Suicide Squad: King Shark Special Edition: Free Comic Book Day 2021

A previous year's FCBD edition that I got from Zombie Hideout in Springfield MA USA for this year's Free Comic Book Day.

Title: Suicide Squad: King Shark Special Edition
Issue: 1
Date: May, 2021
Publisher: DC Comics
Writer: Tim Seeley, Brian Azzarello
Artist: Scott Kolins, Alex Maleev
Colorist: John Kalisz, Matt Hollingsworth
Letterer: Wes Abbott, Jared Fletcher
Editor: Michael McCalister, Mike Cotton, Bixie Matheiu
Cover: Trevor Hairsine

This was released in anticipation of the James Gunn Suicide Squad film, which heavily featured King Shark, thus the hype here. And much to my surprise, this really lived up to the hype. Told primarily from the point of view of Defacer, a graffiti artist who somehow got lumped in with the supervillains at Belle Reve Penitentiary, the story follows King Shark as he goes on temporary release to fulfill his obligations to his father, Lord Chondrakha, the shark god. Why is Defacer along? Because King Shark likes her, and so Amanda Waller is using her as leverage to assure King Shark's return. Weirdly, this actually works really well, and the almost-certainly-doomed defacer has instant chemistry with King Shark. This was way more fun than it had any right to be, and I actually found myself interested in both characters.

The second story was also pretty good, although it didn't do much in terms of treading new ground. Told in first-person by Jason Todd, it recaps his origin, this time as Robin, and his subsequent return as the Red Hood, before placing him in (you guessed it) Belle Reve Penitentiary and introducing the storyline for Suicide Squad: Get Joker! The recap was effective for getting readers up to speed on what the deal is with Jason Todd, and Jason's voice is well written. The art does a nice job of using the shadows of the cell bars in Belle Reve to establish mood, and takes its time to let Jason's thoughts sink in.

Rating: 7.5/10

Batman: White Knight

Bought at Boocup, Kerry Place Mall, Shanghai, China in March of 2020.

Title: Batman: White Knight
Date: October, 2018
Publisher: DC Comics
Writer: Sean Murphy
Artist: Sean Murphy
Colorist: Matt Hollingsworth
Letterer: Todd Klein
Editor: Scott Nybakken, Maggie Howell
Cover: Sean Murphy, Matt Hollingsworth

The basic idea here is that the Joker is "cured", and, as Jack Napier, embarks on a political and public opinion campaign to turn Gotham City against the Batman. Lots of complications happen, and Gotham's most deadly enemies end up having to work together to save the city.

I found the opening bit problematic to a certain extent, although some of that was the context in which I'm reading it, as opposed to when it was written. Jack Napier is portrayed as "white knighting" to exploit real problems of police brutality against minorities for his cause, but some of the dialogue, particularly Joker's use of "I can't breathe" felt uncomfortably like appropriation on the part of the story itself.

As the story moves away from those themes with the further development of the plot, it becomes a bit more of a traditional (if still alternate-universe) Batman story. The plot twists are great, involving two Harley Quinns, the disappearance of Jason Todd, the Wayne family's connections to Baron Von Fries, and just about every villain in the Batman's rogues gallery. The story also provides a lot of closure and resolution for this universe's version of Gotham City.

In some sense, the examination of the Batman's relationship with the Joker was the weakest part of this, covering little in the way of new ground, and with some of Joker's dialogue coming off as closer to the version of the Joker from The Lego Batman Movie than the author probably intended.

That being said, the handling of Harley Quinn was awesome, as was the relationship between Bruce, Barbara, Dick, and Alfred. Commissioner Gordon also had a great role, conflicted by the compromises he has made allowing the Batman to operate outside the law, but with unofficial police sanction.

The author's focus on the various Batmobiles was a nice bit of fanservice, and a light touch in a book that did a good job of being serious, but not to the point of excess.

After the shaky start, this won me over in the end with good storytelling.

Rating: 7.5/10

Jessica Jones #2

Last of the small batch of comics I bought in the US (at Newbury Comics, Braintree MA) in November during my short trip home.

Title: Jessica Jones
Issue: 2
Publisher: Marvel Comics
Date: January, 2017
Writer: Brian Michael Bendis
Artist: Michael Gaydos
Colorist: Matt Hollingsworth
Letterer: VC's Cory Petit
Editor: Tom Brevoort, Alanna Smith
Cover: David Mack

Luke Cage confronts Jessica over the whereabouts of their child, and Jessica tries to find a safe place to rest after the case she's working on falls apart around her.

There was a lot to like in this story. The conflict between Luke and Jessica is great because there is no clear objective right or wrong, just two parents who love their child and are trying to protect that child as best they know how.

I also love the appearances of superheroes in the background, keeping the story gritty and street-level while constantly reminding the reader that Jessica Jones resides in Marvel's New York City, which super-powered beings are part of the background of everyday life.

There were some intriguing plot twists and good pacing as the story moved along. A flashback added some depth to the relationship between Luke Cage and Jessica Jones without overstaying its welcome. Ending was a solid cliffhanger.

Rating: 7/10

Jessica Jones #1

Last week I got the news that my Grandmother passed away. She was 92 years old, and my only living grandparent. I made a quick decision that I needed to be there for the wake and funeral, and bought a ticket to head home. This was last Tuesday. I flew out from Ho Chi Minh City just before Midnight on Wednesday, and through the magic of the rotation of the Earth, arrived in Boston on Thursday afternoon. Wake was Friday. Funeral was Saturday. I left Boston for Vietnam on Sunday morning and was back at work on Tuesday. The rest of this week has passed in a bit of a jetlagged haze, which I am now finally somewhat recovered from.

During the brief trip home I got to see a lot of family members and celebrate Nana's life together with them.

I also managed to catch a showing of Arrival, which was not released in Vietnam (loved it!) with a friend, and met up with a bunch of friends at the South Shore Plaza in Braintree on Saturday night for dinner.

Since I got to the mall early, I also visited Newbury Comics and bought a somewhat random selection of five recent comic releases, which will be featured in my next few reviews.

Title: Jessica Jones
Issue: 1
Publisher: Marvel Comics
Date: December 2016
Writer: Brian Michael Bendis
Artist: Michael Gaydos
Colorist: Matt Hollingsworth
Letterer: VC's Cory Petit
Editor: Tom Brevoort
Cover: David Mack

I know almost nothing about Jessica Jones. I completely missed her earlier appearances in Alias and other Marvel titles, and I've never watched the TV show. Really all I know about her is what little I've read from reviews of the show, which was quite popular with a lot of my friends.

So I saw the second issue of this series (from Marvel's "Marvel Now" soft reboot) in the "new releases" section at Newbury Comics, and also saw that they had #1 in stock, so I figured I'd check it out.

Sound decision so far. This was really good on a lot of levels.

The characters, Jessica especially, make sense. There is a gritty feel to the story, but it's still grounded in the full-fledged Marvel Universe. It has a snarky sense of humor, including the occasional in-joke, but the pacing is such that the jokes enhance, rather than detract from the overall story.

That story begins with Jessica being released from jail and trying to get back to work. She's got a case that may involve parallel universes and Spider-Man, or it might just be a husband who has gone a bit crazy and a wife who wants to find out why.

And she's also got some personal problems that are showing up at her doorstep in the form of costumed heroes for hire.

The story had excellent pacing, and most importantly for me, it served as a really good introduction without having to retell an origin or over-explain. By the time I was done with this issue I felt fully invested in the story.

Looking forward to reading #2.

Rating: 8/10

The Amazing Spider-Man: Grim Hunt: The Kraven Saga

We had technical problems last night. Here's yesterday's review. This is a Marvel freebie from last year that I picked up in my Free Comic Book Day haul.

Title: The Amazing Spider-Man: Grim Hunt: The Kraven Saga
Date: May, 2010
Publisher: Marvel Comics
Writer: Joe Kelly
Penciler: Michael Lark
Inker: Stefano Gaudiano
Colorist: Matt Hollingsworth
Letterer: VCs Joe Caramagna
Editor: Stephen Wacker, Tom Brennan

This is a promo for the Grim Hunt story arc in the Spider-Man titles. It starts with an eight-page preview from the series, which features some great artwork, especially on a two-page spread on the Sinister… um… well, I was going to say the Sinister Six, but there are actually seven dudes facing Spidey down (Sandman, Lizard, Rhino, Vulture, Electro in new non-goofy costume, Doc Ock, and Mysterio). I think that was Doc Ock anyway. Different costume, same tentacles.

Unfortunately, almost all of the action takes place in a dream sequence generated by Madame Web, who is a captive of Kraven's Daughter (if this was DC, she'd turn out to be Duela Dent!). Spider-Girl is also being held captive, and seems to serve the primary purpose protesting uselessly while we get plenty of images of her in bondage. Madame Web is actually the more scrappy of the two. Also, she's actively trying to do something about their situation. So of course she's in for some off-panel torture to further convince us that the bad guys (girls, actually: Kraven's daughter and her mom) are, indeed, bad.

Spidey, meanwhile does not much of anything.

This is then followed by a brief sketchbook feature and then a very comprehensive index to every appearance of Kraven in the Marvel Universe with bits of the original art. This was fairly interesting to the nostalgia buff in me, and it was particularly fun to see some of Kraven's encounters with other Marvel characters like Beast, Ka-Zar, and Tigra. The book ended with Handbook of the Marvel Universe style entries for Karaven and the Chameleon. These were both a bit redundant with the timeline feature from earlier in the book.

Overall, this was a fun look back, but it didn't make me want to read the new storyline.

Rating: 5.5/10