Bought at Boocup, Kerry Parkside, Pudong, Shanghai, China.
Title: The Amazing Spider-Man
Issue: Volume 5: Spiral
Publisher: Marvel Comics
Date: 2015
Writer: Gerry Conway
Penciler: Carlo Barberi
Inker: Juan Vlasco
Colorist: Israel Silva
Letterer: VC's Joe Caramagna
Editor: Nick Lowe, Devin Lewis
With the Kingpin out of the picture, New York's criminal gangs are in a war for territory with NYPD Captain Yuri Watanabe's Third Precinct as the top prize. This volume collects The Amazing Spider-Man #16-20 from 2014, and it follows up on a bunch of Spiderverse adventures by bringing Peter Parker back to his "Friendly Neighborhood" roots fighting New York crime.
The result is a rapid-fire succession of classic Spider-Man villains. Unfortunately, by "classic" here we generally mean third-rate. Admittedly, it's fun seeing Spidey score one-punch knockouts on guys like Hammerhead, Ringmaster, the Enforcers, Tombstone, and Crime Master. But nostalgia only goes so far.
The real heart of this story is a battle for the soul of Yuri Watanabe, who has gone back to moonlighting as the Wraith, and who has entered into a dangerous game of manipulation with the Negative Man. Did I mention there are a lot of villains in this book? Black Cat also shows up, fairly interesting in full-on heel mode.
But the theme of where to draw the line between "by the book" police work and vigilanteism is muddled by Peter Parker, longtime vigilante, trying to lecture Watanabe on where the line should be drawn. It doesn't help that the actual moment when Wraith crosses the line is not a terribly impactful scene. It helps even less that the confrontation between Wraith and Spider-Man is anticlimactic, and the final battle between Spider-Man and Negative Man is even more so.
This had fun pacing and that comfy nostalgic vibe, but it never rose to the level of seriousness that it was going for.
Rating: 5/10
Showing posts with label amazing spider man. Show all posts
Showing posts with label amazing spider man. Show all posts
Thursday, October 8, 2020
Monday, October 8, 2018
The Amazing Spider-Man #1: Behind-The-Scenes Edition
I got this Marvel freebie from one of the comic shops I visited over the summer.
Title: The Amazing Spider-Man
Issue: 1 (Behind-The-Scenes Edition)
Publisher: Marvel Comics
Date: September 2018
Writer: Nick Spencer
Artist: Ryan Ottley
Editor: Nick Lowe
This is a pretty cool promotional freebie from Marvel. It's the complete main story from the recent Amazing Spider-Man reboot, but with just Ryan Ottley's pencil art.
This gives a unique perspective to the story, as well as revealing the process. Not to mention showing off Ottley's artistic talents.
Obviously, without the dialogue and the finished art, a lot gets missed, but I didn't mind. And the full version is readily available for those who wish to purchase it (and likely to remain in reprints for years to come).
I could't follow that much of the dialogue-based storytelling, but much of the familiar supporting cast made appearances. The plot's main action saw Spidey joining the Avengers to deal with what appears to be a massive invasion by extradimensional creatures in New York City. But thing are not entirely as they seem.
The art was beautiful and the story looked interesting enough that I would say that the book did its job as a promo.
Rating: 7.5/10
Title: The Amazing Spider-Man
Issue: 1 (Behind-The-Scenes Edition)
Publisher: Marvel Comics
Date: September 2018
Writer: Nick Spencer
Artist: Ryan Ottley
Editor: Nick Lowe
This is a pretty cool promotional freebie from Marvel. It's the complete main story from the recent Amazing Spider-Man reboot, but with just Ryan Ottley's pencil art.
This gives a unique perspective to the story, as well as revealing the process. Not to mention showing off Ottley's artistic talents.
Obviously, without the dialogue and the finished art, a lot gets missed, but I didn't mind. And the full version is readily available for those who wish to purchase it (and likely to remain in reprints for years to come).
I could't follow that much of the dialogue-based storytelling, but much of the familiar supporting cast made appearances. The plot's main action saw Spidey joining the Avengers to deal with what appears to be a massive invasion by extradimensional creatures in New York City. But thing are not entirely as they seem.
The art was beautiful and the story looked interesting enough that I would say that the book did its job as a promo.
Rating: 7.5/10
Thursday, September 20, 2018
The Amazing Spider-Man #800
Another comics I picked up at Merrymac Games and Comics this past summer.
Title: The Amazing Spider-Man
Issue: 800
Publisher: Marvel Comics
Date: July 2018
Writer: Dan Slott
Artist: Nick Bradshaw, Humberto Ramos, Victor Olazaba, Guiseppe Camuncoli, Cam Smith, Stuart Immonen, Wade von Grawbadger, Marcos Martin
Colorist: Edgar Delgado, Java Tartaglia, Marte Gracia, Muntsa Vicente
Letterer: VC's Joe Caramagna
Cover: Humberto Ramos, Edgar Delgado
Editor:Kathleen Wisneski, Nick Lowe, Devin Lewis
Did I mention that I love collecting these big round-number issues? So here we have Amazing Spider-Man #800. It's interesting to contrast this with Action Comics #1000 (I reviewed it here). For Action Comics, DC went with a mostly-out-of-continuity tribute anthology, celebrating Superman and the idea of inspiration, with only a short final segment as a tease of actual future in-continuity action.
Marvel takes the opposite approach here. This is a single story concluding a major story arc, with big impacts on storyline continuity, including the death of a major character who has been there for most of those 800 issues.
The scenario has Spidey up against what could be his ultimate nemesis: The Red Goblin. That would be the Green Goblin attached to the Carnage symbiote.
Of course, given the momentous occasion, this story is absolutely loaded with nostalgia. There are a bunch of appearances by classic members of Peter Parker's supporting cast, not to mention tribute scenes that evoke some of the most emotional moments of past stories, particularly from Peter's past clashes with Normal Osborne.
This was a pretty good story with a lot of twists and action. There were some moments where it just felt like it had too many moving parts, but the finish came down to Spider-Man vs. (Red) Goblin like it needed to.
The throwback sequences were fun to spot, but they also had the unfortunate effect of reminding me that Spider-Man has had some truly awesome, emotional moments, and this story, while good, never really reaches the level of those classics.
This was satisfying, and it felt important, but at times it was trying too hard to look backward and trying too hard to be all things in a single issue.
Rating: 6/10
Title: The Amazing Spider-Man
Issue: 800
Publisher: Marvel Comics
Date: July 2018
Writer: Dan Slott
Artist: Nick Bradshaw, Humberto Ramos, Victor Olazaba, Guiseppe Camuncoli, Cam Smith, Stuart Immonen, Wade von Grawbadger, Marcos Martin
Colorist: Edgar Delgado, Java Tartaglia, Marte Gracia, Muntsa Vicente
Letterer: VC's Joe Caramagna
Cover: Humberto Ramos, Edgar Delgado
Editor:Kathleen Wisneski, Nick Lowe, Devin Lewis
Did I mention that I love collecting these big round-number issues? So here we have Amazing Spider-Man #800. It's interesting to contrast this with Action Comics #1000 (I reviewed it here). For Action Comics, DC went with a mostly-out-of-continuity tribute anthology, celebrating Superman and the idea of inspiration, with only a short final segment as a tease of actual future in-continuity action.
Marvel takes the opposite approach here. This is a single story concluding a major story arc, with big impacts on storyline continuity, including the death of a major character who has been there for most of those 800 issues.
The scenario has Spidey up against what could be his ultimate nemesis: The Red Goblin. That would be the Green Goblin attached to the Carnage symbiote.
Of course, given the momentous occasion, this story is absolutely loaded with nostalgia. There are a bunch of appearances by classic members of Peter Parker's supporting cast, not to mention tribute scenes that evoke some of the most emotional moments of past stories, particularly from Peter's past clashes with Normal Osborne.
This was a pretty good story with a lot of twists and action. There were some moments where it just felt like it had too many moving parts, but the finish came down to Spider-Man vs. (Red) Goblin like it needed to.
The throwback sequences were fun to spot, but they also had the unfortunate effect of reminding me that Spider-Man has had some truly awesome, emotional moments, and this story, while good, never really reaches the level of those classics.
This was satisfying, and it felt important, but at times it was trying too hard to look backward and trying too hard to be all things in a single issue.
Rating: 6/10
Monday, May 30, 2016
The Amazing Spider-Man 275
Title: The Amazing Spider-Man
Issue: 275
Publisher: Marvel Comics
Date: April, 1986
Writer: Tom DeFalco, Stan Lee
Artist: Ron Frenz, Josef Rubinstein, Steve Ditko
Colorist: Nel Yomtov
Letterer: Joe Rosen
Editor: Jim Owsley
From right in the midst of the original black-costume era, this story pits Spider-Man against the Hobgoblin, but more importantly, it pits Peter Parker against his own self-doubt.
It also includes a complete reprint of the original Spider-Man origin story by Lee and Ditko from Amazing Fantast #15 in 1962. In this case, the retelling of the origin is framed as a flashback related to Mary Jane Watson by Peter Parker, who is seriously questioning his second life as Spider-Man.
There is also a major soap-opera going in with Flash Thompson (presented here, disturbingly, as a domestic abuser), Sha Shan, Betty Leeds, and Ned Leeds. It is complicated, and melodramatic, and before the issue is over, the lives of these characters will collide with the lives of Spider-Man and Hobgoblin (well, it's hinted that there may already be a connection there).
Peter Parker's concerns about collateral damage, and his own failings, felt very real, and the discussion with Mary Jane about whether he should continue on as Spider-Man had no real straightforward answers, and writer Tom DeFalco did an especially good job of acknowledging Mary Jane's very mixed feelings.
Hobgoblin, meanwhile was in classic villain mode, operating as an enforcer for the Rose, who is preparing to challenge the Kingpin for control of New York's underworld, while really obsessing over his next encounter with Spider-Man.
It takes a while to get to the action, but once it gets going, the fight between Spider-Man and Hobgoblin is excellent.
This issue has a lot going on, most of it very good, a little bit of it cringe-inducing (Flast Thompson's scenes). The reprint is shoehorned in somewhat awkwardly, but it's hard to complain about getting one of the greatest comic stories of all time as a backup feature, no matter how many times I've read it.
Rating: 7/10
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