Justice League Dark #5

One of the remaining comics from when I was buying a lot of DC's early New 52 titles.

Title: Justice League Dark
Issue: 5
Date: March 2012
Publisher: DC Comics
Writer: Peter Milligan
Artist: Mikel Janin
Colorist: Ulises Arreola
Letterer: Rob Leigh
Editor: Chris Conroy, Matt Idelson
Cover: Ryan Sook

This is the conclusion to the opening storyline of the series, and it manages to wrap things up without actually ending with, well, a team. A lot of the wrap-up feels overly convenient too.

The opening sequence name-drops some character in other DC Universe books (all characters under the general umbrella category of "Dark"), but they are really not instrumental to the story at all. It comes off more as a clumsy way of trying to get readers into checking out more titles.

There is also, once again, little in the way of feelings of long-term consequences for all the mayhem that has been unlesashed on the world. When it's all said and done, it's the team going their separate ways, and the reader knowing full well, they'll be dragged back together next issue.

The character of John Constantine does shine through very nicely here. He absolutely steals the show both in his serious moments, and with his more silly spots. The results of Deadman attempting to posses his mind are hilarious. This issue is essentially all Constantine, and that is a good thing. Unfortunately it is the only good thing

Rating: 5.5/10

Justice League Dark #4

Title: Justice League Dark
Issue: 4
Date: February 2012
Publisher: DC Comics
Writer: Peter Milligan
Artist: Mikel Janin
Colorist: Ulises Arreola
Letterer: Rob Leigh
Editor: Rex Ogle
Cover: Ryan Sook

Four issues and and the team is still being assembled.

At least the heroes were acting a bit more heroic this time around, although Zatanna continues to be pretty much useless in every situation. Deadman, surprisingly, is actually pretty effective. Constantine is a jerk, as usual, but at least he's staying in character.

This issue also gave some attention to Madame Xanadu's personal problems, interspersed with occasional glimpses of mayhem that the Enchantress is causing, which seem strangely out of place. I felt like we needed to see some news reports or at least some more extended reactions to all of this random horror that is being inflicted on the world. Instead, it feels like Milligan is just brainstorming shocking ideas and presenting a few panels of each without follow-up (Look! Children turning evil and stabbing their caretakers! Look! People being driven insane by banal music that they hear in their heads! Look! Mass murder at the mall!). The reader is meant to be shocked by the images, but not to actually spend time contemplating the long-term repercussions of these events, because we need to get back to assembling the team to defeat the Enchantress.

Can we just assemble to team, already?

Better issue than the last couple, but STILL operating way below potential.

Rating: 5/10

Justice League Dark #3

Title: Justice League Dark
Issue: 3
Date: January 2012
Publisher: DC Comics
Writer: Peter Milligan
Artist: Mikel Janin
Colorist: Ulises Arreola
Letterer: Rob Leigh
Editor: Rex Ogle
Cover: Ryan Sook

Boy did the pacing on this ever slow to a crawl. Enchantress babbles on the side of a road while Constantine wakes up Zatanna from the coma we left her in last issue. Apparently, that entire scene actually accomplished nothing.

Meanwhile, Deadman describes his actions in the previous issue as "I was a jerk" and then hints that it might not even have been his fault. I'll be sticking with my previous assessment that what he should be saying is "I was an attempted rapist."

But that would probably slow down the plot, wouldn't it?

Not that we're exactly going at a breakneck pace here. Shade tries to contact Deadman and Deadman does the mystical equivalent of sending his call directly to voicemail while June Moone screams, panics, falls off a roof, and requires saving. Because she's a girl, I suppose. I might be a bit harsh with that last point, but seriously, can anyone imagine them actually doing that same reaction with a male character? I can't.

The rest of the book involves Shade tracking down some guy called Mindwarp because he's an out-of-control psycho and therefore would make a great addition to the team. That scene gets as far as "We need to talk."

Then it's back to the Enchantress and just as it looks like she might actually get to do something to June and Deadman, we're done.

I really want to like this title. Really. And I was willing to give another chance even after the nonsense with Deadman last issue. But this issue consisted of that whole thing being brushed off just like I expected it would and, well, pretty much nothing else of consequence. I did enjoy the interaction between Zatanna and Constantine, but otherwise, this issue did not go far in terms of winning me back. Actually, it simply didn't go far at all.

Rating: 3.5/10

Justice League Dark #2

Title: Justice League Dark
Issue: 2
Date: December 2011
Publisher: DC Comics
Writer: Peter Milligan
Artist: Mikel Janin
Colorist: Ulises Arreola
Letterer: Rob Leigh
Editor: Rex Ogle
Cover: Ryan Sook

This issue was impressive visually, but I had a lot of problems with it story-wise.

First there's Zatanna. Remember how last issue she hexed (dexhe?) the Batman because she thought she'd be better off handling Enchantress on her own? Well, in this issue she gets to match sorcery with Enchantress and Zatanna accomplishes essentially nothing. Or, as she would say, she gets ylhguoroht decnuort.

(Aren't you glad the New 52 didn't include a Zatanna solo comic? I would SO be writing the entire review sdrawkcab).

On to a much more serious problem.

Then there's Boston Brand and Dove, who are apparently dating. Actually by the end of this they're pretty much reset their relationship status to "it's complicated". Why? Because Deadman keeps wanting to engage in some fooling around while in possession of someone's body. Okay, I get what Milligan is going for here. Brand is cursed with his ghostly, invisible status and the only way he can think of to actually get some physical affection is to have a convenient possessed body on hand.

Except that there is a word for forcing someone to unwillingly engage in sex. It's called rape. And you know what? If you do it by spiritual possession using superpowers, it's still rape.

I haven't followed Deadman's adventures all that much. I get the impression that Boston Brand isn't exactly Lawful Good on the old alignment chart. But nothing I've ever read about him before suggested rapist.

And no, I don't care that he doesn't actually go through with it. He tries it TWICE, and the only thing that stops it from happening is that Dove actually has a bit of morality.

I'd feel better about the scenes if I thought that the full implications were really going to get addressed, but the impression I got was that this was all a ploy to make the Deadman character somehow "edgy", and that it will all get glossed over or never mentioned again. I'm hoping I'm wrong, but that looks like the direction the story is heading in.

Constantine gets the one really good scene in this issue, and it ends with one of those "shocking" twists that seems to come out of left field, because, well, it pretty much DOES come out of left field.

The overall plot is developing fairly well, but the business with Deadman (and to a lesser extent the uselessness of Zatanna) really ruined this one for me.

Rating: 4/10

Justice League Dark #1

Title: Justice League Dark
Issue: 1
Date: November 2011
Publisher: DC Comics
Writer: Peter Milligan
Artist: Mikel Janin
Colorist: Ulises Arreola
Letterer: Rob Leigh
Editor: Rex Ogle, Eddie Berganza
Cover: Ryan Sook

Interesting. This was the title that I had the highest hopes for among the "New 52". I loved Milligan's writing on Shade: The Changing Man for Vertigo, and this title pairs him back up with Shade and also lets him play with John Constantine. Upon reading the comic I found that it managed to hit several pet peeves of mine, but the writing was good enough in parts to leave me feeling good about the book overall.

We open with Madame Xanadu, who has a surprisingly bored expression for a person who's just had a vision of future doom. Tarot cards are scattered through the scene with pictures of characters on them: Zatanna (wit pants!) as the Magician, Enchantress as the Hanged Man (actually, just "The Hanged"; which, of course would be different from "The Hung"). Deadman is Death. You'd think Death would be Death, but I guess they decided not to bother getting the courtesy okay from Gaiman. June Moone is the Fool. Some dude I didn't recognize is the Sickness. Apparently we're not playing with the standard Ryder-Waite deck here. Shade is the Madness. And John Constantine is... cut off at the bottom of the page. Tease!

June Moon is walking around reciting rhymes while dozens of clones of her commit mass suicide via highway.

Scene with Shade and Kathy follows, and it's a total continuity-rewriting sucker-punch, but it's handled so well and is such a shock that I was okay with it. Some Shade fans are not going to be (although Milligan wrote in some wiggle room).

Scene shifts to Enchantress, who's in a farmhouse in the midwest and she's spreading madness out to the surrounding countryside. This is the kind of thing that Milligan is awesome at, and his madness effects are sick, twisted, and clever.

But then we hit one of my big pet peeves in comics. The idea here is that the regular Justice League can't handle this kind of threat, so the Justice League Dark has to get formed. Unfortunately this idea is conveyed in a throwaway scene where Enchantress' magical defenses thoroughly trounce Superman, Cyborg, and Wonder Woman. I don't like scenes that arbitrarily have the bad guy easily overpower the most powerful forces on the planet just to convince the readers that they are a major threat. This does nobody any good. Superman, Wonder Woman Cyborg, and the Batman (who's watching the scene from the JLA monitor room) all look like chumps, but the reader knows that this is just a plot device, so it really doesn't actually do Enchantress any favors either. And when it comes down to it, the book didn't need this scene. It could simply have been Zatanna on duty and she decides to call in magical talent to handle a magical threat.

It also didn't help that Zatanna decided to do a bit of backwards-talking (backtalk?) to keep the Batman from trying to help her. Because, when given the choice between going into a dangerous situation with or without the Batman on your side, the clear answer is to do it without. I'm somewhat hoping he punches her in the face when this mission is over, but that seems unlikely (even though he'd totally do that to Guy Gardner if he pulled the exact same stunt.

Another interesting detail. Apparently they can show Superman and Cyborg getting cut to a bloody mess (in a storm of magical teeth!), but Wonder Woman doesn't get a scratch, just a concerned expression before the scene fades and a caption informs us the battle's over and the good guys lost.

The story then very quickly introduces Constantine (used for comic relief here) and Deadman (barely used at all) before we end on Xanadu with Shade and predictions of doom.

Okay, that was a lot of griping. And the story barely got started.

But Milligan is so good on the small details and the creepy touches, that I was still feeling good about this in the end. I think what I love about the potential of this book is summed up in the following exchange:

Xanadu: I saw a gathering of men... And women. Each with their own specialty. You must find these men and women. You must...

Shade: You've finally lost it, Xanadu. The only people I know these days are half-insane or... or damaged goods. Most of them are a danger to themselves.

Xanadu: Exactly.

There is a lot of really awesome stuff here, and I think that once the book is allowed to grow on its own without relying on useless guest appearances by the regular Justice League (or maybe just the occasional reminder that we're still in the DC Universe), that this could get really great.

Rating: 7.5/10