Showing posts with label blambot. Show all posts
Showing posts with label blambot. Show all posts

Tuesday, June 24, 2014

Lex Talionis: A Jungle Tale

A recent dollar store find.

Title: Lex Talionis: A Jungle Tale
Date: January, 2004
Publisher: Image Comics
Writer: Aeurin Wright
Artist: Aeurin Wright
Letterer: Blambot

The first thing I noticed about this book was the odd format, with the spine located at the top of the front cover, rather than on the left.

This is a story of a gorilla attack in an unspecified region of Africa. It's fictional, although it makes mention of the real events surrounding the death of gorilla researcher Dian Fossey in 1985.

The style and pacing of the story give the impression of a hardboiled crime novel, and essentially that is what Lex Talionis is at its heart. It also raises some interesting questions about human and gorilla intelligence and emotion.

The story is simple, but very effective, and Wright's artwork brings the intensity and the violence of the story without excessive gore.

This is a good, tightly constructed short story in graphic form.

Rating: 8/10

Tuesday, February 18, 2014

Orchid #1

Bought this one when it came out in 2011. Finally got around to reading it. 

Title: Orchid
Issue: 1
Date: October, 2011
Publisher: Dark Horse Comics
Writer:Tom Morello
Artist: Scott Hepburn
Colorist: Dan Jackson
Letterer: Nate Piekos of Blambot
Cover: Massimo Carnevale
Editor: Jim Gibbons, Patrick Thorpe, Sierra Hahn, Dave Land


I went into this with high hopes for Tom Morello as a comic book writer. While I haven't listened to too much Rage Against the Machine, or The Nightwatchman, I have enjoyed Morello's collaborations with Bruce Springsteen, and he did have that time when he awesomely told off Paul Ryan in the pages of Rolling Stone. The guy is essentially a member of the E Street Band at this point, and so I feel some obligation as a huge Springsteen fan to give him props.

So I really wanted to like this. It had an awesome cover, by the way (actually, this is apparently the variant cover; regardless it's pretty awesome).

Unfortunately, that was about where my liking of it ended.

The story is set in a postapocalyptic world featuring a mostly submerged Earth (not explained, although there were vague references that the dumping of chemicals in the oceans was somehow to blame) inhabited my mutated animals right out of, well, right out of a postapocalyptic world. A postapocalyptic world writting in 1983 or so, that is. We're talking serious Gamma World style creatures.

So the setting is a bit goofy, although the plot, involving the last survivor of a failed rebellion on the run, seems to take itself completely seriously. The silly setting was not the main issue.

The main issue was misogyny, which is pretty much the unintentional main theme of the story here. Look, I get it. The setting is supposed to be horribly dystopian. The villains are supposed to be horrible human beings and we will cheer for them getting their comeuppance in a future issue. At least the readers who stick around long enough will. I will not be one of them.

Women forced into prostitution with the word "property" tattooed onto them was just too distasteful for me to want to continue reading this. That sentence was going to start with "Sorry, but". I'm not actually sorry. This story was loaded with violence against women, both implied and explicit, and it was woven into the society of the setting. It was done excessively, and unnecessarily for the purposes of the story Morello was trying to tell. That is not a story I want to read and it's not a series I want to support. No apologies.

I had a hard time finding any reason to care about the characters, even as horrible things happened to them.

Dystopia is a tough sell for me. I am not a fan of harsh and dark settings, but when I think of an example of a Dystopian story that I like, I realize that before The Hunger Games had fully revealed how truly terrible its setting and society were, the story had given reason to care about Katniss and several of the supporting characters.

All that Orchid gave me in the first issue was reasons to stop reading.

Rating: 2/10

Friday, August 3, 2012

Buffy/The Guild: Free Comic Book Day 2012

Title: Buffy/The Guild: Free Comic Book Day 2012
Issue: 1
Date: 2012
Publisher: Dark Horse Comics
Writer:Felicia Day, Andrew Chambliss
Artist:Jonathan Case, Georges Jeanty, Dexter Vines, Michelle Madsen
Letterer: Nate Piekos of Blambot, Richard Starkings, Comicraft's Jimmy Betancourt
Cover: Adam Rex, Georges Jeanty, Michelle Madsen
Editor:Brendan Wright, Scott Allie, Freddye Lins, Sierra Hahn

Flip book.

First part is "The Guild", which is basically a nerdy sitcom about a group of MMORPG players. In this installment, the members engage in a fight to the death (in-game) to decide who will get to choose the location of their next (out-of-game) meetup.

The result is a trip to the beach and the result is, well it's supposed to be funny, but it's just kinda there. The problem is that this story needs to be witty and geeky, and it ends up being a rather generic comedy bit that could have been done with any set of sitcom characters in the same situation. They go to the beach. Funny things happen. Allegedly funny, anyway. I know a lot of people love the web series version of The Guild, and it may be great, but this was not a very effective introduction.

Flip the book over and there is Buffy in an adventure that rips off... Oh, sorry, parodies... Alien. Buffy is on a space ship with a creature that bears a lot of resemblance to the monster from the Alien films. Buffy gets to do her best Ripley imitation in between occasional moments of silliness. The serious scenes were pretty highly derivative, but were still effective. The silly moments (the friendly insectoid aliens eating all of Buffy's stakes, and so on) were less effective.

These are two pretty strong properties, and I feel like they both could have been done better for this book.

Rating: 4.5/10