The Stand Volume 6: The Night Has Come

I bought this one here in Shanghai, probably at Boocup, but I didn't make a note when I got it.

Title: The Stand
Issue: Volume 6: The Night Has Come
Publisher: Marvel Comics
Date: 2013
Writer: Stephen King, Roberto Aguirre-Sacasa
Artist: Mike Perkins
Colorist: Laura Martin
Letterer: VC's Joe Sabino
Editor: Nicole Boose
Cover: Tom Coker, Laura Martin

The sixth volume of the trade paperback collections of Marvel's adaptation of The Stand is the final volume, covering the final confrontation between Randal Flagg and the forces of the Free Zone, plus all of the aftermath of that climactic scene.

This was a very strong adaptation that stuck closely to the source. I thought the look of the characters was great, the selection of dialogue worked, and the pacing was excellent. It felt familiar in a good way, an excellent revisit to a favorite story of mine.

I didn't read the previous volumes of the adaptation, but would definitely give them a look on the basis of this one.

Rating: 8/10

Astonishing X-Men #2

From the Random Stack of Unread (actually previously read, but not reviewed) Comics.

Title: Astonishing X-Men
Issue: 2
Publisher: Marvel Comics
Date: August, 2004
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Stephanie Moore, Cory Sedlmeier

My review of the previous issue is here.

The second issue of this series sends the team into action. A villain has taken hostages in a high rise tower, and the X-Men, looking to get back into being superheroes, show up to do battle.

Unfortunately, neither the initial jobber-squash with the X-Man taking out the terrorist minions, nor the main event, with alien villain Ord trouncing the X-Men, is all that interesting. Ord is one of those generic overpowered villains that show up all the time in X-Men books, with no rhyme or reason as to why he's able to pretty much have his way with the team (only to be taken out by *removed for spoilers* in the book's one really fun moment).

As an aside, Emma Frost's ability to change into diamond is ridiculous. I don't read a ton of X-Men, so I'm sure this is all part of the established canon, but apparently someone decided that one of the Marvel Universe's most powerful telepaths needed more powers? So that she could punch people?

The second plotline, fortunately, is a lot more intriguing, as a top scientist announces that she has developed a "cure" for mutation, and the ending sequence is genuinely cool, setting some really interesting clashes of personality down the road.

Something of a mixed bag, but it ended on a high note.

Rating: 6.5/10

Astonishing X-Men #1

From the Random Stack of Unread Comics... Well, actually, I had previously read this issue, but this it my first time reviewing it.

Title: Astonishing X-Men
Issue: 1
Publisher: Marvel Comics
Date: July, 2004
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts

This is a reboot for the X-Men, with film/TV writer/director Joss Whedon writing. We are introduced to a new semester at the Xavier School, and a new X-Men team: Kitty Pryde, Beast, Cyclops, Wolverine, and Emma Frost. It's a good lineup, that provides plenty of fodder for conflicts within the team.

In fact, most of this first issue is the team working out their role as teachers, teammates, and as superheroes, something that the X-Men have not always been seen as.

Whedon is a master of one-liners, and this issue included several really great ones (Kitty: "Did I miss the Sorting Hat?"; also Kitty to Emma, "I'm sorry, I was busy remembering to put on all my clothes.").

The interplay between the characters is fun, and the hints that are dropped about the larger scale plot are just enough to leave the readers intrigued.

X-Men has so much history behind it that it can get overly complicated too fast in many cases. This story managed to keep things moving along, giving the space to get to know the core team members before too much mayhem is allowed to happen, and the result is an excellent jumping-in point for new readers.

Rating: 8/10

The Avengers: Free Comic Book Day 2009

From the random stack of unread comics by way of Free Comic Book Day 2009.

Title: The Avengers: Free Comic Book Day 2009
Issue: 1
Publisher: Marvel Comics
Date: May, 2009
Writer: Brian Michael Bendis
Penciller: Jim Cheung
Inker: Mark Morales
Colorist: John Rauch
Letterer: VC's Cory Petit
Editor: Tom Brevoort, Jeanine Schaefer
Cover: Jim Cheung, Laura Martin

The frost giant Ymir has invaded New York, and it's going to take two teams of Avengers to stop him. In this rather crowded book, narrated by Spider-Man, we've got the post-Civil-War Avengers, currently outlaws, and the government-sanctioned Dark Avengers, led by Norman Osborne wearing the Iron Patriot armor.

As mentioned, you need a scorecard to keep track of everyone here, and it doesn't help matters that you've got two Spider-Men (one is actually Venom), two Wolverines (one is the original's son... X-24, I guess? Or is X-24 some other dude?), and two Captain Marvels (neither of which is Mar-Vell OR Shazam; both are women).

While I realize that having all of these duplicates is part of the point, it does not make for a good story. Most of this book was the various team members trudging through the snow to find some super-powered sword, which they didn't even really need to use on anyone. Just breaking the thing out of its display case was all that was needed to save the day.

Oh, and then the two teams almost-fight.

This was a lot of buildup to a massive fizzle of an ending. The only think holding this together was Peter Parker's snarky narration, and even that felt forced at times.

Rating: 3/10

 

True Believers: Star Wars #1

Picked this issue up at Comics for Collectors in Ithaca NY USA during our 2016 Father/Son Road Trip.

Title: True Believers: Star Wars
Issue: 1
Publisher: Marvel Comics
Date: July 2016
Writer: Jason Aaron
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Cover: John Cassaday, Laura Martin
Editor: Jordan D. White, Charles Beacham

This takes place between A New Hope and The Empire Strikes Back, with the regular crew of heroes attempting to infiltrate and take out an Imperial weapons factory.

Having read a lot of Star Wars comics, with many of them just feeling a bit "off", this was a pleasant surprise. Artist John Cassaday did a great job with the look of the characters, and writer Jason Aaron just nailed the character interactions and the overall flavor.

Cassaday also had some great-looking work on the action scenes, particularly on Chewbacca leaping to escape a collapsing platform and Leia punching out an Imperial officer.

A confrontation between Luke and Vader feels like a bit of a tease given the restrictions of continuity, but if you can put that aside, this is a really fun bit of space adventure that fits the Star Wars universe perfectly.

Rating: 8/10

Wonder Woman Rebirth #1

This is one of the recent DC books I picked up at Newbury Comics in Hyannis MA on our summer visit home.

Title: Wonder Woman: Rebirth
Issue: 1
Date: August, 2016
Publisher: DC Comics
Writer: Greg Rucka
Artist: Matthew Clark, Jeremy Colwell, Sean Parsons, Liam Sharp
Colorist: Jeremy Colwell, Laura Martin
Letterer: Jodi Wynne
Editor: Chris Conroy, Mark Doyle
Cover: Liam Sharp, Laura Martin

One problem with the constant reboots of continuity that DC and Marvel have been doing more and more frequently, really ever since Crisis on Infinite Earths, is that it is very easy to fall back on an "everything you know is a lie" type of story.

That's what's happening here in this Wonder Woman reboot. There is a random action sequence with a self-reflective monologue thrown on top of it, questioning the various inconsistencies in Diana's origin story, while giving glimpses of a "current version" of a retold origin.

This transitions into a sequence where Diana uses the Lasso on herself in an effort to discover the truth about her origins. Clever idea, but not as well executed as I was hoping it might be.

This leads us to Olympus, some generic fighting, and nothing resolved.

Oh, and by the way, everything we have been told is a lie. Maybe.

Visually beautiful (awesome cover, and the interior art delivers too), but not much substance beyond some half-formed ideas.

Rating: 4.5/10

Astonishing X-Men #13 (Variant)

From the random stack of unread comics. This is the second of two (close, but not consecutive) issues of Joss Whedon's run on Astonishing X-Men that found their way into the unread comics stack. I reviewed #10 here. Not sure where I got these. This one is marked as a variant cover.

Title: Astonishing X-Men
Issue: 13
Publisher: Marvel Comics
Date: April, 2006
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Sean Ryan, Nick Lowe

Black-and-white variant cover on this issue.

This is something of a catch-up issue, that manages to be a lot more satisfying a read than #10 was, in spite of #10's emphasis on plot and action.

The focus here is on character development, particularly on the romance between Kitty and Colossus, and the conflicting forces influencing Emma Frost.

There is also a very amusing reveal of the new low-tech version of the Danger Room (after the room ran amuck over several issues around the previously-reviewed #10). Now that Ms. Room has been officially "future-endeavored" (or whatever happened to her), the new plan for combat training is simpler, more elegant, and far more dangerous: The trainees are simply put into a darkened room in which Wolverine kicks their asses. Why did they not think of this in the first place? It seems like it would have saved everybody a lot of grief, and the quality of training would not have suffered.

In addition to that amusing bit, there is lots of Emma-intrigue, some seeds planted for future storylines involving SHIELD, some dream sequences, and a very shock-value final scene.

This is moving in the right direction.

Rating: 6/10

Astonishing X-Men #10

From the random stack of unread comics, as chosen by the Kiddo. This is the first of two issues from this title that I've got in the to-read stack.

Title: Astonishing X-Men
Issue: 10
Publisher: Marvel Comics
Date: May, 2005
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Sean Ryan, Nick Lowe

So, the Danger Room AI has become not just self-aware, but also righteously pissed off, and she (she appears in a vaguely female shapeshifting robotic form) proceeds to mop the (Danger Room) floor with the X-Men.

The team in this case consists of Cyclops, Emma Frost, Wolverine, Colossus, Kitty Pryde, and Beast. Joss Whedon (you know, that guy from Buffy and firefly; the director of the film version of The Avengers) is writing, and in a moment-by-moment sense, this is all good. Danger Room knows all of the X-Men's tactics and weaknesses, and so she takes them apart with relative ease, only having a couple moments of trouble when they make some attempts at breaking their normal patterns.

Unfortunately, as well executed as it is, it just didn't feel all that original or interesting, and Danger Room's constant talking about how she's fought  the X-Men thousands or times and knows them better than they know themselves and whatnot does not help the cause. By the time I was half way through this, I wanted the X-Men to win, not because Danger Room was such a horrible threat, but just because of how annoying she was.

Also, would someone please give Danger Room a name so that I don't have to keep referring to her as Danger Room?

A couple of the characters are apparently killed by the time it's all said and done, but this is the Marvel Universe (and as we have said many times, there is dead, and then there is dead-in-the-marvel-universe, and those two things are not particularly related), so there isn't a whole lot of emotional punch to those scenes.

I did like the ending line. Joss Whedon has always been great with the one-liners, and this one works nicely. I wish it had been saved for a better story.

Rating: 4.5/10

X-Men #1

Back for the summer and hopefully beyond!

I had to drop this review blog for a few months when things got a bit too busy at the day job. Now that school is out (I'm a high school teacher), I've got the time. And I am certainly not lacking in unread comics.

For my big return to reviewing, however, I stopped by my local Newbury Comics to check out the recent releases. This seemed like a good one to start with.

Title: X-Men #1
Date: July, 2013
Publisher: Marvel Comics
Writer: Brian Wood
Artist: Olivier Coipel, Mark Morales
Colorist: Laura Martin
Letterer: VC's Joe Caramagna
Cover: Olivier Coipel, Laura Martin
Editor: Jennifer M. Smith, Jeanine Schaefer


I picked up the "sketch-cover" version of this. The blank cover (that is available for drawing on) is made of a cardstock that helps the book hold together better, and the regular cover is underneath. Nice. I'll probably be buying more of these versions when looking at new comics.


This is the (upteenth) relaunch of X-Men, and it got a fair amount of attention in the press due to the fact that it features an all-female cast. Specifically, the team lineup is Storm, Rogue, Jubilee, Kitty Pryde, Psylocke, and whatever Rachel Summers is calling herself these days.


It's set at the Jean Grey School for Higher Learning (for those not up on your X-Men lore, that's the current incarnation of Xavier's School), so there is a huge potential supporting cast. In a sense, this is not precisely an all-female X-Men team, but rather a comic about the X-Men as a whole that heavily focuses on the six female starring characters.


The story here concerns John Sublime, who is actually a telepathic microorganism who has the ability to possess human bodies. It seems Sublime has an even worse sister who has similar abilities with technology, and she's back on Earth and looking to make trouble.


There's a train-imperilment sequence that showcases the current X-Men working as a team, which they do quite well so far, and a lot of set-up for future plot, but the whole thing moves along with a reasonable mix of character development, suspense, and enough action to keep it from dragging.


Nothing shocking or groundbreaking, but a good solid X-Men story that does a great job of focusing on the new lineup without it ever failing to feel like the X-Men.


Rating: 7.5/10

Uncanny Avengers #1

I stopped by my local Newbury Comics recently and picked up a couple of the recent Marvel Now debut issues. This is the second of those. My review of Thor: God of Thunder #1 was posted yesterday.

This week I'm gearing up for the Arisia convention this weekend in Boston. My small-press comic company, Dandelion Studios will be in the dealer room all weekend. In addition, I'll be doing a reading of some of my prose fiction (along with authors Resa Nelson and Daniel P. Dern) at 10 AM on Saturday, and I'll be on a minicomic panel Saturday at 10 PM. I'll also hopefully be picking up some new comics to review throughout the weekend.

But for now, on to the business at hand.

Title: Uncanny Avengers #1
Date: December, 2012
Publisher: Marvel Comics
Writer: Rich Remender
Artist: John Cassaday
Colorist: Laura Martin
Letterer: VC's Chris Eliopoulos
Editor: Daniel Ketchum, Tom Brevoort, Axel Alonso

First issues of team comics tend to fall into formula, simply because there is limited space and a fairly fixed agenda that needs to be accomplished. Team members need to be introduced and recruited, and by the time that is done there is usually just about enough space to introduce the villains and jumpstart a bit of plot.

This book was further saddled with a load of continuity baggage as it worked through the aftermath of the recent Avengers vs. X-Men storyline.



SPOILER WARNING



Charles Xavier is dead.

Well, actually he's Marvel-dead, and since his name isn't Uncle Ben that means he's not really dead. But we're all supposed to pretend that he is so that characters like Wolverine and Havok can wax emotional. There was nothing wrong with these opening scenes; it just all felt like going through the motions.

From there Captain America and Thor show up to recruit Havok to lead Cap's new mutant/nonmutant super team. Cap is handled well. Thor plays big goofy comic relief, which in this case is actually fairly funny. About halfway through coffee, a villain starts wrecking the neighborhood, and the heroes leap into action in what was essentially a jobber squash to show off the heroes doing their thing.

We move on to Scarlet Witch and Rogue, who have a well-written and genuinely intense verbal confrontation. Wanda is a character that I really haven't ever seen featured all that much here, and her response to Rogue's righteous bluster is really good.

Sadly the whole thing gets interrupted by a group of generic villains, and a character is mauled because, well, there really hasn't been any gratuitous gore so far, and we can't have one of the female character go and steal the show, now can we?

Ends with a big villain reveal that was okay for what it was.

This has potential, a fact that I may not have actually conveyed all that well. Unfortunately, the limitations of the Marvel Universe (even the sorta-rebooted Marvel Now), and the fallback to cliches keep this from getting me interested enough to want to read any more of it.

Rating: 4/10

Avengers Vs. X-men #1

Title: Avengers Vs. X-Men
Date: June, 2012
Publisher: Marvel Comics
Writer: Brian Michael Bendis, Jason Aaron, Ed Brubaker, Jonathan Hickman, Matt Fraction
Penciler: John Romita Jr.
Inker: Scott Hanna
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Cover: Jim Cheung, Justin Ponsor
Editor: Nick Lowe, John Denning, Lauren Sankovitch, Tom Brevoort

So, this is the "I'm With The X-Men!" variant, not particularly because I'm with the X-Men, but because the "I'm With The Avengers!" variant was sold out at my local comic shop.

It too how many writers to come up with this nonsense?

The Phoenix force is headed for Earth, and Hope has already started manifesting some Phoenix SFX.

So of course the thing to do is for Captain American to show up on X-Island (or whatever they're calling it) and demand that Hope be put into protective custody. Which would leave the X-Men hopeless. Sorry. I'll stop now.

Anyway, while Cap is being an idiot, Cyclops has turned full-on villain, to the point that Magneto and Emma Frost are even impressed.

Talking soon turns to fighting, Scott blasts Cap, and Cap orders the SHIELD Helicarrier to lower the cloaking device and arm the photon torpedoes. Oh, and to assemble the Avengers while they're at it.

None of which is actually going to help with that whole Phoenix-force-heading-for-Earth thing. But that's okay. There are five writers working on this. One of them must be handling that.

With the X-Men? With the Avengers? I think I'm going to be standing with those who demand that their comics actually make sense.

Rating: 4/10

Oh, and before I go, since when is Namor an X-Man? Never mind. Don't answer that.

Irredeemable / Incorruptible Free Comic Book Day Edition

I've had trouble finding time to do reviews this week. Hope you've been enjoying the 30 Day meme. Here's a 2010 FCBD item that I picked up at this year's FCBD.

Title: Irredeemable / Incorruptible Free Comic Book Day Edition
Date: May 2010
Publisher: Boom! Studios
Writer: Mark Waid
Artist: Peter Krause, Jean Diaz, Belardino Brabo
Colorist: Andrew Dalhouse
Letterer: Ed Dukshire
Cover: John Cassaday, Laura Martin
Editor: Matt Gagnon

Reprints the first issues of the two interconnected series Irredeemable and Incorruptible, both written by Mark Waid.

The essential story here is Superman (going by the name The Plutonian, but essentially Superman) gone bad. Plutonian kills off the masked vigilante known as the Hornet in the opening scene, along with Hornet's wife and children. From there the surviving members of the Paradigm (the superhero team that the Plutonian was a member of) are frantically scrambling to find any bit of information that might give them a chance against the seemingly unstoppable Plutonian. Waid does a pretty good job of ratcheting up the emotions and laying out the basic scenario here.

Incorruptible is the mirror-image of Irredeemable, the story of a super-villain who decided to go straight. The two stories share a setting, and the change of heart that the former villain Max Damage undergoes comes as a result of the destruction caused by the Plutonian's rampage. I liked the character of Max Damage, but the attempts at humor in the book fell flat (possibly because of the grim nature of the world and the companion book) and Damage's sidekick, the aptly name Jailbait, is a pretty good summation of everything that is bad in the treatment of female characters in mainstream comics these days. I suppose it's possible that she's been set up as a stereotype for the purpose of breaking that stereotype down later, but I was pretty unimpressed with what I saw in the character so far: dump, only interested in sex and money, and drawn in typical barely dressed comic book heroine style. Waid is trying to write a very serious deconstruction of the superhero genre here. I was hoping for better than this in such an effort.

Rating: 6/10