Sandman Special #1: Orpheus

From the Random Stack of Unread Comics.

Title: Sandman Special: Orpheus
Issue: 1
Date: 1991
Publisher: DC Comics
Writer: Neil Gaiman
Penciler: Bryan Talbot
Inker: Mark Buckingham
Colorist: Daniel Vozzo
Letterer: Todd Klein
Editor: Alisa Kwitney, Karen Berger

Neil Gaiman adapts the ancient Greek myth of Orpheus to the comic book mythology of the Endless in this pre-Vertigo DC Comics special from 1991. Here, Orpheus is the son of Dream, and the favorite nephew of the rest of the Endless.

This is a powerful adaptation with some interesting revelations about the Endless in the earlier parts of the story, with more of a straight-up retelling of the myth for the middle parts, followed by a very intense and original ending.

I particularly liked Orpheus' interactions with Charon, Hades, and Persephone in some of the story's key scenes.

This was a really good adaptation, and a nice addition to the Sandman's backstory.

Rating: 8.5/10

Shade: The Changing Man #54

Reading and reviewing comics at the airport in Mumbai, India! First of the last two in that stack I've been working my way through.

Title: Shade: The Changing Man
Issue: 54
Date: December, 1994
Publisher: DC Comics (Vertigo)
Writer: Peter Milligan
Penciler: Mark Buckingham
Inker: Rick Bryant
Colorist: Daniel Vozzo
Letterer: Todd Klein
Editor: Shelly Roeberg
Cover: Duncan Fegredo

Lost in grief, Shade moves to New York City and becomes a dance floor. Literally. But when the routine of peaceful days and raucous nights is broken by the arrival of a woman who wants to dance alone to any music as long as it's loud, Shade discovers the possibility of human interaction again.

There is also a man who claims to be the reincarnation of Nikola Tesla, and who may have invented a perpetual motion machine that he's just not quite ready to turn on.

There are some great lines and some cool surprises in this story, although it lost me a bit when Shade got a bit too far into creep-stalker territory with the potential new love interest that is introduced here. His actions all make reasonable sense given his mental state, but the Edward Cullen routine is still problematic.

And in spite of that, there is a lot to love in this story, including the whole concept of becoming a dance floor, which is handled beautifully. The Tesla subplot is also very clever, and provides a nice parallel to the difficulties that Shade is going through.

Rating: 5.5/10 

Shade: The Changing Man #35

Well, here we are about an hour until we head to the airport. Two more comics in the stack after this one. Looks like I will be reading (and possibly reviewing, wifi permitting) those two on planes and in airports. The itinerary is Ho Chi Minh City to Bangkok to Mumbai to (lovely) Newark NJ. Long trip with long layovers. Definitely adventure material.

In the meantime, here is some more classic 90s Vertigo for you.

Title:Shade: The Changing Man
Issue: 35
Date: December, 1993
Publisher: DC Comics (Vertigo)
Writer: Peter Milligan
Penciler: Chris Bachalo
Inker: Rick Bryant
Colorist: Daniel Vozzo
Letterer: Todd Klein
Editor: Shelly Roeberg, Karen Berger
Cover: Chris Bachalo

Shade and Lenny are trapped in Brian Juno's Garden of Pain, where Juno intends to torture Shade as part of his plan to ascend as a god. Meanwhile, Kathy is dead, or at least having a near-death experience, sitting in a cosmic waiting room with a group of angels who have a deal to make with here.

Wordy in places, but once it gets going, this story brings the intensity. Like the other issue of Shade that I recently reviewed, this is the conclusion of a major storyline, and it hints at another new phase in the relationship between Shade, Lenny, and Kathy.

Lenny, as is often the case in this series, gets most of the best lines and moments. I always enjoy reading stories she appears in. She's one of the very few characters that exist truly outside of tropes and classification.

Aside from the general verbosity in places, and some confusing elements early on (understandable as I has not read the issues leading up to this), this is a really solid conclusion with great dialogue and a few surprises. 

Rating: 7.5/10 

Shade: The Changing Man #18

Finishing up the last of the small stack of comics that I brought with me when we moved overseas. I have a big collection of comics back home. Mostly bargain-bin fodder, but a decent sized collection. Twenty-five longboxes or thereabouts. And that's after I ditched five longboxes for pennies-on-the-dollar to clear space a year or two ago.

Of those, there are probably about three longboxes worth of unread comics, most of which I bought during buying sprees in bargain bins at stores and conventions. 

During the last days of packing for our move to the other side of the world, I figured I'd grab some unread comics, but I was pretty short on space. I had a bit of room in a carryon bag, and I knew that comics I crammed in there were in danger of getting wrecked.

So my criteria when I went into the unread comics stack was pretty simple. I grabbed books that were already bagged and boarded (most weren't) until I had all that would fit. The result was a very random mix.

I'm down to my last few. After this one, seven more to read.

Title:Shade: The Changing Man
Issue: 18
Date: December, 1991
Publisher: DC Comics
Writer: Peter Milligan
Penciler: Chris Bachalo
Inker: Mark Pennington
Colorist: Daniel Vozzo
Letterer: Todd Klein
Editor: Alisa Kwitney, Karen Berger
Cover: Jamie Hewlett


This is the finale to the American Scream storyline that formed the main narrative in the early issues of Vertigo's Shade: The Changing Man (technically this is pre-Vertigo, but it's the series that was brought under the Vertigo umbrella). 

Shade is being backed into a corner. His only chance to save Kathy and defeat to American Scream is to return to Meta and kill Wisor. But he doesn't know how to get there, and he isn't sure he can do the deed even if he does find a way home.

There are final confrontations all round as Shade and Agent Rohug confront Wisor, and Wisor is forced to confront his own creation, the Scream.

The opening scenes are the usual frenetic insanity that is to be expected from Shade, with appearances by Christopher Columbus and an animate version of Mount Rushmore. The climactic faceoff is good, if a bit neat in its resolution, but the real gem of the issue is the epilogue sequence, which is poignant and heartfelt, and lays the groundwork for a new direction for Shade's story.

Rating: 7.5/10