The Question #8

 From the Random Box of Unread Comics.

Title: The Question
Issue: 8
Date: September, 1987
Publisher: DC Comics
Writer: Dennis O'Neil
Artist: Denys Cowan, Rick Magyar
Colorist: Tatjana Wood
Letterer: Gaspar
Editor: Mike Gold

A deranged Gilbert & Sullivan fan named Mister Mikado is going around mutilating people in revenge for abusive acts they committed toward others, reciting a verse about making the punishment fit the crime before carrying out the nasty bit of revenge.

And they are nasty. The deaths/maimings reminded me a bit of the film Se7en (actually released 8 years after this book).

Vic Sage does a bit of detective/vigilante work to track down Mister Mikado, which is fairly standard fare. The confrontation between them is a lot more interesting, resulting in a verbal showdown about the nature of good and evil, and whether those who have done wrong can be redeemed.

This was a self-contained story (although it did advance some ongoing subplots in the background), and it serves as a pretty good introduction to what makes the Question's seeking of truth different from, for example, the Batman's quest for justice.

Ending was clever and very open-to-interpretation. As always, the Question has one of the best letter columns of its time, and I always enjoy getting Dennis O'Neil's recommended reading suggestion at the end (in this case, a fitting tie-in with the theme of the story: Dostoevsky's Crime and Punishment).

Rating: 8/10

Detective Comics #575

Kiddo picked this one out for me to read today. This is probably the most valuable (not that that is saying much) and most historically important book in the stack of random unread comics. I think it's the oldest as well.

Title: Detective Comics
Issue: 575
Date: June, 1987
Publisher: DC Comics
Writer: Mike W. Barr
Penciler: Alan Davis
Inker: Paul Neary
Colorist: Adrienne Roy
Letterer: Richard Starkings
Editor: Denny O'Neil

This is the first installment of the Batman Year 2 storyline, which followed up on the historical reimagining of the Batman's origin in Batman Year 1.

With James Gordon now Commissioner of Police in Gotham, the Batman has the official sanction of the police department, and the newly-installed Bat Signal shines from the roof of police headquarters.

But the Batman was not the first vigilante to stalk Gotham's streets, and it appears that after a twenty-year hiatus, the Reaper has returned to Gotham, handing out death to any criminals who have the misfortune to encounter him.

And when the still-inexperienced Batman confronts the Reaper, he barely survives the encounter.

Now, the Batman is forced to consider how far he is willing to go in escalating the violence of his own campaign against crime.

The Reaper is a great villain, older and more skilled than the young Bruce Wayne of this series, and completely ruthless in his crusade against crime.

Wayne's thoughts of using a gun do seem a bit silly, as it seems unlikely that a pistol is going to make that much of a difference against the Reaper, but the gun, of course, is really just symbolic. And it does make for an awesome image on the cover.

Jim Gordon and Doctor Leslie Tompkins are solid in their supporting roles here, and the newly-introduced Rachel Caspian is an intriguing addition to the story.

This doesn't have the initial kind of impact that Batman Year 1 did, but it's still a very good Batman story.

Rating: 7/10

Batman #570

Last summer, I packed some comics from a box in my storage unit that was labeled as "unread". I have a bad habit of buying comics at a faster rate than I read them, so I've got a fair amount of random comics in those unread comics boxes. I was in a hurry, so the comics I ended up taking with me to Saigon from that box really were pretty random and scattered. Within those, the biggest grouping was a run of Batman from 1998's Cataclysm and Aftershock storylines, and a couple from the epic that followed up on those, No Man's Land. This issue is the last of that batch. These have been enough fun that I may seek out some more from these crossovers when I get back to the US in June.

Title: Batman
Issue: 570
Date: October, 1999
Publisher: DC Comics
Writer: Bronwyn Carlton
Penciler: Mike Deodato
Inker: David Roach
Colorist: Pam Rambo
Letterer: John Costanza
Editor: Frank Berrios, Joseph Illidge, Dennis O'Neil

This takes place during the massive No Man's Land crossover, in which a disaster-stricken Gotham has been abandoned by the US government and left is a state of anarchy (as opposed to Anarky, who was at least mentioned in one of the Cataclysm issues that preceded this; so he'll probably show up sooner or later).

Cataclysm and Aftershock, at least in the issues that I've looked at so far, stayed away from using the heavy-hitters among the Batman's rogues gallery. Not the case here, as Joker and Harley Quinn are front-and-center, in a story where the Batman only appears in one panel. It's really Harley who's the star here. While looting the upper floors of a luxury apartment tower, she finds a self-help book called "The Code: Laws of L'Amour That Will Make Your Man Marry You". The book is subversively feminist and Harley's hands she begins to make changes in the whole dynamic of her relationship with her "Puddin".

The Joker, meanwhile, waffles between puzzlement and obliviousness as he trains a new henchman, a young intellectual named Josh, and makes plans to hold an election for leadership of Gotham, with himself as the lead candidate.

All of this is set against the block-by-block territorial battles raging in the No Man's Land, with various factions vying for control of scarce resources.

This was some fun character development for Harley Quinn, and a nice setup for coming conflicts between her and Mr. J.

Rating: 7/10

Batman #560

Back to Batman, and we're on the Road to No Man's Land.

Title: Batman
Issue: 560
Date: December, 1998
Publisher: DC Comics
Writer: Chuck DixonArtist: Jim Aparo, David Roach
Colorist: Lee Loughridge
Letterer: Todd Klein
Editor: Jordan B. Gorfinkel, Dennis O'Neil
Cover: Rodolfo Damaggio, Patrick Martin

With Aftershock finshed, this issue is part of the transition into the next giant crossover, No Man's Land.

Bruce Wayne heads to Washington DC amid a growing political movement aimed at cutting off relief funds for Gotham. He's up against better lobbying, a media feeding frenzy, and overwhelming poll numbers.

At the center of the movement to cut Gotham off is political shock jock and TV personality Nick Scratch. He's a fun new villain, with a private army of masked thugs, but also a raving fanbase at his disposal.

In light of current politics, Nick Scratch and the Road to No Man's Land felt less like poltical satire and more like political reality.

Bruce Wayne getting set to do battle in the political arena was a nice change of pace, and an interesting set of new challenges.

Dennis O'Neil's editorial in this issue also gives a nice behind-the-scenes look at the genesis of No Man's Land.

Rating: 7/10

Batman #559

Down to the last few of this run of Batman I brought from my unread comics box in the US.

Title: Batman
Issue: 559
Date: October, 1998
Publisher: DC Comics
Writer: Doug Moench
Penciller: Bob Hall
Inker: Sal Buscema
Colorist: Gregory Wright
Letterer: Todd Klein
Editor: Jordan B. Gorfinkel, Dennis O'Neil
Cover: Rodolfo Damaggio, Patrick Martin

This is the last "Aftershock" issue in the Batman title, but not the conclusion of the crossover. And besides, Aftershock was really just a chapter in the bigger saga that will be No Man's Land, starting next issue.

With a mass exodus of refugees underway, the GCPD is hard pressed to maintain any kind of order. Bullock and Montoya find themselves defending Mercy Hospital from a siege by desperate gang members seeking drugs. Batman and Robin come to their aid, but the city continues to crumble.

Bullock totally steals the show here, even getting a (awesome) romantic subplot! There are some great characters introduced for this issue as well, and even the generic thug villain gets enough personality to make him, well, slightly less generic.

The writing is really tight, with good attention to detail, and an excellent shock at the end.

Rating: 7.5/10

Batman #558

Back to Batman and Aftershock!

Title: Batman
Issue: 558
Date: September, 1998
Publisher: DC Comics
Writer: Doug Moench
Penciller: Jim Aparo
Inker: Sal Buscema
Colorist: Gregory Wright
Letterer: Todd Klein
Editor: Jordan B. Gorfinkel, Dennis O'Neil
Cover: Rodolfo Damaggio, Patrick Martin

Continuing with the Aftershock storyline, this issue serves two purposes. It functions as a big infodump on the current state of affairs of Gotham City, by way of a radio address given by DJ (and current romantic interest of Bruce Wayne) Vesper Fairchild. It also shows an emotionally fragile side of Bruce Wayne as he grapples with despair at the sight of his city seemingly dying around him, and destruction of a scale that he is ill-prepared to handle.

Given those purposes, this issue handled them remarkably well. Vesper's narration added a human side to the department-by-department recap of all of the challenges facing Gotham. Alfred, along with some flashbacks to the funeral of Bruce Wayne's parents, provide the sounding board for Bruce Wayne's current emotional crisis.

That emotional crisis did feel a bit like it came out of the blue, given last issue's fairly standard team-up story with Ballistic (reviewed here), but I must remind myself that this crossover storyline does not progress in order of individual issues of any one series, so hopefully it was set up better in some of the other Bat-titles.

There's very little in the way of action here. The Batman takes on a couple of looters in a token fight scene. But I found the discussion of the aftermath of the Gotham Earthquake, and its effects on the city, to be quite engaging.

Rating: 7/10

Batman #557

Continuing to make my way through the Batman issues of Aftershock.

Title: Batman
Issue: 557
Date: August, 1998
Publisher: DC Comics
Writer: Doug MoenchArtist: Vince Giarrano, Sal Buscema
Colorist: Gregory Wright
Letterer: Todd Klein
Editor: Jordan B. Gorfinkel, Dennis O'Neil

Ballistic looks like he walked straight out of the pages of one of those 1990s Image Comics superhero team books. He's even got the wardrobe made entirely out of belts and pouches. So many pouches!

He's being hired to go retrieve an evidence bag buried in the ruins of Gotham. Except the guys who hired him haven't done their homework. Ballistic is former GCPD (before somehow obtaining a fairly generic package of superpowers: enhanced strength, endurance, senses, invulnerability, what have you). He may not look it, but he's a good guy, and he's going to take the job, but he's also going to make sure justice is served.

Which does not sit well with the mysterious suits who hired him. In a sudden case of buyer's remorse, they try shooting him, which works about as well as it usually does on invulnerable-types. Plan B, then, is to arrange for a bunch of generic thugs to ambush ballistic in Gotham, begging the question of if the bad guys had this many thugs already in Gotham, why not use them to retrieve the bag?

It does get better once the inevitable encounter between Ballistic and the Batman occurs. They actually manage to break a lot of the hero-meets-hero clichés, and their interaction is made more interesting by the fact that Ballistic has encountered the Jean-Paul Valley version of Batman and is a bit thrown off by the reactions when, unknown to him, it's Bruce Wayne under the cowl.

The revelation of what was in the bag proves uninteresting, but I did find Ballistic's personality and his interaction with the Batman to be interesting.

Rating: 5.5/10

 

Batman #556

More from the 1990s Batman issues in the random unread comic pile.

Title: Batman
Issue: 556
Date: July, 1998
Publisher: DC Comics
Writer: Doug Moench
Penciller: Norm Breyfogle
Inker: Joe Rubinstein
Colorist: Gregory Wright
Letterer: Todd Klein
Editor: Jordan B. Gorfinkel, Dennis O'Neil

On the surface, this is an issue in which not much happens. The repair plans continue at Wayne Manor. The Batman makes short work of some bank robbers who tried to loot a bank in the aftermath of the Gotham earthquake. He goes on to rescue a man who refused to leave his structurally-unsound apartment building.

But this issue is a nice pause to assess the implications of the earthquake plot, and there is a lot of good dialogue throughout, all setting up future plot developments. The final scene between Bruce Wayne and current girlfriend Vesper is particularly well done.

This is the type of issue that helps make a large ongoing story better by giving the story a bit of breathing space.

Rating: 6.5/10

Batman #555

Continuing with the short run of 1990s Batman from my unread comics stack.

Title: Batman
Issue: 555
Date: June, 1998
Publisher: DC Comics
Writer: Doug Moench
Penciller: John Beatty
Inker: Sal Buscema
Colorist: Gregory Wright
Letterer: Todd Klein
Editor: Jordan B. Gorfinkel, Dennis O'Neil
Cover: Kelly Jones, Patrick Martin

We're now into "Aftershock", which continues so directly from "Cataclysm" that one wonders why it needed its own title at all. Gotham is in ruins from the earthquake, and Batman and Robin are attempting to rescue a group of commuters trapped in a subway car in a collapsed tunnel.

Enter... The Ratcatcher. Yeah, not exactly top-tier opposition. And unfortunately, because Ratcatcher is pretty third-string in the Rogues Gallery, the writer felt it necessary to reintroduce him to the reader by means of a clunky infodump in the form of a soliloquy given to an audience of (you guessed it) rats.

In fact, Ratcatcher talks a lot in this story, and he doesn't actually say all that much when he does.

What does work well here is that the story makes very good use of the dangers of the collapsed tunnel, with a bunch of clever threats and twists to complicate the rescue.

And it's nice to see the Batman finally get Ratcatcher to shut up.

Rating: 5/10

Batman #554

Continuing with the run of Batman that I brought here as part of my random stack of comics to read.

Title: Batman
Issue: 554
Date: May, 1998
Publisher: DC Comics
Writer: Doug Moench
Penciller: Klaus Janson
Inker: Sal Buscema
Colorist: Gregory Wright
Letterer: Todd Klein
Editor: Jordan B. Gorfinkel, Dennis O'Neil
Cover: Mark Buckingham, Kevin Nowlan, Patrick Martin

This directly follows issue #553, which I reviewed here, but it really doesn't because we are in full-on crossover mode. so this is Part 12 of Catacysm. This is inconvenient because I only have the Batman title to work with here, so I'm missing a lot of plot.

This issue introduces the Quakemaster, a mysterious villain who is claiming responsibility for the massive earthquake that hit Gotham, and threating to unleash more earthquakes if he is not paid one MILLION dollars! (Okay, actually, he asks for 100 million).

The Batman is trying to figure out if the Quakemaster's claim is for real, which seems unlikely until you remember that this IS the DC Comics Universe, and so things like people being able to cause earthquakes have a somewhat higher level of plausibility.

There is also the issue of a missing seismologist. Is she a victim of the Quakemaster or an accomplice?

This was a very detective-work oriented issue, with the action kept to a minimum. Bruce Wayne in detective mode is always fun, and there were some good contributions from Harvey Bullock and Renee Montoya as well.

Not a really eventful issue, but effective at moving the story along.

Rating: 6.5/10

Batman #553

Among the stack of random comics I brought from my storage unit in the US was a small set of Batman from the Cataclysm/No Man's Land mega storyline of the 1990s. It's far from a complete set, but here is the earliest issue in storyline order that I have. It's part 3 of Cataclysm.

Title: Batman
Issue: 553
Date: April, 1998
Publisher: DC Comics
Writer: Doug Moench
Penciller: Klaus Janson
Inker: Sal Buscema
Colorist: Gregory Wright
Letterer: Todd Klein
Editor: Jordan B. Gorfinkel, Dennis O'Neil
Cover: Mark Buckingham, Kevin Nowlan, Patrick Martin

Cataclysm Part 3. Gotham City is hit with a 7.6 earthquake, and this issue begins at the moment the quake strikes.

We see Lucius Fox at the Waynecorp Building (conveniently constructed to withstand an 8.5... unlike pretty much every other building in Gotham), and then a clever bit where Commissioner Gordon is nearly killed by the bat-signal falling through the roof.

The story then shifts focus to two parallel plots: Bruce Wayne and Alfred trying to escape from what's left of the Batcave and (stately) Wayne Manor, and Barbara Gordon taking charge of disaster relieve coordination from GCPD HQ.

Putting aside for a moment the question of where she gets the authority to do that, Barbara is her usual awesome self here, and Sergeant Bullock also gets in some good scenes.

This epic took place at a time when the Batman supporting cast was really top-notch and it was great seeing plots that had huge long-term implications for Gotham and the Batman characters. Too often, editorial direction is timid about such changes. They really went all-out when it came to wrecking Gotham is a plot that went on to span several years.

This was a nice change from the usual Batman plots, and it makes great use of all of the familiar disaster movie tropes.

Rating: 8/10

DC Retroactive: Wonder Woman - The 70s

A new issue (well, half new and half reprint). I picked this one up today at New England Comics in New Bedford.

Title: DC Retroactive: Wonder Woman - The 70s
Date: 2011
Publisher: DC Comics
Writer: Dennis O'Neil
Penciler: J. Bone, Dick Giordano
Inker: J. Bone, Dick Giordano
Colorist: Kevin Golden, Matthew Petz, Carrie Strachan
Editor: Chynna Clugston Flores, Kwanza Johnson

It says something about the state of DC comics these days when the best Wonder Woman comic I've read in the last few years 1) Is a 1970s retro one-shot, 2) Is 50% reprinted material, and 3) Features Wonder Woman in her non-powered "White Costume" incarnation. Ouch.

First up, Paradise Island has sunk beneath the waves. It's temporarily protected by a domed force field, but a giant blade (no, really!) hangs over the dome, inching closer and threatening to let in the sea and drown the Amazons. Wonder Woman is forced to undergo three ordeals as punishment for the sin of "making yourself less than you are" if she is to save her homeland. This was a really odd story that featured sudden near-surreal plot twists, some really fun fight scenes, a great job on the characterization of Diana (in more of a pacifist mode than you see her in these days). It also had an very ambiguous ending that I really liked. The story seemed to be perfectly set up for a resolution to be handed to the reader on a silver platter, and when that didn't end up happening it was a pretty clever twist.

The second story is a reprint from the 1970s, but also written by Dennis O'Neil. This is the classic Wonder Woman vs. Catwoman battle. Diana is in non-powered mode here, so it's a pretty even fight, although it doesn't come to any conclusive finish. The overall plot involves a Tibetan cult and a hypnotic gem. Also featured here is Diana's sensei from this time period, I-Ching (no, really, that was the dude's name).

This wasn't perfect. There was some goofiness to it, which was fine because that was the flavor they were going for, but there was also a lot left unresolved. In the first story (the new story written for this book) that was also part of the point. The second story ends on a cliffhanger because that was the nature of the issue they chose to reprint. I guess they figured that having the Catwoman guest spot was worth the trouble of using a story that didn't quite end.

Still, in spite of some of it being silly, I really liked this portrayal of Wonder Woman. I got some new appreciation for the non-powered version of the character, and I was impressed with the logic and the flow of the fight scenes, even in the reprinted portion.

Maybe when DC does their relaunch of Wonder Woman (and everything else; see my review here), they should go for "Groovy Amazon Adventures" with the occasional judo chop. It couldn't be worse than what they've been doing with the character in the last few years (don't get me started on breaking Max Lord's neck, Amazons Attack, Genocide, and other such idiocy; that is a rather long rant best saved for another day).

But yeah, judo chops. I can dig that.

Rating: 7.5/10

Batman: Gotham Knights #6

Title: Batman: Gotham Knights
Issue: #6
Date: August 2000
Publisher: DC Comics
Writer: Devin Grayson, Walter Simonson
Penciler: Paul Ryan, John Paul Leon
Inker: John Floyd, John Paul Leon
Colorist: Jean Segarra
Letterer: Bill Oakley
Editor: Dennis O'Neil, Mark Chiarello

Bruce Wayne learns the details of a city councilman's misdeeds during the Gotham Earthquake and the various catastrophes that followed. The evidence needed to put the corrupt politician behind bars is buried under rubble in a bank vault, and the Batman turns to Barbara Gordon for help in locating the vault. But it turns out that Oracle has a secret of her own hidden in that same vault. This story engages in a fair amount of retcon, but if you can get past that, the interplay between Bruce Wayne, Barbara Gordon, and Jim Gordon is excellent. It's also nice to see a Batman story where the mayhem really takes a back seat to the character interaction really. It helps that Barbara Gordon has become one of the best characters in the DC Universe, and that she's got the Batman to play off of. Penguin is also handled well here, as are the rest of the supporting characters.

This issue also features an excellent "Batman: Black & White" backup story, told almost entirely from the point of view of the Riddler as he searches the Mad Hatter's (booby-trapped, of course) mansion on a quest for the answer to one of literature's great riddles, a conundrum scribed by Lewis Carroll himself.

Two excellent stories in one issue make this one of the best single issues of an ongoing Batman series I've read in a while.

Rating: 8.5/10