BoooOOOooom Box Halloween Haunt 2016

From a past Free Comic Book Day.

Title: BoooOOOooom! Box Halloween Haunt 2016
Date: October, 2016

Publisher: Boom! Studios (Boom Box)
Writer: Shannon Watters, John Allison, James Tynion IV, Hope Larson
Artist: Carey Pietsch, Max Sarin, Rian Sygh, Brittney Williams
Colorist: Maarta Laiho, Whitney Cogar, Walter Baiamonte, Sarah Stern
Letterer: Aubrey Aiese, Jim Campbell
Cover:  Rian Sygh
Editor: Dafna Pleban, Whitney Leopard, Shannon Watters, Jasmine Amiri

Ashcan format freebie with four stories: Lumberjanes, Giant Days, The Backstagers, and Goldie Vance.

The Lumberjanes story is an excellent short, featuring Mal giving a mix CD to Molly and Molly enlisting April's help to reciprocate. The interactions were adorable, and it has the typical Lumberjanes weirdness where no one even raises an eyebrow at a dance club inhabited by deer. Artist Carey Pietsch does a great job with the expressions and body language of the characters, especially Molly.

The other stories are more teases/introductions. They're effective, but don't do much beyond introducing characters and setting up the basic scenario for each book they are previewing. Giant Days caught, which is a college-life drama/comedy, caught my interest the most out of the three. The Backstagers and Goldie Vance both could have used a bit more pagecount to give a better sense of what they were all about.

Rating: 6/10

Lumberjanes: The Shape of Friendship

Bought at the Foreign Languages Bookstore, Shanghai, China.

Title: Lumberjanes: The Shape of Friendship
Date: November, 2019
Publisher: Boom! Studios (Boom Box)
Writer: Lilah Sturges
Artist: Polterink
Letterer: Jim Campbell
Cover:  Alexa Sharpe
Editor:Jeanine Schaefer, Spohie Philips-Roberts

The Lumberjanes find a cave full of friendly pooka, who proceed to shapeshift into perfect-camper versions of the girls while leaving the real troop trapped in a maze of tunnels (possibly full of cave snakes!).

While the escape and the reclaiming of the girls' identities provides the plot, the real conflict is April and Jo struggling to figure out their friendship, and where Barney fits into the dynamic between them.

Everything about this book gets better as it moves along. The opening scenes are a somewhat blatant crash-course for new readers on who the Lumberjanes are and what to expect from their world, and it feels a bit hurried and heavyhanded.

Likewise, at first the drama between Jo and April is pretty standard afterschool-special fodder.

The main plot gets immediately better once the pooka are introduced, and features some amusing moments along the way to wrapping multiple threads up very satisfactorily.

The resolution of Jo and April's story gains a lot of depth in the end, and is genuinely touching.

As always, Lumberjanes does a tremendous job of featuring trans and nonbinary characters and generally celebrating the differences that make each member of the cast unique and awesome.

The duotone artwork by P:olterink is understated but beautiful.

Backup feature is a preview of The Avant-Guards, a comic about a basketball team at a decidely non-sports-oriented arts college by Carly Usdin and Noah Hayes, which was a fun start to the series and looked like it had great potential.

Rating: 8/10

Lumberjanes Volume 5: Band Together

Purchased last Spring when Gynn was visiting the US.

Title: Lumberjanes Volume 5: Band Together
Date: December, 2016
Publisher: Boom! Studios (Boom Box)
Writer: Noelle Stevenson, Shannon Watters, Kat Leyh
Artist: Brooke Allen, Carolyn Nowak
Colorist: Maarta Laiho
Letterer: Aubrey Aiese
Cover:  Brooke Allen, Maarta Laiho
Editor: Dafna Pleban, Whitney Leopard

While fishing at the lake, the Lumberjanes discover a merperson, along with some of her former friends who she used to be in a band with.

April, dazzled by the ideas of both merfolk and bands, comes up with a series of plans to help the merband reunite, whether they want to or not. Not surprisingly, mayhem ensues.

This volume had a much-needed bit of backstory, with a flashback chapter that showed the arrival of all of the main characters at the camp. It contained some really great insights, and was a perfect breather after the frantic pace that had been set in the previous four volumes.

The merfolk story also something of a break from the longer-term plot elements, and was a nice self-contained tale with good character development and a lot of small, unexpected twists. Not to mention a rousing finale!

This is a good book, and it could function as a jumping-on point for new readers.

Rating: 9/10

Lumberjanes Volume 4: Out of Time

My 1000th entry on this blog!!!!

Bought this last summer at Newbury Comics, Hyannis MA USA.

Title: Lumberjanes Volume 4: Out of Time
Date: July, 2016
Publisher: Boom! Studios (Boom Box)
Writer: Noelle Stevenson, Shannon Watters
Artist: Brooke Allen, Joy Ang, Kassandra Heller, Ricardo Bessa, Hope Larson, Kat Philbin, Carolyn Nowak, Jen Wang
Colorist: Maarta Laiho
Letterer: Aubrey Aiese
Cover:  Noelle Stevenson
Editor: Dafna Pleban, Whitney Leopard

When a sudden blizzard separates Jen from her campers, she is rescued by a mysterious hunter and taken to a house in the woods full of taxidermied monster trophies.

As the girls try to organize a search for Jen, they learn some of the past history of the Lumberjanes Scouts, and of the conflicts that divided the past generation of campers.

Now, those past conflicts boil up as a lifelong obsession with an ancient and powerful being jeopardizes the camp, the woods, and possible everything else.

The backstory that this collection added to the Lumberjanes mythology brought a whole new direction to the ongoing story, and served to shift the perspective of the reader as a whole trove of long-simmering secrets were hinted at.

The flashback sequences involving Rosie, Nellie, and Abigail are great and add a lot to those characters.

This four-issue arc also put Jo squarely in the spotlight, as she gets into a conflict with Barney of the Scouting Lads, which serves to bring out some of Jo's internal conflict, while at the same time providing a space for examining issues around transgender identity.

There was also plenty of excellent action, an interesting "Big Bad" threat, and all the weirdness and wit that has been great throughout this series.

Rating: 9/10

Steven Universe #14

Another of the recent batch of comics purchased at Double Midnight in Manchester NH over Christmas break.

Title: Steven Universe
Issue: #14
Date: March, 2018
Publisher: Kaboom!
Writer: Grace Craft
Artist: Rii Abrego
Colorist: Whitney Cogar
Letterer: Mike Fiorentino
Cover: Missy Pena
Editor: Michael Moccio, Whitney Leopard

When looking for some supplies at the car wash, Steven finds a box of CDs from his Dad's days as a musician. He decides to organize a concert for his Dad to perform, and recruits the Gems to build a stage on the beach while he makes flyers to advertise the show. Both plans go wrong, as the Gems have to deal with a corrupted Gem in the area, and Steven puts the wrong date on the flyers.

After some frantic attempts to salvage the show, an alternate plan emerges.

This was fun, and I liked the bit of background that it added to Mr. Universe. The events of the story felt a bit rushed, but it had a nice feel-good ending.

Rating: 7/10

Steven Universe #17

Here's one I picked up at Jetpack Comics in Rochester NH over the summer.

Title: Steven Universe
Issue: #17
Date: June, 2018
Publisher: Kaboom!
Writer: Grace Craft
Artist: Rii Abrego
Colorist: Whitney Cogar
Letterer: Mike Fiorentino
Cover: Missy Pena
Editor: Michael Moccio, Whitney Leopard

Steven brings home a new video game and invites Peridot to try it out. Peridot proceeds to become obsessed with playing, and seems to be pretty much invincible after practicing for a full day and night straight.

I like how this story progressed, with very real human reactions. The whole things felt both real and gentle, with its emphasis on friendship and understanding that came through in the end.

The facial expressions on the characters were excellent throughout the story, and the video game itself was goofy, surreal fun.

Rating: 8/10

Batman '66 Meets Steed & Mrs. Peel #1

Bought this one last summer at New England Comics, Quincy MA.

Title: Batman '66 Meets Steed & Mrs. Peel
Issue: 1
Date: September 2016
Publisher: DC Comics / Boom! Studios
Writer: Ian Edginton
Artist: Matthew Dow Smith
Colorist: Jordie Bellaire
Letterer: Wes Abbott
Cover: Michael Allred, Laura Allred
Editor: Kristy Quinn, Jessica Chen, Chris Rosa

This was a must-buy for me, as it features a mashup of my two favorite vintage TV shows. That being said, movie/TV adaptations are hard, and most of this felt like a good attempt, but just a bit off.

The story involves a series of jewel thefts that have spread from England to the US. Bruce Wayne is showing corporate executive Michaela Gough around Gotham's rare gemstone exhibition when the Catwoman shows up with a group of henchmen intent on looting the place. Bruce Wayne signals to Robin and Alfred to make the save, but before they can arrive, John Steed and Emma Peel make short work of the bad guys in their own distinct style.

It's not long before the Dynamic Duo are teaming up with the We-Can't-Use-The-A-Word, and a group of Cybernauts have arrived to take out Catwoman.

This set a pretty impossible set of high expectations for me, and it tried really hard to make them. There were some places where it worked great. Commissioner Gordon and Chief O'Hara were spot-on. Robin had his moments, and Catwoman and Mrs. Peel admiring each other's choice of outfits was perfect (sorry, purrrrfect!).

The banter between Steed and Peel wasn't really there, Mrs. Peel's fight scene felt a lot more like a generic comic fight than Emma Peel, and the Adam West Batman's lines felt forced (and unfortunately, not in the way that Adam West Batman's lines are supposed to feel forced).

There was enough here that I would like to keep reading to see how it plays out, and I totally appreciate the absolute brilliance of the concept. I'm hoping this will get better as it hits its stride.

Rating: 6/10

Lumberjanes Volume 3: A Terrible Plan

Bought this one last summer in the US (don't recall which store). My review of Volume 1 is here, and my review of Volume 2 is here.

Title: Lumberjanes Volume 3: A Terrible Plan
Date: February, 2016
Publisher: Boom! Studios (Boom Box)
Writer: Noelle Stevenson, Shannon Watters
Artist: Carolyn Nowak, Brittney Williams, Aimee Fleck, Faith Erin Hicks, Rebecca Tobin, Felicia Choo, T. Zysk
Colorist: Maarta Laiho
Letterer: Aubrey Aiese
Cover:  Noelle Stevenson
Editor: Dafna Pleban, Whitney Leopard

The opening story here is really a collection of stories, as the campers gather around the fire to tell spooky tales, which are lovingly illustrated by a series of guest artists. This makes for an eclectic mix that does a nice job of reflecting the personalities of the characters as they act as storytellers.

The real plot, though, has the campers split up on a day of free time at camp. Mal and Molly take a picnic lunch and set out on their very first date, only to encounter the Bear Woman and take an unintended trip to a dimension of lost things. Lost things, of course, include hungry dinosaurs.

Back at camp, April, Jo, and Ripley get busy trying to earn all of the most boring badges they can think of, competing in ballroom dancing, cake decorating, fence-painting, and scrapbooking ("More glitter!!!").

The plot back at camp provides the comic relief, but this story is all about the budding romance between Mal and Molly, and it is so adorable that it completely steals the show. There are a bunch of great character moments, a few fun nods to Jurassic Park, and enough imperilment to keep things entertaining.

I also felt with this volume that I've seen enough of the Lumberjanes world that the rules and logic are falling into place, which ends up strengthening the plot as events feel more consistent and less random than they did in the first two volumes. The worldbuilding is subtle but effective, and it provides the foundation to better focus on the character development, especially of Molly and Mal.

This was sweet and fun, and I will definitely be seeking out more soon.

Rating: 9/10

Cars: The Rookie #1 Free Comic Book Day Edition

A Free Comic Book Day item from the stack of random unread comics.

Title: Cars: The Rookie
Issue: 1 (Free Comic Book Day Edition)
Date: March 2009
Publisher: Boom! Studios
Writer: Alan J. Porter, Mark Waid
Artist: Albert Carreres, Michael Avon Oeming
Colorist: Emily Kanalz
Letterer: Deron Bennett
Cover:  Allen Gladfelter
Editor: Paul Morrissey

This Disney/Pixar tie-in follows the trend of many recent movie-related comics by functioning as a prequel, covering a time period not seen in the films. In this case, the focus is on Lightning McQueen's racing career before the events of the first Cars film. And in this case, it works pretty well.

Using an interview as a framing device, and with Lightning McQueen going full-on unreliable narrator, the reader hears the story of McQueen's qualifying races in McQueen's own words, while the artwork tells the actual story.

This was fun, and kept nicely to the flavor of the movies. McQueen's voice was spot-on as the boastful rookie racing sensation, and the action was amusing.

Writer Alan J. Porter's short editorial expounding on his love of motorsports and its influence on the comic was a nice touch.

Backup story featuring The Incredibles by Mark Waid and Michael Avon Oeming was a fun glimpse, but cut off before things really got interesting.

Rating: 7/10

Lumberjanes Volume 2: Friendship to the Max

I liked the first volume of Lumberjanes enough that I went to New England Comics in Quincy MA and picked this one up, and read it in one sitting.

Title: Lumberjanes Volume 2: Friendship to the Max
Date: October, 2015
Publisher: Boom! Studios (Boom Box)
Writer: Noelle Stevenson, Grace Ellis
Artist: Brooke Allen
Colorist: Maarta Laiho
Letterer: Aubrey Aiese
Cover:  Noelle Stevenson
Editor: Dafna Pleban, Whitney Leopard

The second volume of Lumberjanes begins with dinosaurs attacking the Lumberjanes Scout Camp, and it proceeds to get weird from there.

This volume covers issues 5-8 of the comic series, plus a cover gallery and a preview of another Boom Box comic series, Giant Days. The Lumberjanes stories basically conclude the initial arc begun in the first volume (or first four comic issues), introducing some more well-defined villains, and a healthy dose of Greek mythology.

A game of Capture the Flag has much of the drama of real warfare, as the scouts learn to rely on each other under pressure, and they face down some serious supernatural forces by the end.

Character growth continues nicely, and the dialogue continues to be brilliant.

Giant Days, a comedy/drama about three women in their freshman year of college by John Allison and Lissa Treiman, looks like it has potential.

Rating: 7.5/10

Lumberjanes Volume 1: Beware the Kitten Holy

I bought this at Merrymac Games and Comics in Merrimack NH on our trip home for the summer.

Title: Lumberjanes Volume 1: Beware the Kitten Holy
Date: September, 2015
Publisher: Boom! Studios (Boom Box)
Writer: Noelle Stevenson, Grace Ellis
Artist: Brooke Allen
Colorist: Maarta Laiho
Letterer: Aubrey Aiese
Editor: Dafna Pleban, Whitney Leopard

This is the first trade paperback volume of the critically-acclaimed Lumberjanes series, collecting the first four issues, plus a bonus gallery of the variant covers.

Five girls discover friendship, weirdness, and various monsters during a summer at Lumberjanes Scout Camp.

Loaded with catchphrases and frenetically-paced, the story places the girls into one dangerous adventure after another, with hardly a moment to stop and wonder "What the junk?".

The character development happens in small moments and little details, amid plenty of humor and a strong sense of wonder and weirdness.

The occasional entries from the Lumberjanes Field Manual and the badges (Pungeon Master!) are a nice added touch.

There is lots of action in this volume, but not many answered questions. I look forward to seeing where all of this is going.

Rating: 8/10

Salem: Queen of Thorns: Free Comic Book Day Edition

From the random pile of unread comics, here's another Free Comic Book Day offering.

Title: Salem: Queen of Thorns: Free Comic Book Day Edition
Date: May, 2008
Publisher: Boom! Studios
Writer: Chris Morgan, Kevin Walsh
Artist: Wilfredo Torres
Colorist: Andrew Dalhouse
Letterer: Marshall Dillon
Cover: Wilfredo Torres
Editor: Mark Waid

The setting is Salem, Massachusetts, in 1673, a setting that is more about flavor than historical accuracy. There's an attack by a demon on a family before we meet our (anti- ?) hero, wandering demon-slayer Elias Hooke.

After a bit of demon-slaying, we move to the human villains, standard overzealous inquisitor-types, in the process of trying to extract a confession from a woman accused of witchcraft (her actual issue appears to be atheism). As one of the clergymen begins to have second thoughts, there is Elias Hooke to break up the proceedings.

We end up with the good deacon, the accused witch, and Hooke in the woods, with supernatural forces closing in.

The best thing about this was Hooke himself, who's in interesting mix of trickery, supernatural lore, and a silent loner attitude. The supporting characters had potential, although the villains felt very generic.

As a Massachusetts boy, I was underwhelmed with this version of Salem, which felt a lot more like a fantasy setting than a historical (or even historical fantasy) one.

Rating: 5.5/10

Steed And Mrs. Peel #0

Title: Steed And Mrs. Peel
Issue: 0
Date: August 2012
Publisher: Boom! Studios
Writer: Mark Waid
Artist: Steve Bryant
Colorist: Ron Riley
Letterer: Steve Wands
Cover: Joshua Covey, Blond
Editor: Matt Gagnon, Chris Rosa

The A-word is nowhere to be found in this book, but this is a new adventure featuring characters from a certain classic British TV show that happens to share its title with a certain Marvel Comics property.

Personally, I'm a huge fan of the show, which makes this one of the very, very few times that I will say that about a TV adaptation. So I went into this with a lot of trepidation, and the cover did not help. Absolutely awful (apparently, there are actually 8 variant covers, this was version B; I haven't seen any of the others, but they would have a hard time being much worse).

Fortunately, the book itself proved to be pretty good.

The interplay between Patrick MacNee and Diana Rigg on the show was consistently brilliant, and definitely a challenge to translate into the comic medium. Writer Mark Waid did about as good a job as could be done, with several scenes that were absolutely spot-on. He also got a lot of the show's style right. The situations are quirky. The villains are not always entirely competent, but their schemes are convoluted to near-ridiculousness.

Steve Bryant's interior art was good. He doesn't always capture Emma's easy grace, but that's more a function of the difficulty of using images of real actors.

Fight scenes are handled nicely with good attention to the details of the show's choreography. Loved the bit where a villain is dispatched by a combination of (judo!) chop from Emma and being tripped up by the handle of Steed's umbrella. Classic. Emma overpowering and swapping clothes with a henchwoman was pretty much pure fanservice. That is not a bad thing.

The story stands alone, but ends with a brief lead-in to the ongoing series.

About as good as I could have hoped for. Mr. Steed and Mrs. Peel, you were most definitely needed.

Rating: 8.5

Snarked! #0

Title: Snarked!
Issue: #0
Date: 2011
Publisher: Kaboom!
Writer: Roger Langridge
Artist: Roger Langridge
Colorist: Rachelle Rosenberg, Matthew Wilson
Editor: Bryce Carlson

This full-color ashcan-format book was released in 2011, but I picked it up as part of my 2012 Free Comic Book Day haul.

Inspired by Lewis Carroll's "The Walrus and the Carpenter", the narrative style of this comic resembles the classic Scrooge McDuck tales of Carl Barks.

In this story, the Walrus is hungry for a good meal and he's willing to give anything to get it. Anything except for honest work, of course. Accompanied by the rather oblivious Carpenter, the pair swindles their way into the palace of the absent king, passing themselves off as snark hunters, only to be undone by their own greed.

This had some amusing moments, and I enjoyed the way that the Lewis Carroll references were woven into the story.

Rating: 7/10

Irredeemable / Incorruptible Free Comic Book Day Edition

I've had trouble finding time to do reviews this week. Hope you've been enjoying the 30 Day meme. Here's a 2010 FCBD item that I picked up at this year's FCBD.

Title: Irredeemable / Incorruptible Free Comic Book Day Edition
Date: May 2010
Publisher: Boom! Studios
Writer: Mark Waid
Artist: Peter Krause, Jean Diaz, Belardino Brabo
Colorist: Andrew Dalhouse
Letterer: Ed Dukshire
Cover: John Cassaday, Laura Martin
Editor: Matt Gagnon

Reprints the first issues of the two interconnected series Irredeemable and Incorruptible, both written by Mark Waid.

The essential story here is Superman (going by the name The Plutonian, but essentially Superman) gone bad. Plutonian kills off the masked vigilante known as the Hornet in the opening scene, along with Hornet's wife and children. From there the surviving members of the Paradigm (the superhero team that the Plutonian was a member of) are frantically scrambling to find any bit of information that might give them a chance against the seemingly unstoppable Plutonian. Waid does a pretty good job of ratcheting up the emotions and laying out the basic scenario here.

Incorruptible is the mirror-image of Irredeemable, the story of a super-villain who decided to go straight. The two stories share a setting, and the change of heart that the former villain Max Damage undergoes comes as a result of the destruction caused by the Plutonian's rampage. I liked the character of Max Damage, but the attempts at humor in the book fell flat (possibly because of the grim nature of the world and the companion book) and Damage's sidekick, the aptly name Jailbait, is a pretty good summation of everything that is bad in the treatment of female characters in mainstream comics these days. I suppose it's possible that she's been set up as a stereotype for the purpose of breaking that stereotype down later, but I was pretty unimpressed with what I saw in the character so far: dump, only interested in sex and money, and drawn in typical barely dressed comic book heroine style. Waid is trying to write a very serious deconstruction of the superhero genre here. I was hoping for better than this in such an effort.

Rating: 6/10

Irredeemable Volume 4

Here's another find from the going-out-of-business sale at my local Borders.

Title: Irredeemable
Issue: Volume 4
Date: September 2010
Publisher: Boom! Studios
Writer: Mark Waid
Artist: Diego Barreto, Paul Azaceta, Emma Rios, Howard Chaykin
Colorist: Andrew Dalhouse, Matthew Wilson, Alfred Rockefeller
Letterer: Ed Dukeshire
Cover: Chriscross

This is a trade paperback collection that includes issues 13-15 of the comic series, plus the Irredeemable Special. The basic premise is that Superman (represented here by a character called the Plutonian, who is for all intents and purposes Superman) has "snapped" and gone very very bad. Bad as in entire cities destroyed, populations wiped out, and brutal murders of his fellow superbeings (who were never really in the Plutonian's league power-wise).

Alan Moore did this same story much better in Miracleman.

There. Now that I've gotten that off my chest, I did find Irredeemable to be fairly entertaining. There are some likable characters, and not all of them are used as cannon fodder (some are, though). There is a pretty complex set of subplots, which serve to add a nice level of suspense to the storyline, even though they also mire the story in the cliches of the genre that it is attempting to rise above.

Thanks to the presence of the Irredeemable Special in this volume, I got a nice recap of the story, as well as some background on characters that appear in the regular issues, which helped make it easier to jump right in with Volume 4.

The artwork is generally quite good. There are a few moments of unnecessary gore (well, I'm sure they were seen as necessary to remind the reader that this is a superhero story for grownups), and there were some fight scenes where it was a bit hard to tell what was going on, but the artistic handling of a very tricky climactic sequence involving a bullet and a teleportation effect was brilliant work.

I wasn't too impressed when I first heard the premise of this, so I would have to say I was pleasantly surprised by the degree to which I found it entertaining.

Rating: 6.5/10

Hunter's Moon / Salvador

Title: Hunter's Moon / Salvador
Publisher: Boom! Studios
Writer: James L. White, Mark Polish, Michael Polish, Sebastian Jones
Art: Dalibor Talajic, Steph Stamb
Colorist: Juanmar
Letterer: Ed Dukeshire
Editor: Randy Buccini
Cover: Dalibor Talajic, Tomislav Tikulin

Flip book. This is a Free Comic Book Day giveaway, but there's no date on it. My best guess is 2006.

First story is Salvador by screenwriters Mark and Michael Polish and Sebastian Jones, with art by Steph Stamb. It got off to a very shaky start with a text introduction that was grammatically shaky at best and bordering on incoherent. Given that, I was pleased to see that the comic itself was wordless. Much better! Stamb's art is beautiful and the story's imagery is an interesting interpretation of the Icarus myth. I wonder if it's going to stay wordless. That might be the best approach.

Flip the book over and you've got Hunter's Moon, which begins with a flashback to the lead character deer hunting as a boy with his father. Flash forward to the present where the boy who once enjoyed spending time outdoors with his dad is now a high-powered business executive with a son of his own, one who's not too keen on spending a week of father-son bonding in the woods. The characters here are interesting, but I get the impression from the cover that there is much more to the plot than was revealed in this segment. This was clearly taken from the first issue and cut off at the best stopping point the editors could manage. The writing on this, by James L. White who wrote the screenplay for the Ray Charles biopic Ray, is quite good in terms of dialogue and characterization. It will be interesting to see how things progress as more action is introduced.

There is some sloppy editing here, but both stories show promise.

Rating: 6.5/10