So, apparently there are some books that got stashed in the Random Box of Unread Comics that I have, in fact, read. But I haven't reviewed them, so I'll be giving them a reread. I don't think I've given this one a look since I bought in when it was released.
Title: The Punisher War Journal
Issue: 1
Date: November, 1988
Publisher: Marvel Comics
Writer: Carl Potts
Artist: Carl Potts, Jim Lee
Colorist: John Wellington
Letterer: Jim Novak
Editor: Don Daley
Frank Castle is on a mission, but life keeps getting in the way. In this case, life involves getting caught up in mob drama involving hitmen, kidnapped babies, and an exceptionally messy divorce.
This is a really cleverly constructed first issue, particularly the use of wordless panels at the bottom of the pages to retell the Punisher's origin story, as well as the character-building twist at the end where we discover the nature of Frank's mission.
It also reintroduces Microchip, brings in some new supporting cast, has a Matt Murdock cameo, and features a clever ending teaser for a bunch of upcoming stories. The only bit where it drags is in a wordy explanation that sets the stage for the mob drama. The action is solid and the art looks great. And Punisher fans will appreciate that there is no effort to soften Castle's approach to his work here.
Rating: 7.5/10
Showing posts with label jim lee. Show all posts
Showing posts with label jim lee. Show all posts
Monday, April 7, 2025
Sunday, April 6, 2025
Deathmate Prologue
From the Box of Random Unread Comics.
Title: Deathmate Prologue
Date: June, 1993
Publisher: Valiant Entertainment / Image Comics
Writer: Bob Layton
Penciler: Barry Windsor-Smith, Rob Liefeld
Inker: Jim Lee, Bob Layton, Danny Miki, Dan Panosian
Colorist: Joe Chiodo
Letterer: Mike Heisler
Editor: Mark Moretti
This was the opening scene to the large-scale Valiant/Image crossover event. It opens with a death, and Solar consumed by grief and retreating into the Unreality where he meets up with Void. Fascinated by each other, they kiss and become one. That's the first story.
The second story starts in a dream sequence that is essentially a Rob Liefeld rollcall of Image and Valiant characters. It's the Geomancer who's dreaming, and he wakes up in a panic and runs right into a fight with the Berzerkers, which leads to Prophet getting involved. Turns out Prophet is in on the whole dream thing and we're off and (literally) running.
I don't really know either set of characters, so this felt a little disjointed, but it was sufficient to get the idea across that there is some kind of Crisis-On-Infinite-Earths-level event heading in the heroes' direction. So while a bit more backstory would have been nice to make me feel a bit more invested, this was still a reasonable opening to the coming saga.
Rating: 5.5/10
Title: Deathmate Prologue
Date: June, 1993
Publisher: Valiant Entertainment / Image Comics
Writer: Bob Layton
Penciler: Barry Windsor-Smith, Rob Liefeld
Inker: Jim Lee, Bob Layton, Danny Miki, Dan Panosian
Colorist: Joe Chiodo
Letterer: Mike Heisler
Editor: Mark Moretti
This was the opening scene to the large-scale Valiant/Image crossover event. It opens with a death, and Solar consumed by grief and retreating into the Unreality where he meets up with Void. Fascinated by each other, they kiss and become one. That's the first story.
The second story starts in a dream sequence that is essentially a Rob Liefeld rollcall of Image and Valiant characters. It's the Geomancer who's dreaming, and he wakes up in a panic and runs right into a fight with the Berzerkers, which leads to Prophet getting involved. Turns out Prophet is in on the whole dream thing and we're off and (literally) running.
I don't really know either set of characters, so this felt a little disjointed, but it was sufficient to get the idea across that there is some kind of Crisis-On-Infinite-Earths-level event heading in the heroes' direction. So while a bit more backstory would have been nice to make me feel a bit more invested, this was still a reasonable opening to the coming saga.
Rating: 5.5/10
Wednesday, April 2, 2025
Orfina Volume 1
From the tbr shelf. Not sure where I got this one.
Title: Orfina
Issue: Volume 1
Date: 2005
Publisher: CMX
Writer: Kitsune Tennouji
Artist: Kitsune Tennouji
Editorial Director: Jim Lee
A young soldier fleeing the forces of an advanced militant nation is taken in by the royal family of a peaceful kingdom, and it's discovered that the soldier appears nearly identical to that kingdom's princess. The princess and the resistance fighter become best friends from the moment they meet, but the forces of the invading nation, Granze, are closing in, unleashing destruction with guns and fire dragons which the armies of Cordia have no defense against.
The story in this opening volume turns grim pretty quickly as the folk of Cordia fight a brave, but losing battle against the invaders and Princess Orfina and her "twin", Fana, must flee for their lives.
There was some good character development, particularly in the relationship between Orfina and Fana, and lots of room for future plot complications. This was a solid start, and the artwork was lovely.
Rating: 7.5/10
Title: Orfina
Issue: Volume 1
Date: 2005
Publisher: CMX
Writer: Kitsune Tennouji
Artist: Kitsune Tennouji
Editorial Director: Jim Lee
A young soldier fleeing the forces of an advanced militant nation is taken in by the royal family of a peaceful kingdom, and it's discovered that the soldier appears nearly identical to that kingdom's princess. The princess and the resistance fighter become best friends from the moment they meet, but the forces of the invading nation, Granze, are closing in, unleashing destruction with guns and fire dragons which the armies of Cordia have no defense against.
The story in this opening volume turns grim pretty quickly as the folk of Cordia fight a brave, but losing battle against the invaders and Princess Orfina and her "twin", Fana, must flee for their lives.
There was some good character development, particularly in the relationship between Orfina and Fana, and lots of room for future plot complications. This was a solid start, and the artwork was lovely.
Rating: 7.5/10
Thursday, January 25, 2024
Tears of a Lamb Volume 1
From the books I had in storage.
Title: Tears of a Lamb
Issue: Volume 1
Date: 2008
Publisher: CMX
Writer: Banri Hidaka
Artist: Banri Hidaka
Editorial Director: Jim Lee
High school romantic drama that starts light and builds into more serious issues as it goes. Kei Hasumi only wants one thing from her classmate, Kyosuke Kanzaki. She wants to get into his apartment. She's lost something, and she believes the apartment, when it was rented to a previous tenant, is where she misplaced her treasure.
It begins as something of a silly argument, with Kanzaki reluctant to show Hasumi his place because it was previously rented to his sister and still has all of her feminine decor. But as the story continues, additional layers of drama and misfortune are revealed about the two lead characters and their families.
The romantic direction is clear, but it's on slow-build, and the lead characters don't start off with much chemistry between them. The relationship between Hasumi and her older twin brothers does more for character development than here interactions with Kanzaki do.
This had a slow start, but it does do a good job of building some tension and complexity. Possible trigger warning: An eating disorder is a major plot point, and it's not always handled as sensitively as it could be.
Rating: 5.5/10
Title: Tears of a Lamb
Issue: Volume 1
Date: 2008
Publisher: CMX
Writer: Banri Hidaka
Artist: Banri Hidaka
Editorial Director: Jim Lee
High school romantic drama that starts light and builds into more serious issues as it goes. Kei Hasumi only wants one thing from her classmate, Kyosuke Kanzaki. She wants to get into his apartment. She's lost something, and she believes the apartment, when it was rented to a previous tenant, is where she misplaced her treasure.
It begins as something of a silly argument, with Kanzaki reluctant to show Hasumi his place because it was previously rented to his sister and still has all of her feminine decor. But as the story continues, additional layers of drama and misfortune are revealed about the two lead characters and their families.
The romantic direction is clear, but it's on slow-build, and the lead characters don't start off with much chemistry between them. The relationship between Hasumi and her older twin brothers does more for character development than here interactions with Kanzaki do.
This had a slow start, but it does do a good job of building some tension and complexity. Possible trigger warning: An eating disorder is a major plot point, and it's not always handled as sensitively as it could be.
Rating: 5.5/10
Thursday, September 13, 2018
Action Comics #1000
I bought this at Merrymac Games and Comics in Merrimack NH this past summer.
Title: Action Comics
Issue: 1000
Date: June 2018
Publisher: DC Comics
Writer: Dan Jurgens, Peter J. Tomasi, Marv Wolfman, Geoff Johns, Richard Donner, Scott Snyder, Tom King, Louise Simonson, Paul Dini, Brad Meltzer, Brian Michael Bendis, Cindy Goff, Curt Swan, Bob Rozakis, Kurt Schaffenberger, Butch Guice
Artist: Dan Jurgens, Norm Rapmund, Patrick Gleason, John Romita Jr., Danny Miki, Curt Swan, Butch Guice, Kurt Schaffenberger, Bob Rozakis, Olivier Coipel, Rafael Albuquerque, Clay Mann, Jerry Ordway, Jose Luis Garcia-Lopez, Kevin Nowlan, Walter Simonson, John Cassaday, Jorge Jimenez, Jim Lee, Scott Williams
Colorist: Hi-Fi, Alejandro Sanchez, Peter Steigerwald, Dave McCaig, Jordie Bellaire, Trish Mulvihill, Brennan Wagner, Laura Martin, Alex Sinclair
Letterer: Rob Leigh, Tom Napolitano, Nick Napolitano, John Workman, Carlos M. Mangual, Josh Reed, Chris Eliopoulos, Cory Petit
Cover: Jim Lee, Scott Williams, Alex Sinclair,
Editor: Paul Kaminski, Andrea Shea
I love these big-round-number issues! At one point, when DC made the idiotic decision to renumber Action and Detective, it looked like we might never get here, but fortunately the original numbering was restored a few years back, and so here we are at #1000.
This is an anthology featuring some truly legendary Superman writers and artists, most of it assembled around a loose theme of inspiration: How Supermans is an inspiration, and more importantly, how the courage of ordinary people serves as an inspiration to Superman.
The opening story had Superman reluctantly attending a Superman appreciation event in Metropolis with some encouragement from Lois Lane, and a bit of behind-the-scenes manipulating that took on a distinctively silly Silver-Age vibe.
Next up was "Never-Ending Battle", a sort of walk down memory lane in the form of single-panel pages taken from various alternate timeline and Elseworlds-style adventures, all framed around a battle with Vandal Savage. This was aimed right at the hardcore fans who have read every story. Casual readers were going to miss a lot here.
"The Enemy Within" features Maggie Sawyer and the question of how Superman decides which crisis to intervene in with so many things always happening at the same time. This was handled pretty well, considering the difficulty of the question it was addressing, and Maggie came off great.
"The Car" was my favorite story in this issue, a throwback to Action Comics #1 set in the 1930s that answers (among other questions) what became of that car that Superman is demolishing on the famous Action #1 cover.
"The Fifth Season" was a great little Lex Luthor vignette, and "Of Tomorrow" was a sentimental far-future piece.
My second-favorite story was "Five Minutes", focusing on the staff of the Planet, with a some introspective moments leading to a humorous ending.
"Actionland" featured Mr. Mxyzptlk, and Brad Meltzer's "Faster Than A Speeding Bullet" was another story hitting the theme of ordinary people inspiring Superman, in this case with the action condensed down to a second or less.
The last story was a preview of the upcoming Brian Michael Bendis run, and it introduced a new villain who didn't seem to have much trouble beating Superman and Supergirl. The book ends with the new villain making some "shocking" revelations about Krypton and Superman's origin story.
The opening and ending stories were my least favorite in the book, which is unfortunate, since those were the ones most tied to current continuity. This was my first introduction to Superman and Lois' son since I haven't been reading much in the way of current in-continuity comics, and he comes off mostly as annoying.
Rogol Zaar, the new villain, certainly comes off as powerful, but that's not difficult to write, and the tone of the scene was uneven, with some weak humor mixed into what should have come off as a grim scenario. The tease of big new revelations (read retcons) didn't do much for me either. I don't need every new writer to rework Superman's past.
But that being said, there was plenty to like in this book. Most of the one-shot stories with well thought out, with some pleasant surprises. And as mentioned earlier, the cast of talent here is spectacular.
There was a lot of beautiful artwork, and enough of the nostalgic and introspective stuff to make this special in the way it needed to be.
Rating: 7/10
Title: Action Comics
Issue: 1000
Date: June 2018
Publisher: DC Comics
Writer: Dan Jurgens, Peter J. Tomasi, Marv Wolfman, Geoff Johns, Richard Donner, Scott Snyder, Tom King, Louise Simonson, Paul Dini, Brad Meltzer, Brian Michael Bendis, Cindy Goff, Curt Swan, Bob Rozakis, Kurt Schaffenberger, Butch Guice
Artist: Dan Jurgens, Norm Rapmund, Patrick Gleason, John Romita Jr., Danny Miki, Curt Swan, Butch Guice, Kurt Schaffenberger, Bob Rozakis, Olivier Coipel, Rafael Albuquerque, Clay Mann, Jerry Ordway, Jose Luis Garcia-Lopez, Kevin Nowlan, Walter Simonson, John Cassaday, Jorge Jimenez, Jim Lee, Scott Williams
Colorist: Hi-Fi, Alejandro Sanchez, Peter Steigerwald, Dave McCaig, Jordie Bellaire, Trish Mulvihill, Brennan Wagner, Laura Martin, Alex Sinclair
Letterer: Rob Leigh, Tom Napolitano, Nick Napolitano, John Workman, Carlos M. Mangual, Josh Reed, Chris Eliopoulos, Cory Petit
Cover: Jim Lee, Scott Williams, Alex Sinclair,
Editor: Paul Kaminski, Andrea Shea
I love these big-round-number issues! At one point, when DC made the idiotic decision to renumber Action and Detective, it looked like we might never get here, but fortunately the original numbering was restored a few years back, and so here we are at #1000.
This is an anthology featuring some truly legendary Superman writers and artists, most of it assembled around a loose theme of inspiration: How Supermans is an inspiration, and more importantly, how the courage of ordinary people serves as an inspiration to Superman.
The opening story had Superman reluctantly attending a Superman appreciation event in Metropolis with some encouragement from Lois Lane, and a bit of behind-the-scenes manipulating that took on a distinctively silly Silver-Age vibe.
Next up was "Never-Ending Battle", a sort of walk down memory lane in the form of single-panel pages taken from various alternate timeline and Elseworlds-style adventures, all framed around a battle with Vandal Savage. This was aimed right at the hardcore fans who have read every story. Casual readers were going to miss a lot here.
"The Enemy Within" features Maggie Sawyer and the question of how Superman decides which crisis to intervene in with so many things always happening at the same time. This was handled pretty well, considering the difficulty of the question it was addressing, and Maggie came off great.
"The Car" was my favorite story in this issue, a throwback to Action Comics #1 set in the 1930s that answers (among other questions) what became of that car that Superman is demolishing on the famous Action #1 cover.
"The Fifth Season" was a great little Lex Luthor vignette, and "Of Tomorrow" was a sentimental far-future piece.
My second-favorite story was "Five Minutes", focusing on the staff of the Planet, with a some introspective moments leading to a humorous ending.
"Actionland" featured Mr. Mxyzptlk, and Brad Meltzer's "Faster Than A Speeding Bullet" was another story hitting the theme of ordinary people inspiring Superman, in this case with the action condensed down to a second or less.
The last story was a preview of the upcoming Brian Michael Bendis run, and it introduced a new villain who didn't seem to have much trouble beating Superman and Supergirl. The book ends with the new villain making some "shocking" revelations about Krypton and Superman's origin story.
The opening and ending stories were my least favorite in the book, which is unfortunate, since those were the ones most tied to current continuity. This was my first introduction to Superman and Lois' son since I haven't been reading much in the way of current in-continuity comics, and he comes off mostly as annoying.
Rogol Zaar, the new villain, certainly comes off as powerful, but that's not difficult to write, and the tone of the scene was uneven, with some weak humor mixed into what should have come off as a grim scenario. The tease of big new revelations (read retcons) didn't do much for me either. I don't need every new writer to rework Superman's past.
But that being said, there was plenty to like in this book. Most of the one-shot stories with well thought out, with some pleasant surprises. And as mentioned earlier, the cast of talent here is spectacular.
There was a lot of beautiful artwork, and enough of the nostalgic and introspective stuff to make this special in the way it needed to be.
Rating: 7/10
Friday, June 6, 2014
Superman #206
Here's another comic that I got at Free Comic Book Day 2014 at New England Comics in Quincy MA. Once again, this was an extra giveaway, and not one of the official FCBD books.
Title: Superman
Issue: 206
Date: August, 2004
Publisher: DC Comics
Writer: Brian Azzarello
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Rob Leigh
Editor: Will Dennis, Eddie Berganza
Cover: Jim Lee
This continues a storyline (I review issue #205 here) involving Superman attempting to intervene to stop a war in the Middle East, as told through the frame of Superman talking with Father Leone, the Metropolis priest who has served as an informal spiritual advisor to the Man of Steel.
In this issue, Superman recounts the end of the civil war, and his actions once he realized that victory for rebel General Nox is inevitable.
I'm still enjoying the approach of no easy answers for Superman in this storyline. The situation in the fictional country where it is set is complex and constantly changing, and Superman is just trying to do good, even if it means he must give his support to Nox, who has his own insurance policy in the form of super-soldier Equus.
There is some nice buildup to a full battle with Equus. Superman's frustration comes through loud and clear as circumstances keep preventing him from having that confrontation.
This continues to be a good, complex story.
Rating: 7/10

Issue: 206
Date: August, 2004
Publisher: DC Comics
Writer: Brian Azzarello
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Rob Leigh
Editor: Will Dennis, Eddie Berganza
Cover: Jim Lee
This continues a storyline (I review issue #205 here) involving Superman attempting to intervene to stop a war in the Middle East, as told through the frame of Superman talking with Father Leone, the Metropolis priest who has served as an informal spiritual advisor to the Man of Steel.
In this issue, Superman recounts the end of the civil war, and his actions once he realized that victory for rebel General Nox is inevitable.
I'm still enjoying the approach of no easy answers for Superman in this storyline. The situation in the fictional country where it is set is complex and constantly changing, and Superman is just trying to do good, even if it means he must give his support to Nox, who has his own insurance policy in the form of super-soldier Equus.
There is some nice buildup to a full battle with Equus. Superman's frustration comes through loud and clear as circumstances keep preventing him from having that confrontation.
This continues to be a good, complex story.
Rating: 7/10
Thursday, May 15, 2014
Superman #205
Time was tight for me on Free Comic Book Day this year, with two family events occupying most of the day. I only managed to get in a brief visit to one comic shop, which was New England Comics in Quincy MA.
NEC always puts on a huge event for FCBD. They had the creative team of one of the new Tick comics on hand, and a picked up an autographed book from them along with some of the regular FCBD books. NEC also gives away some bonus comics, which are regular back issues they have overstocked. This is one of those bonus freebies that I picked up this year.
Here is my complete haul:
And now for tonight's review!
Title: Superman
Issue: 205
Date: July, 2004
Publisher: DC Comics
Writer: Brian Azzarello
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Nick Napolitano
Editor: Casey Seijas, Will Dennis, Eddie Berganza
Cover: Jim Lee, Scott Williams
This is a fairly introspective and quiet issue, with even the opening action scene proving to be a flashback. It focuses on Father Leone, who Clark (as Superman) has been turning to for spiritual advice.
Clark is struggling in the aftermath of a recent attempt to stop the fighting in an unnamed and mostly-symbolic Middle Eastern country. As might be expected, Superman's paternalistic approach of taking away everyone's weapon and scolding them to just get along proved to be an ineffective approach.
Not much was resolved here. This story raised more questions than it answered, and it only presented a very simplistic scenario in response to the rather complex question of whether Superman can literally function as the world's policeman.
In spite of the lack of easy answers (which was, to a large extent, the point), I enjoyed this issue. There was good character development for Father Leone, who is a fairly complex and interesting character. I also liked seeing Superman take some time to think about the consequences of his actions.In a comic book universe where there are few things Superman is not capable of accomplishing, it was interesting to see the focus on something that he is preceiving as a shortcoming.
Interesting read.
Rating: 7/10
NEC always puts on a huge event for FCBD. They had the creative team of one of the new Tick comics on hand, and a picked up an autographed book from them along with some of the regular FCBD books. NEC also gives away some bonus comics, which are regular back issues they have overstocked. This is one of those bonus freebies that I picked up this year.
Here is my complete haul:
And now for tonight's review!

Issue: 205
Date: July, 2004
Publisher: DC Comics
Writer: Brian Azzarello
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Nick Napolitano
Editor: Casey Seijas, Will Dennis, Eddie Berganza
Cover: Jim Lee, Scott Williams
This is a fairly introspective and quiet issue, with even the opening action scene proving to be a flashback. It focuses on Father Leone, who Clark (as Superman) has been turning to for spiritual advice.
Clark is struggling in the aftermath of a recent attempt to stop the fighting in an unnamed and mostly-symbolic Middle Eastern country. As might be expected, Superman's paternalistic approach of taking away everyone's weapon and scolding them to just get along proved to be an ineffective approach.
Not much was resolved here. This story raised more questions than it answered, and it only presented a very simplistic scenario in response to the rather complex question of whether Superman can literally function as the world's policeman.
In spite of the lack of easy answers (which was, to a large extent, the point), I enjoyed this issue. There was good character development for Father Leone, who is a fairly complex and interesting character. I also liked seeing Superman take some time to think about the consequences of his actions.In a comic book universe where there are few things Superman is not capable of accomplishing, it was interesting to see the focus on something that he is preceiving as a shortcoming.
Interesting read.
Rating: 7/10
Labels:
2004,
alex sinclair,
brian azzarello,
casey sejsf,
dc comics,
eddie berganza,
fcbd,
free comic book day,
jim lee,
nec,
new england comics,
nick napolitano,
scott williams,
superman,
will dennis
Tuesday, September 4, 2012
Justice League #12

Issue: 12
Date: October 2012
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee, Ivan Reis, Joe Prado, David Finch
Inker: Scott Williams, Ivan Reis, Joe Prado, David Finch, Sandra Hope, Jonathan Glapion, Mark Irwin, Matt Banning, Rob Hunter, Joe Weems, Alex Garner, Trevor Scott
Colorist: Alex Sinclair, Gabe Eltaeb, Tony Avina, Sonia Oback, Pete Pantazis
Letterer: Patrick Brosseau
Editor: Katie Kubert, Brian Cunningham
Cover: Jim Lee, Alex Sinclair, Scott Williams
I've totally fallen behind on my New 52 reading, and this one generated a bit of buzz with the Superman/Wonder Woman kiss on the cover, so I skipped ahead to it.
This issue begins a transition into some membership changes for the Justice League that will go along with the release of a new Justice League of America title.
It also wraps up a plotline involving David Gray, who has abducted and possibly killed Steve Trevor as part of a scheme for revenge against the Justice League, who Gray blames for the deaths of his wife and children.
The final battle takes place on Mount Sumeru, which is conveniently labeled via caption as the "Mythic Valley of Souls". Not quite sure how it can be a mountain and a valley at the same time.
The battle pits the League against what appears to be the spirits of their deceased loved ones. It's well-handled, but nothing exceptional. This sort of thing has definitely been done before. A lot. Once the actual brawling starts, things proceed at a nice pace to endgame and about half the book ends up getting devoted to epilogue material, all of which is pretty good.
Most noticeably for me in these scenes is the fact that somewhere between issues 6 and 11 Hal Jordan stopped being a complete jerk. His scene here is great, and a lot more in keeping with the hero that Hal ought to be. Maybe the memories of the awful Green Lantern film are finally being put to rest.
Wonder Woman's scenes with Steve Trevor and with Superman were also good. Clark and Diana's kiss (not really a spoiler here, since it's on the front cover) comes somewhat out of nowhere, but the lead-in dialogue worked well, and the earlier scene involving Steve was genuinely powerful.
Not disappointed I picked this issue up.
Rating: 8/10
Labels:
2012,
alex sinclair,
brian cunningham,
david finch,
dc comics,
geof johns,
ivan reis,
jim lee,
joe prado,
jonathan glapion,
justice league,
katie kubert,
mark irwin,
sandra hope,
scott williams,
the new 52
Tuesday, June 19, 2012
The New 52 FCBD Special Edition #1

Title: The New 52 FCBD Special Edition
Issue: 1
Date: June 2012
Publisher: DC Comics
Writer: Geoff Johns, Grant Morrison, China Mieville, James Robinson, Paul Levitz, Howard Mackie, Jimmy Palmiotti, Justin Gray, JT Krul
Artist: Jim Lee, Scott Williams, Ivan Reis, Joe Prado, Kenneth Rocafort, Gene Ha, Chris Burnham, Mateus Santolouco, Nicola Scott, Trevor Scott, Kevin Maguire, George Perez, Ian Churchill, Norm Rapmund
Colorist: Rod Reis, Alex Sinclair, Blond, Art Lyon, Dan Panosian, Ariel Olivetti
Letterer: Sal Cipriano
Editor: Kate Stewart, Dan Didio, Eddie Berganza
Cover: Jim Lee, Alex Sinclair, Scott Williams
This was DC's major 2012 Free Comic Book Day edition. This is all teasers, but it's good eye candy for the most part. The giant fold-out center spread is gimmicky but fun.
The story focuses on the origin of Pandora, who was the mystery woman drawn into the backgrounds of all 52 of the reboot issues. She is the same Pandora we know from mythology, but she's part of a trio of ancient sinners who were cursed with eternal torment in one form or another. The other two beings appear to be reboots of the Phantom Stranger and the Question.
And speaking of reboots, welcome back Etta Candy (now black and skinny). Not minding the change there. She was a character who went through an awful lot of reimagining over the years.
There is a lot of back-and-forth with Pandora infiltrating top-secret labs and storage facilities for alien/mystical technology. Steve Trevor is clearly being shoehorned into the Nick Fury role, which comes off a bit generic. Also, he demands "Find me John Constantine!". Be careful what you wish for, Steve. Oh, and Black Orchid gets namedropped.
The second half of the book is just preview pages from new titles. The most intriguing of those was Dial H, featuring the first comic writing by China Mieville. It looked like it had some potential. World's Finest was amusing and engaging. It was nice to see the Unknown Soldier in the GI Combat preview, but the rest didn't interest me much.
Rating: 6/10
Labels:
alex sinclair,
china mieville,
dan didio,
dc comics,
eddie berganza,
geoff johns,
grant morrison,
ivan reis,
jim lee,
joe prado,
kate stewart,
rod reis,
sal cipriano,
scott williams,
the new 52
Wednesday, February 15, 2012
Justice League #4

Title: Justice League
Issue: 4
Date: February 2012
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair, Gabe Eltaeb
Letterer: Patrick Brosseau
Editor: Darren Shan, Brian Cunningham
Cover: Jim Lee, Alex Sinclair, Scott Williams
There are really three things going on here. First is the introduction of Aquqman, who basically takes the attitude that someone has got to be the leader of the rather disorganized team of heroes that have banded together to fight the parademon invasion. And, well, he's the only one who's a king, so it might as well be him.
Green Lantern (still acting like an idiot) issues the "Really? What can you do that we can't?" challenge. The answer is a resounding "Talk to fish!" in the form of great white sharks jumping out of the water and nom-nom-nom-ing some parademons. Which is actually not all that impressive when you think about it. Lanter, Superman, or Wonder Woman could have done the same amount of damage with less effort and no endangered species in the line of fire. Still, the sharks plus Aquaman putting a trident through the head of a parademon prove sufficient to win at least a grudging acceptance.
In the midst of all of this is an attempt at comedy when Lantern just happens to "accidentally" have his hand on Wonder Woman's lasso and becomes a bit more truthful than he might have liked to be. So Lantern is consistently a sexist jerk. Yay for consistency, I suppose.
The other two big plotlines are the continuing origin of Cyborg, which is going about how you would expect, and the arrival of Darkseid, which is, well, big. As in two-page- turn-the-comic-sideways big. Nice job of making him impressive, but it will be next issue before he does anything more than announce his name.
Goofy fun, but this issue leaned a bit too heavily on the goofy side.
Rating: 5.5/10
Wednesday, December 7, 2011
Justice League #3

Title: Justice League
Issue: 3
Date: January 2012
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair, Hi-Fi, Gabe Eltaeb
Letterer: Patrick Brosseau
Editor: Darren Shan, Brian Cunningham
Cover: Jim Lee, Alex Sinclair, Scott Williams
Amazingly, Hal Jordan barely gets any lines here, but it only takes him one word four letters long ("Dibs"; his reaction to seeing Diana for the first time) to cement his place as as sexist jerk for this issue.
Wonder Woman herself is the major focus of this issue, with a rather clumsily handled attempt at portraying her as totally naive to the ways of human civilization. The problem is that there is a fine line between naive and dumb, and Diana spends a bit too much time on the wrong side of that line. That being said, the kid who introduces her to ice cream is adorable and should be a recurring character.
The main plot here is a large-scale attack on Earth by enough parademons to make the heroes look somewhat impressive fighting them, but not nearly enough to actually mount a successful invasion.
We also get some progress on Cyborg's origin, as well as the introduction of Aquaman (who gets a great first line). Dialogue in general was pretty sharp. Flash to the Batman. "You don't have powers? I thought you were a vampire or something!" Ha! There's a cute introductory exchange between Superman and Wonder Woman as well.
Art continues to be great. It's nothing all that daring or innovative, but it looks great, and as mentioned before, it's really exactly the look that a big and loud action-oriented book like this needs.
Rating: 7/10
Monday, December 5, 2011
Justice League #2

Issue: 2
Date: December 2011
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Patrick Brosseau
Editor: Eddie Berganza, Rex Ogle
Cover: Jim Lee, Alex Sinclair, Scott Williams
We open with a quick introduction of Barry Allen, then it's back to Superman vs. Green Lantern and the Batman. This is a pretty standard, fight-until-cooler-heads-prevail scene, but it's handled well. The Flash joins in as backup called by Hal Jordan and he gets a particularly fun sequence against Superman.
Hal Jordan continues to be written as an annoying twit, which is frustrating for me, so it must be extra-frustrating for people who are actual Green Lantern fans.
Other than that, the character interactions are good, including a nice scene between Victor Stone and his dad, a head scientist at STAR Labs.
The art team of Lee, Williams, and Sinclair continue to do a great job of giving the book the big, explosive look that a major superhero team book should have.
A couple of backup features give us some concept sketches for Batman and Superman, as well as a text piece that does a reasonable job of laying down the foundation for introducing Wonder Woman next issue.
The major flaw in the first issue was Hal Jordan, and he's still terrible, but now he's essentially a fourth of the team rather than half, which is sort of an improvement by subtraction. Everything else is simply an improvement.
Rating: 7/10
Thursday, September 8, 2011
Action Comics #1

Issue: 1
Date: November 2011
Publisher: DC Comics
Writer: Grant Morrison
Penciler: Rags Morales
Inker: Rick Bryant
Colorist: Brad Anderson
Letterer: Patrick Brosseau
Editor: Wil Moss, Matt Idelson
Cover: Jim Lee, Scott Williams, Alex Sinclair
The first Action Comics #1 since 1938! I'm still disappointed that the series won't go to #1000, but as I've mentioned before I understand how DC felt that the renumbering would only be seen as a true relaunch if they renumbered all their titles, including the "big number" books like Action and Detective.
I bought the variant cover version with Jim Lee's artwork, which is actually taken from a (really good) splash page in Justice League #1 (my review of that issue is here).
What we have here is a new take on Superman. He's younger, and clearly inexperienced. He's also got a solid case of cynicism for the legal system, and a cocky and arrogant attitude, particularly toward the Metropolis Police Department. Detective Blake: "We used to have laws in this town. Like gravity." Ha!
The opening scene has him pulling a Batman-style stunt of dropping a white-collar criminal off of building ledge and catching him just before impact to force a (clearly inadmissible!) confession.
Superman's powers have also been scaled back considerably. He's a lot more vulnerable to harm (although still tough enough to take a shot from a tank's main gun).
As for villains, we've got a decent (and pretty much by-the-book) portrayal of Lex Luthor working as a consultant for General Lane (Lois' father). Oh, and the other major adversary in this issue is a bullet train (emphasis on "bullet").
A lot of people probably won't like Superman's new cocky attitude. I didn't think I would. But I did find myself enjoying this portrayal of the character, particularly if the direction we're going in is toward a some growth and maturing. The villains were spot-on (bonus points for Luthor's reference to the brown tree snake and the cane toad!). I liked Clark's interaction with his landlady, who seems like a good supporting character, and I liked his vibe with Jimmy Olsen. There was also a fun scene where some bystanders came to Superman's aid against the military.
The ending sequence was visually pretty cool, but I was a bit lost on the logic behind the scene, which involved a bomb on a train for no reason that I could figure out. It looked like this was a case of trying to fit too much material into a limited number of pages. Something had to get rushed. The ending cliffhanger was still pretty effective, with an great visual.
Rating: 7/10
Labels:
action comics,
alex sinclair,
brad anderson,
dc comics,
grant morrison,
jim lee,
matt idelson,
patrick brosseau,
rags morales,
rick bryant,
scott williams,
superman,
the new 52,
wil moss
Sunday, September 4, 2011
Justice League #1
Issue: 1
Date: October 2011
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Patrick Brosseau
Editor: Eddie Berganza, Rex Ogle
Cover: Jim Lee, Alex Sinclair, Scott Williams
And we're off! Here's the first of the "New 52" from DC. Justice League is taking a bit of a slow build, and a "Year One" type story that is set five years before the "present" in the new DC continuity.
Only three actual members appear in this issue (in costume, anyway), and Superman only shows up in the last couple of pages.
Up to then, it's essentially Brave & The Bold: Batman & Green Lantern. Except that Hal Jordan has somehow become an idiot in the new continuity. Don't they have Guy Gardner for that?
So the Batman is chasing a demonic-looking creature over the Gotham rooftops while an unsympathetic (but still horribly ineffective) GPD shoots first and asks questions later. Just as the demon/alien/whatever (I think he's one of Darkseid's actually, so I guess he qualifies as all three) is getting the upper hand, Hal Jordan shows up and has everything under control. No, really. He's got this. No problem. He's got the most powerful weapon in the universe, after all.
The Batman is all like "What? You mean this?" and swipes Hal's power ring like he's taking candy from a baby. Admittedly, this was a horribly contrived cheap shot, and I'd be up in arms if I was a raving GL fanboy. However, 1) I'm not a Green Lantern fanboy (in the words of Kurt Angle, "Green Lantern? Aquaman talks to fish and even he's cooler than Green Lantern!") and 2) As mentioned, this version of Hal Jordan is behaving like an egotistical idiot. So it was mildly amusing.
For no real logical reason, once the Batman and Green Lantern put their differences aside, they decide to go to Metropolis, because the creature they were fighting was an alien and they've heard that Superman might be an alien too, so clearly there must be a connection. This is a stretch even in the "Year One" context.
They show up and Hal decides that acting like a moron around the Batman wasn't enough. So he goes and ticks off Superman. You know how the song goes. You don't tug on Superman's cape and you don't spit in the wind. The result is about what you'd expect. Hey, come to think of it, if Superman had been dressed in yellow, Hal Jordan would probably be dead at the end of this book! Fortunately, they didn't go THAT extreme on Superman's costume changes.
Next issue promises Batman vs. Superman. I'm hoping the Batman pulls the "I've attached a bomb to a person somewhere and it will explode and kill that person if you touch me" trick. That one was pretty awesome the last time they rebooted Superman.
As for this issue, several pages of Jim Lee's art are pretty awesome: The first power-ring construct, a football scene involving Vic Stone, and the first splash page appearance of Superman are impressive.
Not much else in this book is.
Rating: 4.5/10
Sunday, July 24, 2011
DC Comics: The New 52 #1

Date: 2011
Publisher: DC Comics
Writer: Geoff Johns
Penciler: Jim Lee
Inker: Scott Williams
Colorist: Alex Sinclair
Editor: Jim Lee, Dan DiDio
If you're following mainstream comics at all, then you're probably aware of the DC comics relaunch that's coming in a few weeks. This is a preview book covering the complete revamping of the DC Universe, with every ongoing comic being restarted with a new issue #1 (even longterm legacy books like Action Comics and Detective Comics, both of which were closing in on #1000 in the next few years).
This book is a freebie, and it contains two basic components. The first is five pages of the new Justice League #1 by Geoff Johns and Jim Lee. To make matters slightly more confusing, the sample scene takes place in a five-year flashback to "a time when the world didn't know what a super-hero was". So you've got the Batman doing his typical Batman thing, chasing down some generic villain/monster across the rooftops of Gotham with the GCPD (who are apparently still incompetent; I guess some things just never change). Green Lantern shows up dispatches the bad guy with a firetruck construct before going all fangirlish for the Batman, who apparently has better things to do than to sign an autograph for Hal Jordan.
Jim Lee's art is gorgeous. The writing was simply dull. We've seen this kind of "Year One" stuff a million times, and nothing about this was fresh, new, or even all that interesting.
The rest of the book is just a big ad for all 52 of the new series that will constitute the new version of the DC Universe, at least until the next Crisis, which if they are true to schedule should occur sometime in mid-2013.
As a bonus for putting up with my cynicism, here are my (brief) thoughts on every book in the New 52:
Justice League: Good solid lineup (Aquaman, Wonder Woman, Flash, The Batman, Superman, Green Lantern; although my understanding is that they'll be including a bunch of second-stringers as cannon fodder). Jim Lee's art should be great for this. Stories will probably be fairly generic.
Justice League International: August General in Iron? Really? Really? Fire and Ice are usually cute and entertaining. So is Rocket Red for that matter. Guy Gardner is good for comic relief. So is Booster Gold. Actually just about everyone on this team is good for comic relief. Oh, and the Batman (who is not usually good for comic relief, except when paired with pretty much anyone on this team) is on here too, just in case August General in Iron fails to sell books.
Aquaman: Apparently they have a new race of creatures called (oddly) The Trench. They claim The Trench will be the most talked-about new characters in the DC Universe. From the glimpse we get in this book I'm expecting that HP Lovecraft fans will do lots of talking about how The Trench are a ripoff of Lovecraft's Deep Ones. Oh, and Aquaman in the book too. Hopefully he will do some talking to fish.
Wonder Woman: So, she's carrying a bloody sword in the sample art. I'm guessing she has not reverted back to the pacifist version from the George Perez run. Which is too bad. Angry warrior Wonder Woman is tedious.
The Flash: Barry Allen! The preview of this book was pretty generic, but the DC Universe went without Barry Allen for so long that the character is actually pretty fresh at this point. And since Flashpoint is what got us into this whole mess, I would expect this to be a pretty important book.
The Fury of Firestorm: They seem to be going with the shared body thing here, and the two inhabitants can't stand each other. This is the superhero version of one of those movies where two prisoners escape from jail but are handcuffed to each other.
Green Arrow: "Now armed with cutting-edge weaponry and illegally gained intel". Which means the trick arrows are back. Is the boxing-glove arrow considered cutting edge? I love Ollie, and he's been a character who is consistently well written in spite of the idiocy around him, but this looks pretty generic.
The Savage Hawkman: As opposed to the civilized one? Hawkman never did much for me. I expect that trend to continue.
DC Universe Presents: This could be a really great platform for new talent and obscure characters. Or it could be a dumping ground for crap (see Action Comics Weekly). The initial arc features Deadman, so there is some potential at least.
Mister Terrific: Iron-Man ripoff.
Action Comics: I'm a bit of a traditionalist, so I cringe to see this being renumbered. On the other hand, I understand that DC felt that it wouldn't be a clean break if they didn't renumber the big-number books. They claim this is a very different take on Superman, and the sample artwork shows the police shooting at him, so I'm guessing they'll be going for more of a vigilante feel (which would indeed be different, although not that great a fit for the Man of Steel). I wonder if he's still an American citizen.
Superman: The preview of this book focuses more on the Clark Kent identity, which gets a major reboot. In particular, we're going back to bachelorhood for Clark. Oh, and there's a monstrous threat to Metropolis and Superman just might be the cause of it! How very Silver Age of them.
Supergirl: All the powers of Superman, but with teenaged angst. You know, Alan Moore did this. It was called Kid Miracleman, and let me assure you, it did not end well for humanity. This looks like it has the potential to be a disaster more in the bad writing category.
Superboy: This would be a part-human, part-kryptonian clone. Can he develop a conscience? Or a regular readership?
Batman: This is Bruce Wayne as the Batman, to nobody's surprise. The preview promises that the Batman learns that Gotham City is deadlier than he knew. Really? Has he been paying attention lately? Gotham is pretty deadly.
Detective Comics: Preview art (which looks great) features the Joker, although the text says the the Batman is up against a new villain with the rather creative name of The Gotham Ripper.
Batwoman: Kate Kane is one of those characters that I love the concept of, but have not actually read all that much of. So she may be getting a sidekick here (her cousin Bette Kane is third-rate heroine Firebird, apparently). Notably absent from the writeup, any mention of Kate's ex-lover Renee Montoya.
Batman: The Dark Knight: This book apparently will contain follow-up from the Batman Incorporated storyline, corporate intrigue involving Waynecorp, and the Batman fighting through a gauntlet of villains at Arkham Asylum. Nothing really new here, but at least it sounds like it's packed with good Batman lore and loaded with action.
Batman And Robin: The big mystery here is how annoying will Damien Wayne need to get before the Batman smacks him. The new villain is named NoBody, which should at least make for some funny (and Homeric!) dialogue.
Batwing: The Batman of Africa. This actually looks really cool. It will probably be canceled around issue 5.
Batgirl: Wow. Where to begin? This is definitely the most controversial book in the new lineup, and I honestly don't know where I stand in the debate over whether it's the right move to "cure" Barbara Gordon. I will say that I agree with those who have said that Oracle was an absolutely awesome character, and was better written than anything done with Batgirl before that. They've got Gail Simone writing this, so they've got a shot at making it work. I'm really hoping that they get this right somehow.
Nightwing: This is a character that works well, and is usually pretty well written. The opening story involves the return of Haley's Circus to Gotham, so it should be an entertaining nod to the past, and an emotional adventure for Dick Grayson. This one definitely has potential.
Catwoman: "This is a tough, sexy, violent, over-the-top book." - writer Judd Winick. You know, I'm pretty okay with that description for a Catwoman book (less than thrilled to see that the same could probably be said about the new Wonder Woman book, and really about all the books involving female characters).
Birds of Prey: This is going to be the Dinah Lance show, which is good, because she's been great in Birds of Prey. No idea who the heck Starling is, and the rest of the team in the sample art looks silly (Katana? Really? And is that Poison Ivy?).
Red Hood And The Outlaws: What the HECK is Starfire doing in this book? That makes no sense at all.
Green Lantern: Sinestro as Green Lantern. I'm intrigued.
Green Lantern Corps: Looks like we've got Jon Stewart, Killawog, and Guy Gardner, along with a couple of other Lanterns whose names I should know but don't. I'm also pretty sure several of them were dead in the previous continuity. The Corps never did much for me, but I know some people love this stuff. I could never get too far past the can't-affect-yellow foolishness.
Green Lantern: New Guardians: Completely new concept for the team. This is a sort of power-ring rainbow group. We get almost no preview art, but the text assures us that this is the "most powerful team in the universe". Apparently, they also don't get along all that well. Just once I'd love to see someone come up with a team book of guys/gals with mediocre powers, but who get along and work together really well. They'd probably trounce every super-team in the DCU.
Red Lanterns: They're just like the Green Lanterns, but more violent. Yeah, that's exactly what comics needed. Moving on.
Justice League Dark: Okay, I'm not usually into "dark" as much as some folks, but how can you not love a team that consists of Shade: The Changing Man, Madame Xanadu, Deadman, Zatanna, and John f'n Constantine?!? Add in the fact that the original Vertigo Shade: The Changing Man writer Peter Milligan is on board and you've got the first book in this lineup that I'm really excited about.
Swamp Thing: Good to see the Swamp Thing back in the DC Universe. Loads of potential here, but not much revealed in the description.
Animal Man: I really like the fact that they seem to be carrying on the themes of the Vertigo series in this book. Could be really good.
Frankenstein: Agent of S.H.A.D.E.: Okay, first of all everyone knows that the monster is NOT named Frankenstein. Has DC not been paying attention? Oh, and S.H.A.D.E. stands for Super Human Advanced Defense Executive.
I, Vampire: Where's Buffy when you need her?
Resurrection Man: Gets reborn with new powers every time he dies. Hey, this sounds like, well, pretty much the entire DC Universe over the last 20-30 years. Nobody stays dead and they're constantly getting repackaged.
Demon Knights: Set during the Middle Ages, Jason Blood/Etrigan get all medieval. No word on whether Etrigan's dialogue will rhyme. I pretty much require rhyming dialogue if I'm going to read an Etrigan book.
Stormwatch: The super-secret Stormwatch team (which sounds like the weather unit on the Channel 5 news) is on a mission to recover the [Information Redacted]. No, really. It actually says that in the writeup. The team includes Martian Manhunter and a bunch of guys I've never heard of.
Voodoo: "Learn the truth about Priscilla Kitaen as she leaves a trail of violence across America." Ooh, a trail of violence across America! What a new and refreshing idea! Oh, and her costume looks like Elektra's except that she's got a scaly dragon-claw hand. This looks awful.
Grifter: Okay, so this guy is apparently the biggest sweet talker of all time. Why does he need the guns, then?
Suicide Squad: Harley Quinn's new costume is basically a wonderful summation of everything that is wrong with the treatment of female characters in comics. Anyway, as much as I like Deadshot, if there's no Amanda Waller (one of the few female characters that DC has ever really gotten right), then I'm not buying.
Deathstroke: Because they just can't call a guy "The Terminator" anymore. Looks like pretty generic anti-hero stuff. This guy really doesn't work for me as the star of his own book.
Teen Titans: Tim Drake is a great character, and Tim as new team leader is a pretty awesome concept. The rest of the team sounds at least entertaining, and it's a pretty classic lineup with Superboy, Wonder Girl, and Kid Flash. Titans has never been my thing (again, I know it's a book that a lot of people love; I'll be making this disclaimer again when we get to the Legion), but this does look like it could be good.
Static Shock: Static moves to NYC all the way from the Dakota Universe (remember that?). They seem to be going for a Spider-Man vibe here. Could have potential.
Hawk And Dove: They're up against someone who is out to plunge the USA into a new civil war. What? Does this mean they're fighting Fox News? Actually that would be kinda cool. The actual book does not look kinda cool. It looks kinda dull.
Blue Beetle: This is basically DC saying "No, you ARE going to like our new version of Blue Beetle. Really." Sorry, still not buying.
All-Star Western: Okay, I love the idea of a 19th Century Gotham City with Amadeus Arkham and Jonah Hex. But since when is Gotham City in the WEST? I always thought it was in New Jersey!
O.M.A.C.: Wait, the Brother Eye Satellite is STILL in orbit after all those various Crises? Really? Checkmate is in this one, in case you were lamenting the loss of Checkmate from the DCU. Oh, and O.M.A.C. now stands for One MACHINE Army Corps. Even an acronym enthusiast like me is having a hard time caring.
Blackhawks: Tom Clancy style vibe here. This could actually be pretty cool.
Men of War: Easy Company are now ex-military men turned contractors. Mercenaries, in other words. I don't mean to sound like a Republican here, but what is the problem with doing a book about the actual US Military? You know, REAL heroes? The Sgt. Rock I grew up with wouldn't work for Blackwater.
Legion Lost: Seven heroes from the future come back to warn all the mutants that the Sentinels are going to take over and... Oh, wait. Sorry, wrong time travel plot. Anyway, this is Legion of Superheroes people stuck in the present. I wonder what the present-day superheroes will think of all the goofy -lad and -lass names? And will any of them become their own ancestors?
And finally... Number fifty-two...
Legion of Super-Heroes: The Legion has been decimated (somehow, I get the impression that DC is not using the technically correct definition of that term; no one ever seems to get that right). The students at the Legion Academy must rise to the challenge of helping the team rebuild while the usual generic cosmic threat looms. I know that a lot of people are really dedicated Legion fans. I've never been that into it, although I am curious to see if they're keeping the goofy names.
Wow. That is a lot of comics. Justice League #1 arrives August 31 and the rest of the books come out in September.
This preview book had lots of nice art samples, but a lot of the descriptions lacked specific information that might be helpful. Still, it's a pretty good overview for readers considering jumping on board the new DCU, and there's a handy checklist on the back cover.
Rating: 6/10
Thursday, March 17, 2011
Tenjho Tenge Free Preview

Date: 2005
Publisher: CMX (DC Comics)
Writer: Oh! great
Penciler: Oh! great
Inker: Oh! great
Editorial Director: Jim Lee
Preview of CMX's reprint of the 1997 Shueisha manga by Oh! great. A bit of research on Wikipedia reveals that there was a big kerfluffle over the content editing that was done by DC to make this title acceptable for US bookstore distribution.
This preview minicomic doesn't feature any adult content, and there's not a whole lot of plot here either. Apparently the setting is a high school where "education takes a back seat to brawling as warring clubs wreak havoc in the hallways and chaos in the classrooms, all vying to be the baddest team around". All of which makes it sound a lot like the school I worked at before my current day job.
So apparently, there's one group of students, the Juken club, who are attempting to stem this tide of violence... By beating people up, of course.
Like many manga, this one does look like it has the potential to rise above its goofy premise. First of all, the artwork by Oh! great is, well, great. The introduction of the character Aya, a katana-wielding schoolgirl, is absolutely gorgeous, and does a great job of conveying the love-at-first-sight moment that takes place when Aya first appears. The character interactions also look like they have potential, and the preview hints at some complex relationships, romantic and otherwise.
There really isn't enough story in this mini to get a good sense of the manga, but it is certainly a pretty book, and there are some flashes of brilliance in the dialogue.
Rating: 6.5/10
Subscribe to:
Posts (Atom)