Upcoming Convention Appearance

The next Dandelion Studios convention appearance is fast approaching! Join us this Saturday (2/16/2013) at Manchester Memorial High School in Manchester NH for Queen City Kamikaze. This is a really great show with bargain-priced admission, great artists, and fun events.



I'll be there for the whole show, and Gynn is currently planning to be there for the first couple of hours. We'll be easy to find. Look for the table with the adorable giant spiders!

Batman And Robin Annual #1

I had some time to kill at the Cape Cod Mall this afternoon, so I picked this up at Newbury Comics. I wanted something that would be a self-contained story.

Title: Batman And Robin Annual
Issue: 1
Date: March, 2013
Publisher: DC Comics
Writer: Peter J. Tomasi
Penciler: Adrian Syaf
Inker: Vincente Cifuentes
Colorist: John Kalisz
Letterer: Carlos M. Mangual
Editor: Rickey Purdin, Rachel Gluckstern
Cover: Andy Kubert, Brad Anderson

Here's something surprising: A Damian Wayne story that I actually liked.

Damian has set up a scavenger hunt for the Batman, his way of saying thanks for Bruce Wayne's efforts to care for him and mentor him. Damian has discovered a series of moments from the lives of Thomas and Martha Wayne during their time in Europe, and he is traveling through Europe, leaving a trail of clues for the Batman to follow.

Except that he's not.

Damian's plan has more than one layer, and while Bruce is off on the vacation that Damian has devised, Damian is having his own kind of vacation.

This had a surprisingly Silver Age feel to it, especially considering that it centered on Damian, who is usually used in darker fare. It was nice to see Damian having fun, Bruce having fun, and a plot that wasn't overloaded with blood and gore on a massive scale. You can't do stories like this all the time (well, in the Silver Age, actually, you kinda could), but it was a really nice breath of fresh air for the annual.

The insights into the lives of Bruce Wayne's parents were great. Not continuity-shattering. Just nice little insights and vivid details.

Not everything here worked. The villain in the Gotham-based subplot felt thrown-together. And some attempted comedy in the ending sequence fell a bit flat.

But overall, this was a good story about the growth of trust between Damian and Bruce in a situation that was not life-or-death.

Rating: 7.5/10

American Splendor: Our Movie Year

On my trip to Western MA in December, I came across The Bookloft in Great Barrington MA. This is an excellent old school independent bookstore with excellent atmosphere, and a great selection. Definitely worth a look if you're in the area. They had small but eclectic graphic novel section and I ended up purchasing this.

Title: American Splendor: Our Movie Year
Publisher: Ballantine Books
Date: 2004
Writer: Harvey Pekar
Artist: R. Crumb, Gary Dumm, Mark Zingarelli, Ed Piskor, Josh Neufeld, Frank Stack, Gerry Shamray, Greg Budgett, Dean Haspiel, Joe Zabel

Graphic novel collecting a year's worth of Harvey Pekar's autobiographical American Splendor series. This issue covers the making and release of the American Splendor film. Pekar tells a fascinating story about his quest for a Hollywood adaptation of his long-running comic book series. When the film did finally happen, Pekar was in the midst of a battle with his anxiety attacks and a relapse of his lymphoma.

The book details how he was able to recover to see the release of the film and its showings at the Sundance and Cannes film festivals, as well as Pekar's travels with his family to promote the movie.

Of course a variety of mishaps occur along the way, including the Northeast Blackout of 2003, which stranded Pekar and his family in New York right when the film was set to premier.

In addition to the ongoing chronicle of the movie's release, the book also includes a bunch of stand-alone stories, as well as some of Pekar's historical features on jazz music.

As is typical for Pekar's work, it is illustrated by several artists, so there is a constantly changing art style from one story to the next. R. Crumb is the artist who helped Pekar get started and he still has one of the most distinctive styles here. Pekar's artists avoid exaggerated superhero-style art in favor of a 70s underground look that keeps the characters looking like real people.

There are lots of little treats in the story for the geeky readers. Pekar might not have much interest in mainstream comics, but he talks at length about Hollywood personalities, visits Weta (the effects studio for Lord of the Rings) in New Zealand, checks out a manga shop in Japan (he's not that impressed), and visits Allan Moore in England for an afternoon.

As much as Pekar presents himself as a cynical everyman, his writing is very intellectual, particularly when discussing music and politics. He puts a great deal of thought into what he writes about, and his depth of knowledge on jazz is encyclopedic. I was also surprised by how positive Pekar is. In spite of his pessimistic, hard-luck outlook on his own life, Pekar speaks very highly of just about all of the people that he worked with, whether on comics, music reviews, or the movie. Pekar is always upbeat and appreciative of the creative and talented people that he has had the chance to meet.

Because this is a collection of a year's worth of Pekar's writing in various individual features and comics, there is some redundancy to the book, and some of the music features are clearly meant to be of local interest. But even the repeated material is presented by different artists, and it's fun to see the variety of interpretations of the same sequence of events.

This may not be the absolute best starting point when it comes to Pekar's work, but it's a good place to jump in for those who got to know Pekar by way of the movie.

Rating: 8.5/10

Booty #26

Picked this up from Trees & Hills at MICE this past fall. Read it on the Red Line train into Arisia tonight.

Title: Booty
Issue: #26
Publisher: My Monster Hat
Distributor: Trees & Hills, Microcosm Publishing
Writer:Anne Thalheimer
Artist: Anne Thalheimer

Anne Thalheimer can always be counted on for some really fun geeky autobiographical comics, a subgenre which is a personal favorite of mine.

The latest issue of her Booty series focuses on the loss of her 9-5 job, and her subsequent decision to devote her time to her monster hat making business, and to substitute teaching, tutoring, and a summer teaching opportunity at Yale to help with the bills.

There is a lot of emotion poured into these pages, and a lot of humor and fun as well. The scene featuring the Internal Monster Council of Doubt was particularly good.

This was a welcome addition to an excellent series.

Rating: 8/10

Chip

I'm not sure exactly where I picked this one up. It's one of many minicomics in the tbr stack.

Don't forget, if you're in the Boston area this weekend, I'll be at Arisia, with a minicomic panel Saturday at 10 PM, a reading of one of my prose stories at 10 AM, and a dealer table in the dealers' room all weekend. Come check out my comics.

Title: Chip
Publisher: Square Bubbles
Writer: Jonathan Pinchera
Artist: Jonathan Pinchera

Folded micro-minicomic that tells the origin story of a planet-sized monster named Chips. Chips enjoys roasting marshmallows on the sun and composing haiku. This was obviously a quickie, but it was pretty amusing, especially the way it ended.

Creative and worth a giggle or two.

Rating: 6.5/10

Strawberry Shortcake / Scouts Halloween Mini-Comic #1

I will be at Arisia this weekend in Boston MA. Come see my comics at the Dandelion Studios table in the dealers' room. I will also be reading my fiction Saturday at 10 AM and I will be on the minicomics panel Saturday at 10 PM. Yes, Saturday will be a long day.

Here's a kids' comic I picked up as a Halloween freebie from New England Comics in Quincy MA.

Title: Strawberry Shortcake / Scouts Halloween Mini-Comic
Issue: #1
Date: 2012
Publisher:  Kizoic
Writer: Heather Nuhfer, Mark Finn
Artist: Amy Mebberson, Antonio Campo
Colorist: Amy Mebberson, Dustin Evans
Letterer: AW's Adrian Martinez

Ashcan-format flip book.

Strawberry Shortcake is getting her sweets shop ready for the Valentines season, which is one of their busiest times of the year. In an effort to get some extra help, she tries recruiting a berrykin, and ends up securing the services of Littlest Berrykin, who is full of her own ideas about how to concoct treats. And some of those ideas involve chili peppers.

There is a fine line between adorable and unbearable sometimes, and this story managed to stay about a millimeter on the adorable side.

Flip the book over and you get Scouts, which is basically a comedy about a Boy Scouts style group. It's time for the pet appreciation badge, and every bad pet cliche shows up all at once. This was fairly lowbrow (but still kid-appropriate) humor, which was enough to get a mild chuckle out of me when reading it, but which is also pretty forgettable once it's done.

Rating: 5.5/10

Uncanny Avengers #1

I stopped by my local Newbury Comics recently and picked up a couple of the recent Marvel Now debut issues. This is the second of those. My review of Thor: God of Thunder #1 was posted yesterday.

This week I'm gearing up for the Arisia convention this weekend in Boston. My small-press comic company, Dandelion Studios will be in the dealer room all weekend. In addition, I'll be doing a reading of some of my prose fiction (along with authors Resa Nelson and Daniel P. Dern) at 10 AM on Saturday, and I'll be on a minicomic panel Saturday at 10 PM. I'll also hopefully be picking up some new comics to review throughout the weekend.

But for now, on to the business at hand.

Title: Uncanny Avengers #1
Date: December, 2012
Publisher: Marvel Comics
Writer: Rich Remender
Artist: John Cassaday
Colorist: Laura Martin
Letterer: VC's Chris Eliopoulos
Editor: Daniel Ketchum, Tom Brevoort, Axel Alonso

First issues of team comics tend to fall into formula, simply because there is limited space and a fairly fixed agenda that needs to be accomplished. Team members need to be introduced and recruited, and by the time that is done there is usually just about enough space to introduce the villains and jumpstart a bit of plot.

This book was further saddled with a load of continuity baggage as it worked through the aftermath of the recent Avengers vs. X-Men storyline.



SPOILER WARNING



Charles Xavier is dead.

Well, actually he's Marvel-dead, and since his name isn't Uncle Ben that means he's not really dead. But we're all supposed to pretend that he is so that characters like Wolverine and Havok can wax emotional. There was nothing wrong with these opening scenes; it just all felt like going through the motions.

From there Captain America and Thor show up to recruit Havok to lead Cap's new mutant/nonmutant super team. Cap is handled well. Thor plays big goofy comic relief, which in this case is actually fairly funny. About halfway through coffee, a villain starts wrecking the neighborhood, and the heroes leap into action in what was essentially a jobber squash to show off the heroes doing their thing.

We move on to Scarlet Witch and Rogue, who have a well-written and genuinely intense verbal confrontation. Wanda is a character that I really haven't ever seen featured all that much here, and her response to Rogue's righteous bluster is really good.

Sadly the whole thing gets interrupted by a group of generic villains, and a character is mauled because, well, there really hasn't been any gratuitous gore so far, and we can't have one of the female character go and steal the show, now can we?

Ends with a big villain reveal that was okay for what it was.

This has potential, a fact that I may not have actually conveyed all that well. Unfortunately, the limitations of the Marvel Universe (even the sorta-rebooted Marvel Now), and the fallback to cliches keep this from getting me interested enough to want to read any more of it.

Rating: 4/10