Suicide Squad: King Shark Special Edition: Free Comic Book Day 2021

A previous year's FCBD edition that I got from Zombie Hideout in Springfield MA USA for this year's Free Comic Book Day.

Title: Suicide Squad: King Shark Special Edition
Issue: 1
Date: May, 2021
Publisher: DC Comics
Writer: Tim Seeley, Brian Azzarello
Artist: Scott Kolins, Alex Maleev
Colorist: John Kalisz, Matt Hollingsworth
Letterer: Wes Abbott, Jared Fletcher
Editor: Michael McCalister, Mike Cotton, Bixie Matheiu
Cover: Trevor Hairsine

This was released in anticipation of the James Gunn Suicide Squad film, which heavily featured King Shark, thus the hype here. And much to my surprise, this really lived up to the hype. Told primarily from the point of view of Defacer, a graffiti artist who somehow got lumped in with the supervillains at Belle Reve Penitentiary, the story follows King Shark as he goes on temporary release to fulfill his obligations to his father, Lord Chondrakha, the shark god. Why is Defacer along? Because King Shark likes her, and so Amanda Waller is using her as leverage to assure King Shark's return. Weirdly, this actually works really well, and the almost-certainly-doomed defacer has instant chemistry with King Shark. This was way more fun than it had any right to be, and I actually found myself interested in both characters.

The second story was also pretty good, although it didn't do much in terms of treading new ground. Told in first-person by Jason Todd, it recaps his origin, this time as Robin, and his subsequent return as the Red Hood, before placing him in (you guessed it) Belle Reve Penitentiary and introducing the storyline for Suicide Squad: Get Joker! The recap was effective for getting readers up to speed on what the deal is with Jason Todd, and Jason's voice is well written. The art does a nice job of using the shadows of the cell bars in Belle Reve to establish mood, and takes its time to let Jason's thoughts sink in.

Rating: 7.5/10

Suicide Squad #3

Title: Suicide Squad
Issue: 3
Date: January 2012
Publisher: DC Comics
Writer: Adam Glass
Artist: Cliff Richards
Colorist: Val Staples
Letterer: Jared K. Fletcher
Editor: Sean Mackiewicz, Pat McCallum
Cover: Ken Lashley

Mad Dog!

Sadly, though, it's Mad Dog repackaged as a generic mercenary/bounty hunter with none of what made the original character (a "home grown" midwestern vigilante) interesting or appealing.

In spite of being in a downtown domed stadium last issue, the team is out in the boondocks. They've got a baby (carrying zombie virus immunity) to protect, but it's pretty much the most cooperative baby of all time, as NONE of the possible problems one might expect from trying to care for a newborn in a dangerous situation actually occur. In fact, the baby is pretty much an afterthought.

Actually, logic and common sense are afterthoughts in this issue as well. The structure of the story is an unnecessary jumble of flashbacks for no apparent reason, as the team counts down to an arbitrary "evac" and wander around town scrounging supplies (evac is only two hours away!) in really bad attempts at "disguise".

Then Mad Dog, who's been sent to recover the baby, decides to blow up a diner with the Squad AND the baby inside.

Oh, and Harley seduces Deadshot in the midst of all of this. Because this story didn't have enough sex, I guess.

Ends with the team being assigned some additional personnel. Except that they spell it "personal". Hey, look, it's an Asian guy named Yo-Yo! Does he play cello? Because that would actually be cool. The other new addition is a classic Suicide Squad regular, and fairly inevitable choice.

Oh, and he's got a handy remote control detonator for everybody's implanted bombs. Because of course that makes a ton of sense.

I could go on, because there was plenty more idiocy in this issue, but I think I'll leave it at that. And I'll be leaving future issues of this series on the shelf, a decision I probably would have been better off making three issues ago.

Rating: 3/10

Suicide Squad #2

Back to the reviews and back to the New 52. I still have a few stray #2's to deal with here.

Title: Suicide Squad
Issue: 2
Date: December 2011
Publisher: DC Comics
Writer: Adam Glass
Artist: Frederico Dallocchio, Andrei Bressan
Colorist: Val Staples
Letterer: Jared K. Fletcher
Editor: Sean Mackiewicz, Pat McCallum

We open the show with the squad dropped into a darkened domed stadium that is apparently under military quarantine. They've got a woman to find. She's got "the package" and it's up to the Squad to secure it by "any means necessary". It's all very macho, with hints of mayhem in the background. Weirdly, the front page "introduce the team" sequence (from Deadshot's POV: "Amateur, hero, wild card, and cookoo for cocoa puffs"; that last one would be Harley) actually skips over one team member. I realize that the idea here is that no one is safe, but that seems a little bit too obvious. Sure enough, mister-no-introduction gets redshirted before we're done.

As for the scenario? Well, if you were told that a mysterious virus had been let loose in a stadium, what would be the least interesting and most overdone story you could think of? If you said zombies, then there might be room for you on the DC Comics writing staff!

So the action turns quickly into something that had the feel of a zombie apocalypse video game complete with a pregnant woman transformed into a tentacled "boss". There was a fair amount of gross-out and alleged "shocks" including the surprise twist that was essentially given away on the first page.

The story also continued the DCU's escalation of mass violence. An entire stadium full of people are massacred here, and the government will just cover it up. Yup, just another day in the DC Universe. I would say that this runs the risk of desensitizing the audience to violence, but the stupidity of the plot already had me not caring.

Remarkably, the ending scenario actually does provide the possibility that the next issue could be better than this one, due entirely to Deadshot being forced into a very unusual role. I actually bought the third issue of this mess (by accident; I had planned to stop after my first look at the "new" Amanda Waller), so I'll actually be reviewing that one to see if it's any better than this. Which actually shouldn't be too difficult, you would think.

Rating: 3/10

Suicide Squad #1

Still making my way through the New 52's issue #1's.

Title: Suicide Squad
Issue: 1
Date: November 2011
Publisher: DC Comics
Writer: Adam Glass
Artist: Frederico Dallocchio, Ransom Getty, Scott Hanna
Colorist: Val Staples
Letterer: Jared K. Fletcher
Editor: Sean Mackiewicz, Pat McCallum

I don't have a gripe with Harley Quinn's new costume. I mean, it does make her look more like a prostitute than a superheroine, but it isn't any worse than half the female characters in mainstream comics. Bleach the outfit and you've basically got Emma Frost.

But I do think the costume change is a pretty idiotic decision by the powers-that-be at DC comics. The classic Harley Quinn costume is incredibly popular with cosplayers (take a look around any major convention and you'll usually see several Harley Quinns), and it seems like a waste to not support that popularity.

What I DO object to is the new look for Amanda Waller. "The Wall" was one of the best female characters in comics, someone who was tough enough to face down the Batman without any powers of her own. The fact that she was middle-aged and overweight was a refreshing change from pretty much every other female character in the DCU. Well, the new version of Amanda only appears on one panel in this issue, but she's got the exact same body type as well, I would assume it's the same body type that the marketing department feels in necessary to keep the 14-to18-male demographic reading.

Younger Superman with an attitude? I can live with that. Emphasis on the warrior side of Wonder Woman? Okay. Barbara Gordon back as Batgirl? Controversial, but I'm at least willing to give it a try. Catwoman/Batman sex scene? Well, hopefully not in every issue, but at least it fits the vibe of a Catwoman book. And as I said, I can even overlook the stupidity of the new Harley Quinn costume. But mess with The Wall? You just lost a reader. This will be my last review of the new Suicide Squad.

But as it turns out, I don't think I'm going to be missing much. This entire issue was an extended torture sequence involving the captured members of the Squad. Actually, it could be argued that it's the readers who are being tortured, especially since the "surprise" twist at the end of the issue can be seen from a mile away.

Anyway, there is a little bit of background on some of the characters about how they were captured (Harley got taken down by Black Canary; well actually Harley just kinda surrendered to Canary). The other characters who get the spotlight are Deadshot and El Diablo (a Latino fire-elementalist guy, not the DC hero from the late 80s of the same name). Sadly we didn't get to see how King Shark got arrested and tried. That at least might have been some good comic relief ("Candygram!").

And that's it. Torture. (Not) Surprise plot twist. Amanda Waller is skinny. The end.

If this book was a member of the team, I'd be hoping they'd detonate the bomb implant right about now.

Rating: 3/10