierra Hahn, Freddye Lins
Cover: Steve Morris

I really have no right to complain about this being hard to follow, given that I'm jumping into the series at issue #17, not to mention that it's an adaptation (continuation, really) of a show I've only ever seen one episode of. So this gets a pass from me on needing a scorecard to figure out who is who and what is going on.

There are basically two parallel stories happening. The first involves Angel and Faith doing some fairly standard detective work to try to figure out who stole the body of Giles during his funeral. This is with the intention of eventually resurrecting Giles.

Meanwhile, the second storyline has some sort of alternate-rules zombie bad guy deceiving a crew of young women (slayers?) with a promise to resurrect a dead friend of theirs. This half of the plot also features flashbacks to a group of young dabblers in the supernatural years back in London.

The interplay between Angel and Faith was strong, with some good dialogue, and nice progression on the unraveling of the mystery elements of the story.

Meanwhile, the battle between the bad guys and their (outmatched but scrappy) victims was enough to at least evoke some sympathy.

I wouldn't say this has me looking to go out and buy more of these, but I am looking forward to reading the next issue which I already have.

Rating: 5.5/10

Astonishing X-Men #13 (Variant)

From the random stack of unread comics. This is the second of two (close, but not consecutive) issues of Joss Whedon's run on Astonishing X-Men that found their way into the unread comics stack. I reviewed #10 here. Not sure where I got these. This one is marked as a variant cover.

Title: Astonishing X-Men
Issue: 13
Publisher: Marvel Comics
Date: April, 2006
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Sean Ryan, Nick Lowe

Black-and-white variant cover on this issue.

This is something of a catch-up issue, that manages to be a lot more satisfying a read than #10 was, in spite of #10's emphasis on plot and action.

The focus here is on character development, particularly on the romance between Kitty and Colossus, and the conflicting forces influencing Emma Frost.

There is also a very amusing reveal of the new low-tech version of the Danger Room (after the room ran amuck over several issues around the previously-reviewed #10). Now that Ms. Room has been officially "future-endeavored" (or whatever happened to her), the new plan for combat training is simpler, more elegant, and far more dangerous: The trainees are simply put into a darkened room in which Wolverine kicks their asses. Why did they not think of this in the first place? It seems like it would have saved everybody a lot of grief, and the quality of training would not have suffered.

In addition to that amusing bit, there is lots of Emma-intrigue, some seeds planted for future storylines involving SHIELD, some dream sequences, and a very shock-value final scene.

This is moving in the right direction.

Rating: 6/10

Astonishing X-Men #10

From the random stack of unread comics, as chosen by the Kiddo. This is the first of two issues from this title that I've got in the to-read stack.

Title: Astonishing X-Men
Issue: 10
Publisher: Marvel Comics
Date: May, 2005
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Sean Ryan, Nick Lowe

So, the Danger Room AI has become not just self-aware, but also righteously pissed off, and she (she appears in a vaguely female shapeshifting robotic form) proceeds to mop the (Danger Room) floor with the X-Men.

The team in this case consists of Cyclops, Emma Frost, Wolverine, Colossus, Kitty Pryde, and Beast. Joss Whedon (you know, that guy from Buffy and firefly; the director of the film version of The Avengers) is writing, and in a moment-by-moment sense, this is all good. Danger Room knows all of the X-Men's tactics and weaknesses, and so she takes them apart with relative ease, only having a couple moments of trouble when they make some attempts at breaking their normal patterns.

Unfortunately, as well executed as it is, it just didn't feel all that original or interesting, and Danger Room's constant talking about how she's fought  the X-Men thousands or times and knows them better than they know themselves and whatnot does not help the cause. By the time I was half way through this, I wanted the X-Men to win, not because Danger Room was such a horrible threat, but just because of how annoying she was.

Also, would someone please give Danger Room a name so that I don't have to keep referring to her as Danger Room?

A couple of the characters are apparently killed by the time it's all said and done, but this is the Marvel Universe (and as we have said many times, there is dead, and then there is dead-in-the-marvel-universe, and those two things are not particularly related), so there isn't a whole lot of emotional punch to those scenes.

I did like the ending line. Joss Whedon has always been great with the one-liners, and this one works nicely. I wish it had been saved for a better story.

Rating: 4.5/10