Avengers: Age of Ultron Prelude

The Kiddo bought this at am imports bookstore in Pudong, Shanghai.

Title: Avengers: Age of Ultron Prelude
Publisher: Marvel Comics
Date: 2015
Writer: Zak Penn, Joss Whedon, Will Corona Pilgrim, Roy Thomas, Kurt Busiek, George Perez, Brian Michael Bendis
Artist: Joe Bennett, Agustin Padilla, Marcio Loerzer Bennett, Wellinton Alves, Manny Clark, John Buscema, George Klein, George Perez, Al Vey, Bryan Hitch, Paul Neary
Colorist: Jay David Ramos, Tom Smith, Paul Mounts
Letterer: VC's Clayton Cowles, Sam Rosen, RS & Comicraft, VC's Cory Petit
Editor: Jennifer Grunwald, Sarah Brunstad, Stan Lee, Tom Brevoort, Lauren Sankovitch

This is essentially a promotional book, released to hype the second Avengers film. It contains a comic adaptation containing most of the plot of the first Avengers movie, plus adaptations end-credit scenes and DVD extras to bridge the gap leading up to Age of Ultron. The film adaptations take up about the first fourth of this graphic novel.


The remainder is reprints of classic Avengers stories involving Ultron, starting with the original appearance of Ultron and the Vision in 1963, 1998's ultron storyline from Avengers #21-22, and Avengers 12.1 from 2010.

The movie adaptations are a nice summary, but lack the emotional impact of the films, and from the point of view of a reader, they feel more like a recap than a particularly immersive experience. The pacing also feels rushed.


The reprints were fun. I hadn't read any of these stories previously, and there was a lot of good material here. The original Vision story from 1963 is a particularly strong piece of writing by Roy Thomas, and it holds up quite well after over 50 years.


The story from 1998 has Ultron wiping out (and robot-zombifying) the entire population of the fictional nation of Slorenia (not to be confused with Serkovia... or Latveria for that matter), which is one of those excessive bits of extreme violence that get casually thrown into recent comics way too often. The idea is to add emotional impact, but really, it has the opposite effect.

That being said, it improves as the story progresses, and the final scenes, focusing on the often-overlooked Hank Pym, are excellent. George Perez does a great job with the art, including a breathtaking two-page spread involving hundreds of Ultrons.

The last story is a prelude to a new Ultron storyline by Brian Michael Bendis. It focuses on Spider-Woman, who has been captured by a crew of (mostly B-grade) villains, and her rescue by her Avengers teammates. A lot of the story is played for laughs, which clashes somewhat with the doom-and-gloom proclamation that it ends on. In general it felt a bit inconsistent, although it had some amusing individual moments and one-liners.

This book feels like it's unsure of who its target audience is. It's trying to be an introduction to Ultron to movie fans who aren't regular comics readers, but it's also trying to function as a "Ultron's greatest hits" collection for diehard fans. It makes a decent attempt at performing both functions, but it is not exceptionally good at either.

Rating: 6/10

Comics Go Hollywood: Free Comic Book Day Edition

From the random stack of unread comics.

Title: Comics Go Hollywood: Free Comic Book Day Edition
Publisher: TwoMorrows Publishing
Date: 2008
Writer: Mike Manley, Danny Fingeroth, Roy Thomas, John Morrow, Peter Sanderson
Editor: John Morrow, Danny Fingeroth, Robert Greenberger, Jeph Loeb
Cover: Mike Manley


Not actually a comic, this is a magazine printed in standard comic book dimensions as part of Free Comic Book Day 2008. TwoMorrow Publications produces books and magazines on the comic book industry and the history of comics, and this volume is a sample of articles from across their line of publications. The theme here is the intersection between the movie and comics industries.

There is an introduction to storyboarding by Mike Manley, which gives some insights into how he broke into storyboarding for some of the DC animated features.


Next up is an interview with writer Jeph Loeb, focusing mostly on his work on the TV series Heroes. Danny Fingeroth conducts the interview.

A second interview feature sees Roy Thomas interviewing Gerry Conway about the script that they collaborated on in 1984 for an X-Men movie that didn't end up happening. It includes a nice synopsis of the plot, and provides a funk look at what might have been.

John Morrow gives an overview of Jack Kirby's contributions to film and TV, including his work on Thundarr the Barbarian.

Last up is a retrospective on the character of the Joker over the years written by Peter Sanderson.

This was enjoyable reading, and I learned quite a bit that I didn't know. Even the article on the Joker, a topic which has been discussed quite a lot over the years, provided some insights that were new to me. I'm not a fan of either Heroes or the DC animated universe, so I probably missed out on some revelations in the articles concerning those, but they still held my interest. The interview about the old X-Men script suffered a bit from Thomas and Conway not remembering some of the details that might have made the story better, and the Kirby article probably could have been expanded considerable from the couple of pages it got here.

All of the articles had accompanying bits of classic artwork from the respective properties under discussion, but the print quality on the artwork reproduced here varied quite a bit in quality.

Still, this was a good read for anyone with an interest in fandom or comics history, and it did leave me with a good impression of the types of articles I can expect to find from TwoMorrows' books and magazines.

Rating: 7/10