Astonishing X-Men #2

From the Random Stack of Unread (actually previously read, but not reviewed) Comics.

Title: Astonishing X-Men
Issue: 2
Publisher: Marvel Comics
Date: August, 2004
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Stephanie Moore, Cory Sedlmeier

My review of the previous issue is here.

The second issue of this series sends the team into action. A villain has taken hostages in a high rise tower, and the X-Men, looking to get back into being superheroes, show up to do battle.

Unfortunately, neither the initial jobber-squash with the X-Man taking out the terrorist minions, nor the main event, with alien villain Ord trouncing the X-Men, is all that interesting. Ord is one of those generic overpowered villains that show up all the time in X-Men books, with no rhyme or reason as to why he's able to pretty much have his way with the team (only to be taken out by *removed for spoilers* in the book's one really fun moment).

As an aside, Emma Frost's ability to change into diamond is ridiculous. I don't read a ton of X-Men, so I'm sure this is all part of the established canon, but apparently someone decided that one of the Marvel Universe's most powerful telepaths needed more powers? So that she could punch people?

The second plotline, fortunately, is a lot more intriguing, as a top scientist announces that she has developed a "cure" for mutation, and the ending sequence is genuinely cool, setting some really interesting clashes of personality down the road.

Something of a mixed bag, but it ended on a high note.

Rating: 6.5/10

Astonishing X-Men #1

From the Random Stack of Unread Comics... Well, actually, I had previously read this issue, but this it my first time reviewing it.

Title: Astonishing X-Men
Issue: 1
Publisher: Marvel Comics
Date: July, 2004
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts

This is a reboot for the X-Men, with film/TV writer/director Joss Whedon writing. We are introduced to a new semester at the Xavier School, and a new X-Men team: Kitty Pryde, Beast, Cyclops, Wolverine, and Emma Frost. It's a good lineup, that provides plenty of fodder for conflicts within the team.

In fact, most of this first issue is the team working out their role as teachers, teammates, and as superheroes, something that the X-Men have not always been seen as.

Whedon is a master of one-liners, and this issue included several really great ones (Kitty: "Did I miss the Sorting Hat?"; also Kitty to Emma, "I'm sorry, I was busy remembering to put on all my clothes.").

The interplay between the characters is fun, and the hints that are dropped about the larger scale plot are just enough to leave the readers intrigued.

X-Men has so much history behind it that it can get overly complicated too fast in many cases. This story managed to keep things moving along, giving the space to get to know the core team members before too much mayhem is allowed to happen, and the result is an excellent jumping-in point for new readers.

Rating: 8/10

Batman and Robin #1

From the random stack of unread comics.

Title: Batman and Robin
Issue: 1
Date: November 2011
Publisher: DC Comics
Writer: Peter J. Tomasi
Penciller: Patrick Gleason
Inker: Mick Gray
Colorist: John Kalisz
Letterer: Patrick Brosseau
Cover: Patrick Gleason, Mick Gray
Editor: Harvey Richards, Mike Marts

The opening teaser has one of the Batman's "Allies of the Bat" in Moscow attacked by an unknown ("I'm Nobody!") villain in an armored invisibility suit.

From there it's back to Gotham and the Batman's first official patrol with Damian Wayne as Robin. If you read my reviews, you may know that I am not a Damian Wayne fan. This story didn't help his cause. He was the same insufferable jerk that he always seems to be, and furthermore, he just isn't particularly entertaining.

He griped his way through Bruce taking him to Crime Alley to pay tribute to Bruce's parents, and then he proceeded to go all Jason Todd loose-cannon during a fight with some generic terrorists.

The action was solid, but there just wasn't anything particularly appealing about where the story is heading, and I don't have the patience to wait around for some moment when Damien Wayne stops being the most annoying character in the DC Universe.

Edit: Apparently, I had forgotten that I reviewed this one previously. It was that memorable. And gave it the same rating, so at least it shows I have some consistency. The previous review is here.

Rating: 4/10

Batwoman #8

From the random stack of unread comics.

Title: Batwoman
Issue: 8
Date: June 2012
Publisher: DC Comics
Writer: J. H. Williams III, W. Haden Blackman
Penciller: Amy Reeder
Inker: Rob Hunter
Colorist: Guy Major
Letterer: Todd Klein
Cover: Amy Reeder
Editor: Harvey Richards, Rickey Purdin, Mike Marts

This is the last of an eight-issue run of New 52 Batwoman that I bought back in 2012. My reviews for the issues leading up to this one are here: Issue #1, Issue #2, Issue #3, Issue #4, Issue #5, Issue #6, Issue #7.

Based on how #7 ended, my expectation was that this would be the finish to the arc, but instead, it ended up adding another layer of complication.

Batwoman has to fight through Falchion's minions, including a more-mutated-than-usual Killer Kroc.

And again, much of the issue jumps around in time. We get to see Batwoman dealing with Maggie Sawyer on a professional, rather than personal basis. Not surprisingly, love between a cop and a vigilante and be a bit star-crossed.

This felt like it should have ended here, but it was still all pretty good, and the gaps in the overall plot continue to get filled in bit by bit. This issue was also a bit more gory than the series has generally been.

I'm curious to see how this wraps up. I may have to go searching to find #9 at some point.

Rating: 6/10

Batwoman #6

From the random stack of unread comics.

Title: Batwoman
Issue: 6
Date: April 2012
Publisher: DC Comics
Writer: J. H. Williams III, W. Haden Blackman
Penciller: Amy Reeder
Inker: Rob Hunter, Richard Friend
Colorist: Guy Major
Letterer: Todd Klein
Cover: Amy Reeder
Editor: Harvey Richards, Rickey Purdin, Mike Marts

I'm reading the early issues of this series in pretty random order (my reviews: Issue #1, Issue #2, Issue #3, Issue #4, Issue #5, Issue #7), and the fact that the story is loaded with time-jumps is not helping matters.

This issue brings us the origin of Gotham's Weeping Woman, a few bits of interlude including a nice scene with Kate and Maggie and their relationship, and a couple of fight scenes.

The art really stands out here. This has been my favorite Batwoman issue in terms of art. The use of splash pages and the flow of the action scenes is great, and the artwork on the quieter moments is pretty effective as well.

There is some nice character development, even if the overall progress of the plot is somewhat choppy.

Rating: 8/10

Batwoman #7

A cover variant that I got in 2012 when I was reading a bunch of DC's New 52 titles. It ended up in the random stack of unread comics after I hit New-52-burnout a few months in.

Title: Batwoman
Issue: 7
Date: May 2012
Publisher: DC Comics
Writer: J. H. Williams III, W. Haden Blackman
Penciller: Amy Reeder
Inker: Rob Hunter
Colorist: Guy Major
Letterer: Todd Klein
Cover: Amy Reeder
Editor: Harvey Richards, Rickey Purdin, Mike Marts

The last issue in this run that I read was #3 (reviewed here), which had Batwoman going up against the urban legend figure known as the Weeping Woman.

Now, the Weeping Woman has been revealed to be part of something larger, a criminal gang with supernatural abilities and connections led by a man named Falchion. The opening scene sets up their confrontation, but this issue is almost entirely flashbacks. There is enough here to piece together the basic scenario but it's got probably a few more parts in motion than it really needs to have.

I did like the modern urban fantasy vibe that smoothly meshes high tech cop drama with supernatural magic, and it sets up what looks to be an epic showdown that will hopefully be worth the convoluted path getting there. I do have issue #8, so I should get to find out soon.

Rating: 6/10

Astonishing X-Men #13 (Variant)

From the random stack of unread comics. This is the second of two (close, but not consecutive) issues of Joss Whedon's run on Astonishing X-Men that found their way into the unread comics stack. I reviewed #10 here. Not sure where I got these. This one is marked as a variant cover.

Title: Astonishing X-Men
Issue: 13
Publisher: Marvel Comics
Date: April, 2006
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Sean Ryan, Nick Lowe

Black-and-white variant cover on this issue.

This is something of a catch-up issue, that manages to be a lot more satisfying a read than #10 was, in spite of #10's emphasis on plot and action.

The focus here is on character development, particularly on the romance between Kitty and Colossus, and the conflicting forces influencing Emma Frost.

There is also a very amusing reveal of the new low-tech version of the Danger Room (after the room ran amuck over several issues around the previously-reviewed #10). Now that Ms. Room has been officially "future-endeavored" (or whatever happened to her), the new plan for combat training is simpler, more elegant, and far more dangerous: The trainees are simply put into a darkened room in which Wolverine kicks their asses. Why did they not think of this in the first place? It seems like it would have saved everybody a lot of grief, and the quality of training would not have suffered.

In addition to that amusing bit, there is lots of Emma-intrigue, some seeds planted for future storylines involving SHIELD, some dream sequences, and a very shock-value final scene.

This is moving in the right direction.

Rating: 6/10

Astonishing X-Men #10

From the random stack of unread comics, as chosen by the Kiddo. This is the first of two issues from this title that I've got in the to-read stack.

Title: Astonishing X-Men
Issue: 10
Publisher: Marvel Comics
Date: May, 2005
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Sean Ryan, Nick Lowe

So, the Danger Room AI has become not just self-aware, but also righteously pissed off, and she (she appears in a vaguely female shapeshifting robotic form) proceeds to mop the (Danger Room) floor with the X-Men.

The team in this case consists of Cyclops, Emma Frost, Wolverine, Colossus, Kitty Pryde, and Beast. Joss Whedon (you know, that guy from Buffy and firefly; the director of the film version of The Avengers) is writing, and in a moment-by-moment sense, this is all good. Danger Room knows all of the X-Men's tactics and weaknesses, and so she takes them apart with relative ease, only having a couple moments of trouble when they make some attempts at breaking their normal patterns.

Unfortunately, as well executed as it is, it just didn't feel all that original or interesting, and Danger Room's constant talking about how she's fought  the X-Men thousands or times and knows them better than they know themselves and whatnot does not help the cause. By the time I was half way through this, I wanted the X-Men to win, not because Danger Room was such a horrible threat, but just because of how annoying she was.

Also, would someone please give Danger Room a name so that I don't have to keep referring to her as Danger Room?

A couple of the characters are apparently killed by the time it's all said and done, but this is the Marvel Universe (and as we have said many times, there is dead, and then there is dead-in-the-marvel-universe, and those two things are not particularly related), so there isn't a whole lot of emotional punch to those scenes.

I did like the ending line. Joss Whedon has always been great with the one-liners, and this one works nicely. I wish it had been saved for a better story.

Rating: 4.5/10

Legendary Starlord #3

This is my second review from my Free Comic Book Day haul here in Vietnam. Free comics were limited to one per person (they actually had a pretty big crowd at the event). Since my wife and son were there, we took home three of the official freebies. I also bought a couple of comics to read with the Kiddo (who is just being introduced to the Marvel Cinematic Universe in the last year or so), so this is one of the purchased books.

 Title: Legendary Starlord
Issue: 3
Publisher: Marvel Comics
Date: November, 2014
Writer: Sam Humphries
Penciler: Paco Medina
Inker: Juan Vlasco
Colorist: David Curiel
Letterer: VC's Joe Caramagna
Cover: Paco Medina
Editor: Mike Marts, Xander Jarowey

Pretty basic story here. Star Lord wakes up in a jail cell, and goes about escaping. In between there is a hologram of a woman wearing a banana costume, a treacherous secret agent, a mysterious kid, a hot-rod starship, and a ton of snark.

Nothing in here is all that original, but it somehow comes together into a very entertaining story that does a nice job of matching the pacing and flavor of the Guardians of the Galaxy movie.

I read this out loud to the Kiddo (Guardians was his first Marvel movie, and he's become a pretty big fan), and he really enjoyed it.

More fun than it had any right to be.

Rating: 7.5/10

Batman: The Dark Knight #8

Another Batman issue from the backlog.

Title: Batman: The Dark Knight
Issue: 8
Publisher: DC Comics 
Date: June 2012
Writer: Joe Harris
Penciler: Ed Benes
Inker: Rob Hunter, Jack Purcell
Colorist: Jeromy Cox
Letterer: Steve Wands
Cover: David Finch, Richard Friend, Jeromy Cox
Editor:  Rickey Purdin, Mike Marts

A subway train full of bodies. They weren't killed by some supervillain. They killed each other. Is it something about Gotham that just drives people mad?

Mad... As a... Hatter?

This is not a spoiler. The Mad Hatter is on the cover. So are Tweedle Dum and Tweedle Dee. Well, so is White Rabbit, and she's not actually in this issue, so apologies if the Mad Hatter thing was a spoiler.

Very little in this issue makes any sense, except for Jim Gordon's advice to his shrink: Don't ride the subways. Actually, Gordon has a nice little subplot going on here with overzealous I.A. detective Forbes.

But other than that, the story here was routine if you avoid thinking too much about Hatter's plan and methods. Otherwise, the story just becomes, well, maddening.

Rating: 5/10

Batman #8

More from the backlog. And more "Night of the Owls".

Title: Batman
Issue: 8
Date: June 2012
Publisher: DC Comics
Writer: Scott Snyder, James Tynion IV
Penciler: Greg Capullo, Rafael Albuquerque
Inker: Jonathan Glapion, Rafael Albuquerque
Colorist: FCO Plascencia, Nathan Fairbairn
Letterer: Richard Starkings, Patrick Brosseau
Editor: Katie Kubert, Mike Marts
Cover: Greg Capullo, FCO Plascencia

The Court of Owls sends an army of Talons to attack (stately!) Wayne Manor as the "Night of the Owls" begins.

I liked the opening sequence, as Bruce Wayne broods over his arrogance after failing to see the threat of the Court of Owls until it was too late.

From there it's all action as the assault on Wayne Manor begins. The pacing is good, and the Talons are presented as a serious threat. I wasn't too thrilled with the attempts at taunting by the Talons, which came off as somewhat halfhearted.

The main story ends in the middle of the fight, and then, oddly, the backup story picks up exactly where the main story left off (except with a totally different art style). I'm not sure what the point of that was. Maybe just a deadline pressure issue, or an attempt to get more artists involved in the big crossover.

Overall, though, this was a well-written and entertaining story.

Rating: 7.5/10

Batwoman #5

Title: Batwoman
Issue: 5
Date: March 2012
Publisher: DC Comics
Writer: J. H. Williams III, W. Haden Blackman
Artist: J. H. Williams III
Colorist: Dave Stewart
Letterer: Todd Klein
Editor: Harvey Richards, Rickey Purdin, Mike Marts

Batwoman has her final confrontation with the Weeping Woman, and the battle is absolutely gorgeous, and incredibly detailed. I loved the changing face of the Weeping Woman, which shifted from panel to panel.

From there it's on to a confrontation of another sort, as Kate gets a visit from Mr. Bones and Cameron Chase. What follows is an offer that Kate can't refuse. And one that might just put her on a collision course with the Batman.

The first half was more interesting and creative than the somewhat generic spy-dealings of the second half, but this was still a good effort overall, and the concluding two pages were powerful.

Rating: 8/10

Batman #5

Title: Batman
Issue: 5
Date: February 2012
Publisher: DC Comics
Writer: Scott Snyder
Penciler: Greg Capullo
Inker: Jonathan Glapion
Colorist: FCO
Letterer: Richard Starkings
Editor: Katie Kubert, Harvey Richards, Mike Marts
Cover: Chris Burnham, Nathan Fairbairn

Layout gimmickry abounds as a drugged Batman fights to stay alive and stay sane in a maze constructed by the Court of Owls.

The odd layouts manage to accomplish their purpose thanks to the excellent artwork by Capullo and Glapion. I like the use of story as a theme and the concept of the Batman's story as something that he needs to cling to and fight for, something that can be taken away from him.

The Court of Owls continues to be built up into an extremely powerful enemy, and that buildup continues to be effective.

Rating: 8/10

Batman: The Dark Knight #5

Title: Batman: The Dark Knight
Issue: 5
Date: March 2012
Publisher: DC Comics
Writer: Paul Jenkins, David Finch
Penciler: David Finch
Inker: Richard Friend
Colorist: Jeromy Cox
Letterer: Sal Cipriano
Editor: Mike Marts, Rickey Purdin
Cover: David Finch, Richard Friend, Alex Sinclair

A scarecrow fear gas story! How... unexpected. Not.

Scarecrow enlightens the Batman on his darkest fears and the Batman resists, and it's nothing we haven't seen before. When good old reliable fear gas doesn't work, it's on to the new stuff, which seems to be the New 52 version of venom. Batman becomes fearless and extremely angry. No, I mean more so than he usually is.

He even punches Superman around. And calls him a fascist.

This title has apparently been designated as the place where the Justice League guest appearances are going to happen, and the Superman appearance is pretty well handled here. The confrontation between the Batman and the Scarecrow is the part that needed work.

Rating: 6.5/10

Batwoman #4

Title: Batwoman
Issue: 4
Date: February 2012
Publisher: DC Comics
Writer: J. H. Williams III, W. Haden Blackman
Artist: J. H. Williams III
Colorist: Dave Stewart
Letterer: Todd Klein
Editor: Harvey Richards, Rickey Purdin, Mike Marts

Well, they went the predictable route with Flamebird, and they did it even sooner than I expected. That being said, the art and layouts of the (brutal) scene were good enough for me to mostly forgive the plot direction.

And the plot got more interesting once it got past the opening scene. The confrontation between Kate Kane and Cameron Chase is coming fast, and Batwoman is too distracted with other issues to see it coming.

Agent Chase has some particularly villainous moments in this issue, which follow from the opening scene and give the story some direction as they build up the tension.

Rating: 7/10

Batman And Robin #4

Title: Batman And Robin
Issue: 4
Date: January 2012
Publisher: DC Comics
Writer: Peter J Tomasi
Penciler: Patrick Gleason
Inker: Mick Gray
Colorist: John Kalisz
Letterer: Patrick Brosseau
Editor: Harvey Richards, Katie Kubert, Mike Marts
Cover: Patrick Gleason, Mick Gray, John Kalisz

We open with our heroes (Batman and Robin, AKA Bruce and Damian Wayne) tied up in the front seat of a junk car and an abandoned drive-in theater.

Nobody (who, if you recall, is somebody; specifically, he's Morgan Ducard) proceeds to try to lecture the Batman about the foolishness of his code against killing.

And you know what? It's boring.

The moral dilemma of why the Batman doesn't just kill the Joker (or whatever other villain is sure to escape and cause more mayhem every time they are thrown in Arkham) was interesting around 1988 in stories The Killing Joke and Ten Nights of the Beast. It has ceased to be interesting, not because it's been resolved, but because it's obvious that it never will be. The whole thing is based on the patently ludicrous assumption that the legal system is incapable of ever keeping these psychos in jail, and thus the entire argument boils down to a thought experiment that has long since grown tiresome.

In this particular instance, the Batman really has nothing to say, and in fact makes the (valid) point that Ducard isn't worthy of an explanation.

Then things commence blowing up.

The Dynamic Duo makes it back to the Batcave and Damian argues with Bruce about the fact that Bruce is holding back information. Damian is probably in the right here (scratch that; Alfred sides with him so Damian is definitely in the right).

Damian leaves in a huff and displays a bit more of his cruelty to animals tendencies, although this time he's just squishing fireflies. On the bright side, Damian is actually taking a liking to his dog, and displays an interest in Shakespeare when choosing the name Titus for the pup. I'm hoping this will end well, but I don't think it's likely.

And speaking of not ending well, here's Nobody to try to seduce Damian over to the Dark Side. We end with the kid considering it.

Too much rehashing of old issues without any real creativity. A clever escape from the opening imperilment isn't enough to save this.

And Damian is still annoying.

Rating: 4.5/10

Batman: The Dark Knight #4

Title: Batman: The Dark Knight
Issue: 4
Date: February 2012
Publisher: DC Comics
Writer: Paul Jenkins, David Finch
Penciler: David Finch
Inker: Richard Friend
Colorist: Jeromy Cox
Letterer: Sal Cipriano
Editor: Mike Marts, Rickey Purdin
Cover: David Finch, Richard Friend, Alex Sinclair

Caption-based narration by the (until the last panel) essentially takes the entire issue to tell us what the Eagles once did in two lines: "Somebody's gonna hurt someone, before the night is through/Somebody's gonna come undone, there's nothing you can do." Um, without the rhymes, though.

The plot is basically a series of random encounters. First an Aubrey II that Poison Ivy left to guard her lair. Then an encounter with a venomed-up Deathstroke. Much to my amusement, Deathstroke jobs clean and quick to the Batman.

By the way, I'm using the term "venom" here because we really do seem to be heading for a reboot of the "venom" concept. And no, I do not mean the alien symbiote guy over at the other company. I am expecting that the major villain revealed at the end of this issue is not, in fact, the mastermind behind all of the mayhem that's been happening in this series. There's one more enemy waiting in the wings, and they are timing his arrival for maximum movie-crossover potential. And if that's the case, than the drug that is turning all of these villains into bad 1990s Image Comics art is indeed the New 52 version of venom.

Until then, the Batman is getting no further direct help from the Justice League as they are busy rounding up more escaped Arkham inmates (Spellbinder and Electrocutioner get mentions but not actual appearances; Wonder Woman does actually appear in two panels). Bruce is left to content with Deathstroke, White Rabbit, and this issue's new (not all that surprising) surprise villain. Poison Ivy, meanwhile, is apparently an unwilling participant in all of this.

Random digression:

Something that I noticed: Batman has some of the most vicious and psychotic villains in comics... Except for the female ones. Ever notice how many Batman villainesses turn out to have some amount of goodness deep in their hearts, or at least manage to take on "anti-hero" roles on the side of good? Catwoman (own series), Harley Quinn (Suicide Squad), Talia (plenty of mixed motives/emotions in various past stories), Poison Ivy (Birds of Prey). White Rabbit gets played for sympathy in this series, and even Lady Shiva gets some sympathetic portrayals. Compare this to, say, Cheetah, who is typically portrayed (in modern versions) as an absolutely bloodthirsty monster in her appearances. Not sure what to make of this. Just an interesting observation.

Back to the story at hand. Interestingly, even though they weren't really meaningful scenes in terms of plot, I actually found the action sequences in this issue to be better than the more character development-related scenes. I blame the dialogue. A scene with Jim Gordon drags on without really getting anywhere, while Alfred's dialogue is hokey enough to be something out of 1966 TV. And Alfred is a character that can usually be counted on for good dialogue.

The action scenes are effective, but very little plot was actually accomplished here.

Rating: 4.5/10

Detective Comics #4

Title: Detective Comics
Issue: 4
Date: February 2012
Publisher: DC Comics
Writer: Tony Salvador Daniel
Penciler: Tony Salvador Daniel
Inker: Sandu Florea
Colorist: Tomeu Morey
Letterer: Jared K. Fletcher
Editor: Katie Kubert, Harvey Richards, Mike Marts
Cover: Tony Salvador Daniel, Tomeu Morey

When I did my review of last issue, I said that this title needed to show some improvement if I was going to keep spending my money on it.

Well, it did improve. This conclusion to the Dollmaker storyline spent a lot of time explaining and filling in gaps, and it spent a lot of time setting up future plotlines, and it did all of that fairly smoothly.

The Batman came off looking strong (as did Bullock and Gordon), and the stage is now set for the return of one the classic Batman rogues. Dollmaker is also still available as a future threat, and a number of smaller plot threads have potential to grow into major stories.

This didn't completely make up for the nonsense that preceded it, but it was a big help.

Rating: 6/10

Batman #4

Slowly catching up on the DC backlog. Today I start the #4's.

Title: Batman
Issue: 4
Date: February 2012
Publisher: DC Comics
Writer: Scott Snyder
Penciler: Greg Capullo
Inker: Jonathan Glapion
Colorist: FCO
Letterer: Richard Starkings, Comicraft's Jimmy Betancourt
Editor: Katie Kubert, Harvey Richards, Mike Marts
Cover: Greg Capullo, FCO

Dick Grayson visits the Batcave, concerned that the Batman has been pushing himself too hard on the Court of Owls case. Interestingly, Bruce is the skeptical one. He is not convinced that the Court is real, even after finding evidence that they have been active for centuries. Dick and Jim Gordon are open to the possibility.

Why is Bruce unconvinced? Well, the answer is revealed in an incident from Bruce's childhood, right after the deaths of his parents. It might be considered his first attempt at detective work and it turned into a hard lesson and one that the boy who would become the Batman never forgot.

The flashback seemed a bit contrived, but it still held my interest as most additions to the origin story do. It's interesting how writers always seem to come up with gaps in the Batman's past that are in need of stories.

Other than the flashback scene, this issue was mostly transitional, bridging the gap between the closing peril of last issue and some new imperilment to end this one. The interaction between Bruce and Dick seemed a little bit forced. And the action consisted mainly of the Court being one step ahead of the Batman in the way that ancient and powerful conspiracies often are.

Rating: 6/10

Batman And Robin #3

Title: Batman And Robin
Issue: 3
Date: January 2012
Publisher: DC Comics
Writer: Peter J Tomasi
Penciler: Patrick Gleason
Inker: Mick Gray
Colorist: John Kalisz
Letterer: Patrick Brosseau
Editor: Harvey Richards, Katie Kubert, Mike Marts
Cover: Patrick Gleason, Mick Gray, John Kalisz

Bruce Wayne is busy upgrading the Wayne Manor defenses (like THAT is going to help), and he's not letting Damian go out on patrol (which actually would have been a good idea if he'd done that from the start).

He's also bought Damian a dog, and Damian is getting repeatedly outwitted by Alfred.

Eventually, Damian heads out anyway, lays a severe beatdown on a couple of muggers, and then gets mugged himself by Nobody (AKA Morgan; can you explain to me again why the we know the identity of a villain named Nobody?).

The Batman shows up, mayhem occurs and we end with Batman and Robin waking up locked in a junk car in an abandoned drive-in theater. No, really! The only thing missing was a narrator to tell us to tune in "Same Bat-Time, Same Bat-Channel!"

This was a lot better than the previous two issues, mostly due to Alfred, who was awesome in all the right ways.

Unfortunately, the attempt to humanize Damian is handled in a clunky and inconsistent way. The boy-assassin is suddenly hesitant when Nobody tells him to go ahead and finish off one of the muggers. Sorry, not buying it. Not the way it was handled here. Accusing Nobody of "cold-blooded murder" is just about the most idiotically out-of-character line that Damian could possibly be saddled with. I realize the objective is to get Damian to be one of the good guys, but it needs to be done in a way that is consistent with the character as established.

Some improvements here. Still a long way to go.

And did I mention that Damian is still annoying?

Rating: 4.5/10