Neil Gaiman's Mr. Hero: The Newmatic Man Volume One

I bought this one at my school's book fair back in 2018.

Title: Neil Gaiman's Mr. Hero: The Newmatic Man
Issue: Volume One
Date: 2016
Publisher: Super Genius
Writer: Neil Gaiman, James Vance
Penciler: Ted Slampyak, Bryan Talbot, Marc Sasso
Inker: Bob McLeod, Mike Witherby, Art Nichols, John Coulthart, Dave Hunt, Terry Beatty, Angus McKie, Bryan Talbot, Marc Sasso
Colorist: Kell-O-Graphics, Zachary Lynch, Angus McKie, Tony Kelly, Marc Sasso, Alan Craddock
Letterer: John Workman

Reprinting the first 9 issues of the 1995 series from Tekno Comix, which was a venture by Sci-Fi Channel (now SyFy; because things are cooler when spelled with y's, I guess) that brought in authors and media stars as creators and worldbuilders and then handed those projects over to the Tekno Comix writing and art teams for the production of the actual comics stories.

In this case, the "name" writer was Gaiman, who actually created five interconnected titles for Tekno Comix.

Mr. Hero tells the story of a Victorian-era steam-powered automaton, an intelligent robot used in magic shows in the 19th century, but whose real origin is a much more sinister one, linked to the demonic Teknophage, who has been manipulating events on Earth and other planets for centuries.

The Mr. Hero robot is discovered by aspiring magician and mime Jenny Hale in the basement of a museum of stage magic. The Teknophage at first wants the robot back, but later embarks on a more elaborate scheme of corrupting Jenny with wealth while using experimental brainwashing on her best friend.

Mr. Hero the robotic pugilist with a noble heart and 19th Century mannerisms does his best to protect Jenny, along with his alternate head, the Ratiocinator, who considers himself the brains of the operation.

There is a whole cast of oddball henchpersons and mysterious figures, and a fair amount of scheming, plotting, and infighting, while the friendship between Jenny and Mr. Hero shines through all of the mayhem.

The villains are the weakness of this story. They are SO incompetent. And a lot of that is intentional, part of the humor that makes the story entertaining. But it gets to be a bit eyeroll-inducing as they  just make dumb move after dumb move.

That being said, Jenny is a great character, and her chemistry with her robot friend is charming. Both versions of Mr. Hero are fun, and they are distinctive enough to add some variety to the dialogue.

The plot is more convoluted than it needed to be, but I really enjoyed this for the main characters.

Rating: 7.5/10

Batman: Whatever Happened to the Caped Crusader?

First comic purchase and first review of 202!
Bought at Boocup, Kerry Parkside, Pudong, Shanghai, China.

Title: Batman: Whatever Happened to the Caped Crusader?
Date: October, 2010
Publisher: DC Comics
Writer: Neil Gaiman
Artist: Andy Kubert, Scott Williams, Simon Bisley, Mark Buckingham, Mike Hoffman, Kevin Nowlan, Bernie Mireault, Matt Wagner, Alex Ross
Colorist: Alex Sinclair, Nansi Hoolahan, Tim McCraw, Joe Matt
Letterer: Jared K. Fletcher, John Costanza, Augustin Mas, Todd Klein
Editor: Scott Nybakken, Maggie Howell

The title feature of this trade paperback is the two-part story that spanned Batman #686 and Detective Comics #853, which were the last issues of those series before they were renumbered as part of the New 52. The title is a tribute to the classic Alan Moore two-parter, Whatever Happened to the Man of Tomorrow, which was published at a similar moment, marking the division between the Pre-Crisis (On Infinite Earths) and Post-Crisis DC Universe.

The story has the Batman attending his own funeral, held in the back room of a Crime Alley bar, where Joe Chill serves as bartender, and all of the Batman's rogues gallery is in attendance as mourners, along with some more respectable members of the supporting cast. All of them are telling stories of the Batman's death while the Batman himself looks on unseen, with a mysterious woman as his guide.

And the stories are all contradictory.

This was an interesting examination of the symbolism of the Batman, and something of a reversal of the typical tale of transition into an afterlife. The fully-realized stories told by Selina Kyle and Alfred Pennyworth read like reasonably decent "What If?" tales, and artist Andy Kubert does a great job of evoking the styles of classic Batman artists. There are also some interesting stories that are just told as fragments from characters like Detective Bullock and Clayface.

The ending is a strange and surreal variant on (of all things), Margaret Wise Brown's Goodnight Moon, that should never have worked, but which Gaiman somehow manages to just about pull off.

Backup stories in this volume include a miscellany of Gaiman's Batman writing from Batman: Black and White and Secret Origins. The Black and White piece is an amusing bit of fourth-wall breaking. Of the Secret Origins stories, the Riddler story was the best of the bunch, a loving tribute to the Silver Age, and a lament against the turn toward darker fare that followed.

None of this is anywhere Gaiman's best work in terms of writing, but it's a nice look at his relationship with comics in general and the Batman in particular, and it has a decent number of stand-out moments.

Rating: 7/10

Sandman Special #1: Orpheus

From the Random Stack of Unread Comics.

Title: Sandman Special: Orpheus
Issue: 1
Date: 1991
Publisher: DC Comics
Writer: Neil Gaiman
Penciler: Bryan Talbot
Inker: Mark Buckingham
Colorist: Daniel Vozzo
Letterer: Todd Klein
Editor: Alisa Kwitney, Karen Berger

Neil Gaiman adapts the ancient Greek myth of Orpheus to the comic book mythology of the Endless in this pre-Vertigo DC Comics special from 1991. Here, Orpheus is the son of Dream, and the favorite nephew of the rest of the Endless.

This is a powerful adaptation with some interesting revelations about the Endless in the earlier parts of the story, with more of a straight-up retelling of the myth for the middle parts, followed by a very intense and original ending.

I particularly liked Orpheus' interactions with Charon, Hades, and Persephone in some of the story's key scenes.

This was a really good adaptation, and a nice addition to the Sandman's backstory.

Rating: 8.5/10

The Tale of One Bad Rat #1

About 14 hours until departure. Reviewing marathon is in full effect in between the last of the packing and cleaning. This was in the random pile of unread comics. Don't remember where I got it.

Title: The Take of One Bad Rat
Issue: 1
Date: October, 1994
Publisher: Dark Horse Comics
Writer: Bryan Talbot
Artist: Bryan Talbot
Letterer: Ellie DeVille
Editor: Dick Hansom, Randy Stradley

A homeless runaway girl tries to survive on the streets of London, struggling to find someone she can trust while caring for her pet rat. The story unfolds amid visions and flashbacks to trauma she experienced growing up, and to a strange connection she has to Beatrix Potter and her stories.

Great characters and dialogue. A gritty story that doesn't need to go into excessive gore to make its point. And the Beatrix Potter references are intriguing.

Nice text introduction by Neil Gaiman.

Rating: 8/10

30 Day Comic Challenge Day 21

Day 21 - Favorite Writer.

This will probably be a popular choice among lots of possible good choices. My favorite comic book writer is Neil Gaiman.



Gaiman uses mythology and symbolism beautifully in his work, creates memorable characters, and delivers great stories. He does it without needing to resort to shock and extreme violence on every pages, but has still written some of the most horrifying sequences in comics when the needs of the story called for it. He deals equally well in horror and beauty, and he is probably singlehandedly responsible for bringing a huge number of new readers to American comics.

From My Creations

Okay, a bit biased here because I'm married to her. My choice is my co-writer on Zephyr & Reginald: Minions for Hire, Gynn Stella. She's also the writer for many of the Dandelion Studios minicomics.



I write genre fiction and (hopefully) play around with the familiar themes enough to make it seem interesting and perhaps a bit original.

Gynn invents her own genres.

She tells amazingly original stories through her comics, and can make the most mundane of experiences into compelling comics storytelling. She's got a great talent for catching details and for looking at the world from unexpected perspectives.

The 30 Day Comic Challenge Page on Facebook is here. Here is the complete list of daily topics:

30 Day Comic Challenge
Day 01 - Your first comic book.
Day 02 - Your favorite character.
Day 03 - A comic that is underrated.
Day 04 - Your guilty pleasure comic or character.
Day 05 - Comic character you feel you are most like (or wish you were).
Day 06 - Most annoying character.
Day 07 - Favorite comic couple.
Day 08 - Best series being published right now.
Day 09 - Most touching comic book/comic book scene.
Day 10 - Dream versus match.
Day 11 - Favorite comic book cartoon series.
Day 12 - A comic everyone should read.
Day 13 - A book you’ve read more than five times.
Day 14 – Most awesome single comic book image
Day 15 - A Picture from the comic you’re reading right now.
Day 16 - Funniest comic book/comic book scene.
Day 17 - Most useless Villain.
Day 18 - Favorite B-list character.
Day 19 - Comic book city/universe you wish you lived in.
Day 20 - Favorite super power or skill.
Day 21 - Favorite writer.
Day 22 - A series that you liked but stopped reading
Day 23 - Your favorite artist.
Day 24 - Dream character team up.
Day 25 - A book you plan on reading.
Day 26 - A comic you wish they would make into a movie.
Day 27 - Favorite comic book movie.
Day 28 - Favorite comic publisher.
Day 29 - A comic you thought you wouldn’t like, but ended up loving.
Day 30 - Your favorite run or series of all time.

Beowulf Comicon Promo

Title: Beowulf Comicon Promo
Date: July, 2007
Publisher: IDW Publishing
Writer: Chris Ryall
Art: Gabriel Rodriguez
Colorist: Jay Folos
Letterer: Robbie Robbins
Based On The Screenplay By: Neil Gaiman, Roger Avary

"Monster Grendel's tastes are plainish/For breakfast, just a couple Danish." - Maurice Sagoff.

IDW's preview of their comic based on the movie based on the ancient Anglo-Saxon epic. We get started with Grendel attacking Hrothgar's hall and tearing apart some of the Geatish warriors. Interestingly, Grendel refuses to fight Hrothgar himself, the first of several hints of a connection between the two that the Gaiman/Avary script adds in an attempt to "improve" a story that has endured for well over 1000 years. The fight scene is pretty standard comic fare, but the introduction of Grendel's mother gets is a bit more interesting, and the arrival of Beowulf in the land of the Geats is handled quite nicely. Visually, the combination of Gabriel Rodriguez's artwork and Jay Folos' coloring is stunning. While there is some wandering from the source material, there is also some obvious effort made to stay faithful to the original wherever possible.

Rating: 6/10