Daredevil Noir

From from my unread books pile. I'm not sure where I got this one.

Title: Daredevil Noir
Publisher: Marvel Comics
Date: 2009
Writer: Alexander Irvine
Artist: Tom Coker
Colorist: Daniel Freedman
Letterer: VC's Joe Caramagna
Editor: Axel Alonso, Sebastian Girner, Jennifer Grunwald

Hardcover collection of the original four-issue series.

Set in Marvel's "Noir" alternate universe, this 1930s-era version of Daredevil has most of the classic elements readers will expect: Wilson Fisk, Foggy Nelson, Hell's Kitchen, and even a "Bullseye Killer".

This was a very well crafted story that stands on its own, and retains the heart of Daredevil's mythos. The action sequences were excellent, and the characters were spot-on. Foggy Nelson and the Kingpin were especially good.

Really, in many ways, this story could have been done in the standard continuity as easily as in this alternate world, and some readers may find that it is not enough of a departure. The changes made from the standard Marvel continuity didn't feel like much of a leap: Matt Murdock is an assistant to Foggy, a private investigator. Other than that, the biggest change is a new interpretation of Bullseye, and the addition of gangster Orville Halloran, and up-and-coming mobster who serves as an effective new villain.

The pacing of the story was a nice build to an effective conclusion, and I thought the climactic twists and action were effective, along with a really fun open ending in the final pages.

This is a good story that hits Daredevil's classic thematic elements through just enough of a different lens to make it feel fresh.

Rating: 8.5/10

Friendly Neighborhood Spider-Man #14

Another item from the unread comics stack. I seem to recall that I found this on the freebies table at ReaderCon last summer, but I could be mistaken on that.

Title: Friendly Neighborhood Spider-Man
Issue: 14
Publisher: Marvel Comics
Date: January, 2007
Writer: Peter David
Penciller: Scot Eaton
Inker: John Dell
Colorist: Matt Milla
Letterer: VC's Cory Petit
Editor: Axel Alonso, Michael O'Connor

This is in the midst of the Unmasked storyline, and the lead-up to Marvel
s original Civil War. Spider-Man's true identity as Peter Parker has become public knowledge, and Peter is dealing with the fallout from that.

This issue specifically focuses on his efforts to safeguard Midtown High School, now that his connections to the school have become known. Peter enlists the help of the Beast, and gains what effectively amounts to a major new power (in one of those annoying bits of plot that will undoubtedly be forgotten in a few months either with or without some token writeoff to reset things).

While that is going on, a classic Spider-Man villain returns to action, setting up a future confrontation. And Peter Parker also experiences some further repercussions in the form of the publication of a tell-all book by an ex-girlfriend.

This was loaded with excellent visuals, and it had a classic Spider-Man vibe to it. It made good use of a lot of moving parts and kept the story rolling smoothly. I wasn't a fan of some of the the out-of-sequence aspects of the storytelling. They weren't terrible; they just didn't feel entirely justified.

Considering I hadn't read much by Marvel from this time period, this felt reasonably comfortable, even with it being a jump into the middle of a major crossover storyline. But it was still something of a transitional issue, with bigger plot developments saved for forthcoming issues.

Rating: 5.5/10

Miracleman #2

I was on vacation last week, and I set aside Saturday for some geeky wanderings. In the late afternoon, I stopped in at a friend's place for a horror movie party he was throwing. From there it was off to the Magic: The Gathering prerelease tourney for the new Journey Into Nyx expansion set.

But earlier in the day, I stopped by New England Comics in New Bedford MA, where they were having one of their big sales.

I picked up some Magic cards and supplies, as well as this comic.

Title: Miracleman
Issue: 2
Date: March, 2014
Publisher: Marvel Comics
Writer: The Original Writer, Mick Anglo
Artist: Garry Leach, Don Lawrence, Mick Anglo, Steve Dillon, Alan Davis, Paul Neary
Colorist: Steve Oliff
Letterer: Joe Caramagna
Editor: Axel Alonso

The main feature here is the reprint of Miracleman #2, itself a reprint from early issues of Warrior magazine. It's written by Alan Moore, credited here once again as "The Original Writer". The story introduces Johnny Bates AKA Kid Miracleman, now grown to adulthood, rich, powerful, and thoroughly evil. Mickey Moran is great here as he sees through Bates' suave lies, but Bates as the villain absolutely steals the show. Bates is the best rendition of the Superman-gone-bad concept ever, and this issue is just a taste of what is to come.

The writing has a poetic quality to it that really brings up the intensity level.

Following the main story is an flash-forward segment that appeared in Warrior, but I'm not sure if it was printed in the Eclipse Miracleman series. It's a time travel piece set in the midst of the battle against Kid Miracleman later in the series, and it flashes back to earlier events. It had some good moments, but will probably make more sense to reread later on.

Bonus features in this issue include a "Behind the Scenes" segment showing original pencils and b/w artwork by Gary Leach for the story as it first appeared in Warrior.

There is also a full Marvelman origin story from 1954, which was quite good in places, but also leaned a bit on the typically goofy side. Last up is a short Kid Marvelman story from 1955, which is definitely goofy, and features Kid Marvelman helping out some local kids and improving the attitude of a cop.

The reprint material is fun, and the main story continues to be awesome.

Rating: 8.5/10

Miracleman #1

A new comic! I picked this one up tonight at my local Newbury Comics along with the new Springsteen album. I've been trying to avoid buying too many new comics, seeing how many are still in the massive unread stack, but I had to pick this one up. I have a complete run of the original Miracleman, but I'm looking forward to rereading those classic stories with all of the extras that Marvel is throwing in.

Title: Miracleman
Issue: 1
Date: March, 2014
Publisher: Marvel Comics
Writer: The Original Writer, Mick Anglo
Artist: Garry Leach, Don Lawrence, Mick Anglo
Colorist: Steve Oliff
Letterer: Chris Eliopoulos
Editor: Axel Alonso

Marvel's acquisition and reprinting of Miracleman is not without its share of controversy, a fact that is evident right on the first page where the story credit is simply listed as The Original Writer. Alan Moore refused to allow his name to be attached to this version of his classic deconstruction of the superhero myth. Moore has asked that his name not be used for any of his work that he does not retain ownership of.

Miracleman was originally the British version of Captain Marvel, and was printed under the name Marvelman in the UK in the 1950s. Originally created by Mick Anglo, and based on Fawcett's Captain Marvel character, the story featured a boy named Mickey Moran who had been given the secret to powerful superhuman abilities, which were activated by him speaking the word "Kimota" ("atomic" spelled phonetically and backward!). The stories from the 1950s were classic superhero fare with Marvelman fighting evil foreign agents, mad scientists, and invaders from outer space.

This book reprints Miracleman #1, with some additional material. The original comic started out with a classic Marvelman story and then moves to the present day, where Mickey Moran, now in middle age, married, and troubled by mysterious dreams, suddenly remembers "kimota" and releases the power that had been locked away from his memory.

Then he has to explain it all to his wife.

The storytelling is already powerful, especially the interaction between Liz and Miracleman when he comes home to her in his new form.

In addition to the material from Miracleman #1, this issue contains three classic b/w Marvelman stories from the 1950s. I love the transformation scenes, which consist of a small panel with a drawing of a mushroom cloud and the sound effect WOOF! These stories were goofy fun, with Marvelman taking on foreign spies (from Boromania!) and a mad scientist who steals people's reflections to turn them into evil doppelgangers.

A text history of the publication of Captain Marvel and Marvelman is also included, along with excerpts from an interview that Joe Quesada did with original Marvelman creator Mick Anglo before he passed away in 2011.

The original issues of Miracleman are hard to find (and you can't have mine!), so if you haven't read this, it's really worth it. Fans of the original will also find plenty of nice extras in this reprint.

Rating: 8/10

Uncanny Avengers #1

I stopped by my local Newbury Comics recently and picked up a couple of the recent Marvel Now debut issues. This is the second of those. My review of Thor: God of Thunder #1 was posted yesterday.

This week I'm gearing up for the Arisia convention this weekend in Boston. My small-press comic company, Dandelion Studios will be in the dealer room all weekend. In addition, I'll be doing a reading of some of my prose fiction (along with authors Resa Nelson and Daniel P. Dern) at 10 AM on Saturday, and I'll be on a minicomic panel Saturday at 10 PM. I'll also hopefully be picking up some new comics to review throughout the weekend.

But for now, on to the business at hand.

Title: Uncanny Avengers #1
Date: December, 2012
Publisher: Marvel Comics
Writer: Rich Remender
Artist: John Cassaday
Colorist: Laura Martin
Letterer: VC's Chris Eliopoulos
Editor: Daniel Ketchum, Tom Brevoort, Axel Alonso

First issues of team comics tend to fall into formula, simply because there is limited space and a fairly fixed agenda that needs to be accomplished. Team members need to be introduced and recruited, and by the time that is done there is usually just about enough space to introduce the villains and jumpstart a bit of plot.

This book was further saddled with a load of continuity baggage as it worked through the aftermath of the recent Avengers vs. X-Men storyline.



SPOILER WARNING



Charles Xavier is dead.

Well, actually he's Marvel-dead, and since his name isn't Uncle Ben that means he's not really dead. But we're all supposed to pretend that he is so that characters like Wolverine and Havok can wax emotional. There was nothing wrong with these opening scenes; it just all felt like going through the motions.

From there Captain America and Thor show up to recruit Havok to lead Cap's new mutant/nonmutant super team. Cap is handled well. Thor plays big goofy comic relief, which in this case is actually fairly funny. About halfway through coffee, a villain starts wrecking the neighborhood, and the heroes leap into action in what was essentially a jobber squash to show off the heroes doing their thing.

We move on to Scarlet Witch and Rogue, who have a well-written and genuinely intense verbal confrontation. Wanda is a character that I really haven't ever seen featured all that much here, and her response to Rogue's righteous bluster is really good.

Sadly the whole thing gets interrupted by a group of generic villains, and a character is mauled because, well, there really hasn't been any gratuitous gore so far, and we can't have one of the female character go and steal the show, now can we?

Ends with a big villain reveal that was okay for what it was.

This has potential, a fact that I may not have actually conveyed all that well. Unfortunately, the limitations of the Marvel Universe (even the sorta-rebooted Marvel Now), and the fallback to cliches keep this from getting me interested enough to want to read any more of it.

Rating: 4/10

Thor: God of Thunder #1

Title: Thor: God of Thunder #1
Date: January, 2013
Publisher: Marvel Comics
Writer: Jason Aaron
Penciler: Esad Ribis
Colorist: Dean White
Letterer: VC's Joe Sabino
Cover: Esad Ribis
Editor: Lauren Sankovitch, Jake Thomas, Axel Alonso

Thor is often at his best when he's interacting with the characters of Norse mythology, rather than the modern mythology of the Marvel Universe. This story proves to be a fine example of that, as Thor is kept firmly in his own continuity for the duration.

The story is really three stories, taking place in the past, the present, and in the (possible) future. The villain is Gorr the God Butcher, a murderer of gods and entire pantheons.

The opening story, set in medieval Iceland, has Thor encountering some of Gorr's handywork while visiting a Norse village. Thor has defeated the frost giants that were menacing the region, and he's getting the rock star treatment from the locals. Thor is presented here as a brash young adventurers, and when he finds the remains of a slain Native American god, his young confidence is shaken for perhaps the first time.

The second segment, set in the present, but on a distant planet is the best part of the book. One of the things we seldom get to see with Marvel's gods is them actually functioning as gods. In this segment, we get to see Thor actually answering someone's prayer. It's a really interesting scene, and it leads to Thor's second crossing of paths with Gorr.

Now, Gorr himself never appears in this issue, but that is part of what makes the storytelling effective here. The villain is given sufficient time to be built up as a very serious threat, which is necessary to make the final segment, which takes place in a possible future, credible.

That ending segment is a bit Elseworlds-ish (or at least reminiscent of a What If? story), but it was effective on the strength of the first two segments.

Good start to this new series.

Rating: 8/10