Picked this up at Most Excellent Comics and Games in Enfield CT USA on Free Comic Book Day 2025.
Title: Fantastic Four/Giant-Sized X-Men Free Comic Book Day 2025
Issue: 1
Date: 2025
Publisher: Marvel Comics
Writer: Ryan North, Jason Lanzing, Collin Kelly, Chip Zdarksy
Artist: Humberto Ramos, Iban Coello
Colorist: Edgar Delgado, Brian Reber
Letterer: VC's Joe Caramagna, VC's Clayton Cowles
Editor: Martin Biro, Annalise Bissa, Tom Brevoort
Free Comic Book Day freebie just in time for the upcoming FF film. The Fantastic Four story is adorable, featuring alien children engaging in some very familiar spooky fun and accidentally "summoning" the Fantastig Four from Earth. Johnny has... a mustache, apparently? Anyway, this was adorable.
The second story was a reboot of the New X-Men, previewing a, well, reboot of Giant-Sized X-Men #1. This was just Cyclops beating everyone else up in the Danger Room, and is probably the kind of thing that will generate a lot of outrage on the internet because Scott makes everyone from Logan to Ororo to Thunderbird (remember him?) look like jobbers. Oh, and Ms. Marvel is in it, just to give it a bit more of an update, I guess. She's apparently already made the team, so is saved the indignity of getting beat up by Cyclops.
The last story is Wolverpool and Deadverine, and it's just trying so hard to be even more meta than meta. This story has never "meta" fourth wall it didn't want to break. Nice to see a two-panel appearance by Ox, though.
Rating: 5.5/10
Showing posts with label vc. Show all posts
Showing posts with label vc. Show all posts
Thursday, June 5, 2025
Fantastic Four/Giant-Sized X-Men Free Comic Book Day 2025 #1
Labels:
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Saturday, June 24, 2023
The Stand Volume 6: The Night Has Come
I bought this one here in Shanghai, probably at Boocup, but I didn't make a note when I got it.
Title: The Stand
Issue: Volume 6: The Night Has Come
Publisher: Marvel Comics
Date: 2013
Writer: Stephen King, Roberto Aguirre-Sacasa
Artist: Mike Perkins
Colorist: Laura Martin
Letterer: VC's Joe Sabino
Editor: Nicole Boose
Cover: Tom Coker, Laura Martin
The sixth volume of the trade paperback collections of Marvel's adaptation of The Stand is the final volume, covering the final confrontation between Randal Flagg and the forces of the Free Zone, plus all of the aftermath of that climactic scene.
This was a very strong adaptation that stuck closely to the source. I thought the look of the characters was great, the selection of dialogue worked, and the pacing was excellent. It felt familiar in a good way, an excellent revisit to a favorite story of mine.
I didn't read the previous volumes of the adaptation, but would definitely give them a look on the basis of this one.
Rating: 8/10
Title: The Stand
Issue: Volume 6: The Night Has Come
Publisher: Marvel Comics
Date: 2013
Writer: Stephen King, Roberto Aguirre-Sacasa
Artist: Mike Perkins
Colorist: Laura Martin
Letterer: VC's Joe Sabino
Editor: Nicole Boose
Cover: Tom Coker, Laura Martin
The sixth volume of the trade paperback collections of Marvel's adaptation of The Stand is the final volume, covering the final confrontation between Randal Flagg and the forces of the Free Zone, plus all of the aftermath of that climactic scene.
This was a very strong adaptation that stuck closely to the source. I thought the look of the characters was great, the selection of dialogue worked, and the pacing was excellent. It felt familiar in a good way, an excellent revisit to a favorite story of mine.
I didn't read the previous volumes of the adaptation, but would definitely give them a look on the basis of this one.
Rating: 8/10
Wednesday, June 21, 2023
Star Wars: Allegiance
Bought at Boocup, Kerry Parkside, Shanghai, China.
Title: Star Wars: Allegiance
Publisher: Marvel Comics
Date: 2019
Writer: Ethan Sacks
Artist: Luke Ross
Colorist: Lee Loughridge
Letterer: VC's Clayton Cowles
Editor: Mark Paniccia, Tom Groneman
Cover: Marco Checchetto
This was really odd. It's a prequel to Rise of Skywalker, but it's very clear that the writer of this story had been given no information on the plot of Rise of Skywalker, and so in hindsight, it reads like the prequel to what everyone expected Rise of Skywalker to be, rather than the prequel to what we actually got.
No mention of Palpatine, of course, because, well, that would have been a spoiler at the time this was released.
The result is a rather uneven mixing of two separate plots. Finn and Poe (with BB8) try to retrieve some weaponry for the Resistance and end up hunted by bounty hunters. And Leia visits Mon Cala with Chewie, Rey, 3PO, R2, and Rose on a diplomatic mission.
Complications of the usual sort arise in both scenarios, and there are a few good moments for some of the characters, along with a fair amount of wasted potential. I'm always here for Rose getting to be part of the action, and was happy to see her shine in a few places, but much like in Rise of Skywalker itself, she still spent too much time standing around with nothing to do. I also thought there was a bit too much playing into the hothead side of Rey's persona. Leia came off as a good diplomat, but we expect brilliance out of Leia.
The story also leaned a bit heavily into tired cliches. Trial by combat? Really?
The crew of bounty hunters introduced in the Poe/Finn subplot were the most interesting people in the story, although that was due in some respect to novelty.
Rating: 4/10
Title: Star Wars: Allegiance
Publisher: Marvel Comics
Date: 2019
Writer: Ethan Sacks
Artist: Luke Ross
Colorist: Lee Loughridge
Letterer: VC's Clayton Cowles
Editor: Mark Paniccia, Tom Groneman
Cover: Marco Checchetto
This was really odd. It's a prequel to Rise of Skywalker, but it's very clear that the writer of this story had been given no information on the plot of Rise of Skywalker, and so in hindsight, it reads like the prequel to what everyone expected Rise of Skywalker to be, rather than the prequel to what we actually got.
No mention of Palpatine, of course, because, well, that would have been a spoiler at the time this was released.
The result is a rather uneven mixing of two separate plots. Finn and Poe (with BB8) try to retrieve some weaponry for the Resistance and end up hunted by bounty hunters. And Leia visits Mon Cala with Chewie, Rey, 3PO, R2, and Rose on a diplomatic mission.
Complications of the usual sort arise in both scenarios, and there are a few good moments for some of the characters, along with a fair amount of wasted potential. I'm always here for Rose getting to be part of the action, and was happy to see her shine in a few places, but much like in Rise of Skywalker itself, she still spent too much time standing around with nothing to do. I also thought there was a bit too much playing into the hothead side of Rey's persona. Leia came off as a good diplomat, but we expect brilliance out of Leia.
The story also leaned a bit heavily into tired cliches. Trial by combat? Really?
The crew of bounty hunters introduced in the Poe/Finn subplot were the most interesting people in the story, although that was due in some respect to novelty.
Rating: 4/10
Monday, June 1, 2020
Star Wars: Chewbacca
Second of two gifts I bought for the Kiddo at Boocup, Kerry Place, Jingan, Shanghai, China.
Title: Star Wars: Chewbacca
Publisher: Marvel Comics
Date: January 2016
Writer: Gerry Duggan
Artist: Phil Noto
Letterer: VC's Joe Caramagna
Editor: Jordan D. White, Heather Antos
Cover: Phil Noto
Classic spaghetti-Western stranger-comes-to-town story with Chewbacca crash-landing on a planet (between the events of A New Hope and Empire Strikes Back) and meeting up with a girl who has just escaped imprisonment in a gangster's mining operation.
Writing Chewbacca is an interesting challenge, as his dialogue is restricted to wookie growls and roars, which leaves much of the storytelling in the hands of Zarro the escaped mine-worker. Fortunately, Zarro is a lot of fun, a nice mix of youthful idealism and brash snark.
The villains are less interesting, particularly Jaum, the rather generic gangster boss, who never really feels like he has a chance against the good guys.
There is a bit of backstory and character development for Chewie, but the focus is mostly placed squarely on Zarro, with Chewie as the strong and (not always) silent type.
A couple of other characters who come in later in the story felt a bit underused: Sevox, a blind tinkerer who sees through the eyes of a protocol droid, and the Imperial star destroyer captain Commander Kai both felt like they had a ton of unrealized potential, and it would be great to see either or both of them get more of a spotlight in another series.
Phil Noto's artwork is lovely. He does a great job with Chewbacca's expressions and body language, and I love the look of Zarro. His supporting characters all have excellent and distinctive designs as well.
Rating: 7.5/10
Title: Star Wars: Chewbacca
Publisher: Marvel Comics
Date: January 2016
Writer: Gerry Duggan
Artist: Phil Noto
Letterer: VC's Joe Caramagna
Editor: Jordan D. White, Heather Antos
Cover: Phil Noto
Classic spaghetti-Western stranger-comes-to-town story with Chewbacca crash-landing on a planet (between the events of A New Hope and Empire Strikes Back) and meeting up with a girl who has just escaped imprisonment in a gangster's mining operation.
Writing Chewbacca is an interesting challenge, as his dialogue is restricted to wookie growls and roars, which leaves much of the storytelling in the hands of Zarro the escaped mine-worker. Fortunately, Zarro is a lot of fun, a nice mix of youthful idealism and brash snark.
The villains are less interesting, particularly Jaum, the rather generic gangster boss, who never really feels like he has a chance against the good guys.
There is a bit of backstory and character development for Chewie, but the focus is mostly placed squarely on Zarro, with Chewie as the strong and (not always) silent type.
A couple of other characters who come in later in the story felt a bit underused: Sevox, a blind tinkerer who sees through the eyes of a protocol droid, and the Imperial star destroyer captain Commander Kai both felt like they had a ton of unrealized potential, and it would be great to see either or both of them get more of a spotlight in another series.
Phil Noto's artwork is lovely. He does a great job with Chewbacca's expressions and body language, and I love the look of Zarro. His supporting characters all have excellent and distinctive designs as well.
Rating: 7.5/10
Labels:
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gerry duggan,
graphic novel,
heather antos,
joe caramagna,
jordan d white,
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phil noto,
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star wars chewbacca,
trade paperback,
vc,
vcs joe caramagna
Wednesday, May 27, 2020
Star Wars: Han Solo
This was a Christmas present I bought for the Kiddo at Boocup, Kerry Place, Jingan, Shanghai, China.
Title: Star Wars: Han Solo
Publisher: Marvel Comics
Date: January 2017
Writer: Marjorie Liu
Penciler: Mark Brooks
Inker: Mark Brooks, Dexter Vines
Colorist: Sonia Oback, Matt Milla
Letterer: VC's Joe Caramagna
Editor: Jordan D. White, Heather Antos
This exceeded all expectations, in spite of the story being a tiny bit contrived.
Trade paperback collection of a limited series. Taking place between A New Hope and The Empire Strikes Back, this has Han recruited by Leia to infiltrate a high-stakes spacecraft race while smuggling several rebel spies, at least one of whom may be a traitor.
What made this great were the original characters introduced for this series, something that can often be a weak spot in these adaptations. In this case the supporting cast was excellent, especially the mysterious space-racing veteran Loo Re Anno, who absolutely steals the show. Several other rival racers are fun characters, and there's also some good interactions with the various rebel spies and operatives that Han encounters.
There's good consistent character development for Han, as well. Nothing shocking, but a lot of little insights in his internal monologue that runs through much of the story.
Chewie and Leia get good moments as well, and the artwork is excellent, with some clever page layouts especially in some of the racing sequences.
This is a fun adventure perfectly suited to Han's character.
Rating: 8.5/10
Title: Star Wars: Han Solo
Publisher: Marvel Comics
Date: January 2017
Writer: Marjorie Liu
Penciler: Mark Brooks
Inker: Mark Brooks, Dexter Vines
Colorist: Sonia Oback, Matt Milla
Letterer: VC's Joe Caramagna
Editor: Jordan D. White, Heather Antos
This exceeded all expectations, in spite of the story being a tiny bit contrived.
Trade paperback collection of a limited series. Taking place between A New Hope and The Empire Strikes Back, this has Han recruited by Leia to infiltrate a high-stakes spacecraft race while smuggling several rebel spies, at least one of whom may be a traitor.
What made this great were the original characters introduced for this series, something that can often be a weak spot in these adaptations. In this case the supporting cast was excellent, especially the mysterious space-racing veteran Loo Re Anno, who absolutely steals the show. Several other rival racers are fun characters, and there's also some good interactions with the various rebel spies and operatives that Han encounters.
There's good consistent character development for Han, as well. Nothing shocking, but a lot of little insights in his internal monologue that runs through much of the story.
Chewie and Leia get good moments as well, and the artwork is excellent, with some clever page layouts especially in some of the racing sequences.
This is a fun adventure perfectly suited to Han's character.
Rating: 8.5/10
Labels:
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heather antos,
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marjorie liu,
mark brooks,
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matt milla,
sonia oback,
star wars,
star wars han solo,
trade paperback,
vc
Saturday, October 5, 2019
Ms. Marvel Vol. 1: No Normal
Bought at the Eslite main store, Taipei, Taiwan, June 2019.
Title: Ms. Marvel
Issue: Volume 1: No Normal
Publisher: Marvel Comics
Date: 2018
Writer: G. Willow Wilson
Artist: Adrian Alphona
Colorist: Ian Herring
Letterer: VC's Joe Caramagna
Editor: Sana Amanat, Devin Lewis
Jersey City teenager Kamala Khan gains a set of shapeshifting powers and begins figuring out the whole superhero thing.
This is, in many ways, a fairly straightforward superhero origin story, with Kamala Khan as an updated Peter Parker, trying to do good in the world while she deals with the consequences of her new abilities and her sudden status as the mysterious neighborhood hero.
It's the details that make this work. The multifaceted supporting cast is terrific, and the main character is relatable. There are plenty of interesting bits of dialogue and interactions taking place between the super-heroics, and the book has a sly sense of humor and self-awareness. Having worked in Jersey City for four years, I also appreciated the use of the setting.
The only area I felt could have been a bit stronger in this volume was the villain, but he will hopefully get some more development as the story continues.
Rating: 8.5/10
Title: Ms. Marvel
Issue: Volume 1: No Normal
Publisher: Marvel Comics
Date: 2018
Writer: G. Willow Wilson
Artist: Adrian Alphona
Colorist: Ian Herring
Letterer: VC's Joe Caramagna
Editor: Sana Amanat, Devin Lewis
Jersey City teenager Kamala Khan gains a set of shapeshifting powers and begins figuring out the whole superhero thing.
This is, in many ways, a fairly straightforward superhero origin story, with Kamala Khan as an updated Peter Parker, trying to do good in the world while she deals with the consequences of her new abilities and her sudden status as the mysterious neighborhood hero.
It's the details that make this work. The multifaceted supporting cast is terrific, and the main character is relatable. There are plenty of interesting bits of dialogue and interactions taking place between the super-heroics, and the book has a sly sense of humor and self-awareness. Having worked in Jersey City for four years, I also appreciated the use of the setting.
The only area I felt could have been a bit stronger in this volume was the villain, but he will hopefully get some more development as the story continues.
Rating: 8.5/10
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Friday, February 1, 2019
Star Wars: Han Solo: Imperial Cadet #1
Title: Star Wars: Han Solo: Imperial Cadet
Issue: 1
Publisher: Marvel Comics
Date: January 2019
Writer: Robbie Thompson
Artist: Leonard Kirk
Colorist: Arif Prianto
Letterer: VC's Joe Caramagna
Cover: David Nakayama
Editor: Mark Paniccia, Tom Groneman
This series fills in the gap in Solo: A Star Wars Story where Han is in the Imperial military. Actually, the first nine pages just adapt early scenes from the film, which I found a bit frustrating, since Marvel already has a separate series adapting the film.
From there, Han gets the bootcamp experience, complete with a lot of silliness in which everyone insists on calling recruits by their number, rather than their name, and then no one seems to be able to stick to it.
We get glimpses of a few character that seem like they have some potential, but the interactions are hurried in order to fit in an action scene where Han tries to steal a TIE fighter.
I get that young Han is supposed to be foolish, desperate, and impulsive, but the whole scene makes very little sense, and the punchline it sets up is not a particularly satisfying one.
This was a glimpse into a chapter in Han Solo's life that I really didn't need.
Rating: 4/10
Sunday, January 6, 2019
Shuri #1
Got this one at Double Midnight Comics in Manchester NH USA during our Christmas visit to the US.
Title: Shuri
Issue: 1
Publisher: Marvel Comics
Date: March 2018
Writer: Nnedi Okorafor
Artist: Leonardo Romero
Colorist: Jordie Bellaire
Letterer: VC's Joe Sabino
Editor: Wil Moss
Cover: Sam Spratt
I only knew the character of Shuri from the Black Panther film, and the introductory page of this book did a nice job of bringing me up to speed on the character's place in current Marvel comics continuity. Apparently, she had a stint as the Black Panther, and spent some time Dead-In-The-Marvel-Universe (which as we all know, has very little in common with being actually dead).
Now her brother has gone missing on a space mission, and Shuri is trying to figure out where her priorities need to be. Meanwhile Queen Ramonda has convened the Elephant's Trunk, a secret council of women who meet when trouble threatens Wakanda.
The depiction of Shuri here is good. Her energy and positive outlook shine through even as she worries what has happened to her brother, and whether she could be responsible. The visuals of Wakanda, and of Shuri flying with nanotech wings are excellent, and the Elephant's Trunk is an intriguing group of characters.
My one disappointment was that the final outcome of the issue put the story into what felt like the most obvious and least interesting direction that it could have gone it. Hopefully the plot will get some more unexpected turns as the series progresses.
Rating: 6.5/10
Title: Shuri
Issue: 1
Publisher: Marvel Comics
Date: March 2018
Writer: Nnedi Okorafor
Artist: Leonardo Romero
Colorist: Jordie Bellaire
Letterer: VC's Joe Sabino
Editor: Wil Moss
Cover: Sam Spratt
I only knew the character of Shuri from the Black Panther film, and the introductory page of this book did a nice job of bringing me up to speed on the character's place in current Marvel comics continuity. Apparently, she had a stint as the Black Panther, and spent some time Dead-In-The-Marvel-Universe (which as we all know, has very little in common with being actually dead).
Now her brother has gone missing on a space mission, and Shuri is trying to figure out where her priorities need to be. Meanwhile Queen Ramonda has convened the Elephant's Trunk, a secret council of women who meet when trouble threatens Wakanda.
The depiction of Shuri here is good. Her energy and positive outlook shine through even as she worries what has happened to her brother, and whether she could be responsible. The visuals of Wakanda, and of Shuri flying with nanotech wings are excellent, and the Elephant's Trunk is an intriguing group of characters.
My one disappointment was that the final outcome of the issue put the story into what felt like the most obvious and least interesting direction that it could have gone it. Hopefully the plot will get some more unexpected turns as the series progresses.
Rating: 6.5/10
Labels:
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Sunday, November 4, 2018
Rogue One: A Star Wars Story #6
Another summer purchase by the Kiddo.
Title: Rogue One: A Star Wars Story
Issue: 6
Publisher: Marvel Comics
Date: November 2017
Writer: Jody Houser
Artist: Emilio Laiso
Colorist: Rachelle Rosenberg
Letterer: VC's Clayton Cowles
Editor: Heather Antos
Cover: Phil Noto
We somehow missed getting #5. Here are links to reviews of the rest of this series: Issue #1, Issue #2, Issue #3, Issue #4.
Rogue One concludes at a frantic pace with a desperate running battle to get the Death Star plans off of the planet Scarif and into the hands of the Rebel Alliance. The pacing of the comic captures the frenetic feel of the action in the film while managing to downplay a couple of the plot contrivances that weaken the story.
As with some other Star Wars comics I've read, the medium does not do a very good job with space battles, especially when small panels become necessary to cover all of the plot and dialogue. Lack of page space also hurts some of the ending scenes.
Rogue One has a few really big moments at the very end, and this issue could really have used 3-5 more pages to give them the treatment that they really deserved. Instead, much of the finish (I felt like one scene worked and two failed badly) does not live up to what we saw on the big screen.
Rogue One is a good story that packs its strongest emotional punch in the scenes covered in this issue, and it's an important moment in the overall Star Wars saga. This comic delivers on some of that emotion, but could have done better.
Rating: 5.5/10
Title: Rogue One: A Star Wars Story
Issue: 6
Publisher: Marvel Comics
Date: November 2017
Writer: Jody Houser
Artist: Emilio Laiso
Colorist: Rachelle Rosenberg
Letterer: VC's Clayton Cowles
Editor: Heather Antos
Cover: Phil Noto
We somehow missed getting #5. Here are links to reviews of the rest of this series: Issue #1, Issue #2, Issue #3, Issue #4.
Rogue One concludes at a frantic pace with a desperate running battle to get the Death Star plans off of the planet Scarif and into the hands of the Rebel Alliance. The pacing of the comic captures the frenetic feel of the action in the film while managing to downplay a couple of the plot contrivances that weaken the story.
As with some other Star Wars comics I've read, the medium does not do a very good job with space battles, especially when small panels become necessary to cover all of the plot and dialogue. Lack of page space also hurts some of the ending scenes.
Rogue One has a few really big moments at the very end, and this issue could really have used 3-5 more pages to give them the treatment that they really deserved. Instead, much of the finish (I felt like one scene worked and two failed badly) does not live up to what we saw on the big screen.
Rogue One is a good story that packs its strongest emotional punch in the scenes covered in this issue, and it's an important moment in the overall Star Wars saga. This comic delivers on some of that emotion, but could have done better.
Rating: 5.5/10
Sunday, October 28, 2018
Rogue One: A Star Wars Story #4
Kiddo was buying all Star Wars all the time this past summer!
Title: Rogue One: A Star Wars Story
Issue: 4
Publisher: Marvel Comics
Date: September 2017
Writer: Jody Houser
Artist: Emilio Laiso
Colorist: Rachelle Rosenberg
Letterer: VC's Clayton Cowles
Editor: Heather Antos
Cover: Phil Noto
The fourth issue of Marvel's adaptation of Rogue One covers some of the film's most iconic lines, including "Rebellions are built on hope!", and the naming of the Rogue One callsign.
Mon Mothma gets a nice scene in this issue, which is cool since she is a character who seems to get overlooked quite a bit. This issue also features Vader, plus a lot of setup for the action that will comprise the last two issues.
The pacing was good, and the art was solid, especially on Jyn's expressions and emotions.
Rating: 6/10
Title: Rogue One: A Star Wars Story
Issue: 4
Publisher: Marvel Comics
Date: September 2017
Writer: Jody Houser
Artist: Emilio Laiso
Colorist: Rachelle Rosenberg
Letterer: VC's Clayton Cowles
Editor: Heather Antos
Cover: Phil Noto
The fourth issue of Marvel's adaptation of Rogue One covers some of the film's most iconic lines, including "Rebellions are built on hope!", and the naming of the Rogue One callsign.
Mon Mothma gets a nice scene in this issue, which is cool since she is a character who seems to get overlooked quite a bit. This issue also features Vader, plus a lot of setup for the action that will comprise the last two issues.
The pacing was good, and the art was solid, especially on Jyn's expressions and emotions.
Rating: 6/10
Saturday, October 27, 2018
Rogue One: A Star Wars Story #3
Title: Rogue One: A Star Wars Story
Issue: 3
Publisher: Marvel Comics
Date: August 2017
Writer: Jody Houser
Artist: Pablo Villanelli
Colorist: Rachelle Rosenberg
Letterer: VC's Clayton Cowles
Editor: Heather Antos
I reviewed issue #1 here, and issue #2 here.
The third installment of Marvel's adaptation of Rogue One covers the escape from Jedha and ends cliffhanger-style on Eadu.
A lot of the focus in this issue was on the tensions between the characters as hidden agendas come to the forefront and conflicting interests threaten to shatter the tenuous trust that has built up between the group of rebels Jyn Erso has found herself in the company of.
The key scenes here worked better on film because the actors were able to give more subtle emotional cues than it's possible to get in the comic medium, in spite of a valiant effort by artist Pablo Villanelli.
The adaptation remains faithful to the film, but the pacing of this issue and the abrupt cliffhanger made it feel very fragmentary.
Rating: 5/10
Monday, October 22, 2018
Rogue One: A Star Wars Story #2
The Kiddo picked up several Star Wars comics at various shops around New England this past summer, including most of the individual issues of Marvel's Rogue One adaptation.
Title: Rogue One: A Star Wars Story
Issue: 2
Publisher: Marvel Comics
Date: July 2017
Writer: Jody Houser
Artist: Emilio Laiso, Oscar Bazaldua
Colorist: Rachelle Rosenberg
Letterer: VC's Clayton Cowles
Editor: Heather Antos
The second issue of Rogue One covers the action that takes place on Jedha. The main focus of this part of the story is to introduce Chirrut Imwe, Baze Malbus, and Saw Gerrera, and to expose Jyn Erso to the secret message left for her by her father, Galen Erso.
There are some street-level skirmishes, but most of this issue is setup for what is to come.
Jyn looks great throughout this issue, and the art team does good work with Baze and Chirrut as well. The story pacing is handled well, and it felt like it moved along at a comparable rhythm to the film.
This was a well-made adaptation, and it did an effective job with a good story, even if it did not add much for those who had seen the movie.
Rating: 6.5/10
Title: Rogue One: A Star Wars Story
Issue: 2
Publisher: Marvel Comics
Date: July 2017
Writer: Jody Houser
Artist: Emilio Laiso, Oscar Bazaldua
Colorist: Rachelle Rosenberg
Letterer: VC's Clayton Cowles
Editor: Heather Antos
The second issue of Rogue One covers the action that takes place on Jedha. The main focus of this part of the story is to introduce Chirrut Imwe, Baze Malbus, and Saw Gerrera, and to expose Jyn Erso to the secret message left for her by her father, Galen Erso.
There are some street-level skirmishes, but most of this issue is setup for what is to come.
Jyn looks great throughout this issue, and the art team does good work with Baze and Chirrut as well. The story pacing is handled well, and it felt like it moved along at a comparable rhythm to the film.
This was a well-made adaptation, and it did an effective job with a good story, even if it did not add much for those who had seen the movie.
Rating: 6.5/10
Saturday, September 8, 2018
Star Wars: The Last Jedi #3
The Kiddo picked this one out over the summer. I don't recall which store we got it at.
Title: Star Wars: The Last Jedi
Issue: 3
Publisher: Marvel Comics
Date: August 2018
Writer: Gary Whitta
Artist: Michael Walsh
Colorist: Mike Spicer
Letterer: VC's Travis Lanham
Cover: Phil Noto
Editor: Mark Paniccia, Tom Groneman
I love Phil Noto's cover featuring Finn, Rose, and DJ.
This chapter of the film adaptation is focused primarily on Rey's interactions with Kylo Ren, and Finn and Rose's mission to Cantonica. This includes my some of my favorite Rose scenes.
As with the first issue (reviewed here), the adaptation looks good and gets the visuals right on the important moments. It helps that the scenes in this issue are very character-focused.
Rating: 6/10
Title: Star Wars: The Last Jedi
Issue: 3
Publisher: Marvel Comics
Date: August 2018
Writer: Gary Whitta
Artist: Michael Walsh
Colorist: Mike Spicer
Letterer: VC's Travis Lanham
Cover: Phil Noto
Editor: Mark Paniccia, Tom Groneman
I love Phil Noto's cover featuring Finn, Rose, and DJ.
This chapter of the film adaptation is focused primarily on Rey's interactions with Kylo Ren, and Finn and Rose's mission to Cantonica. This includes my some of my favorite Rose scenes.
As with the first issue (reviewed here), the adaptation looks good and gets the visuals right on the important moments. It helps that the scenes in this issue are very character-focused.
Rating: 6/10
Thursday, July 12, 2018
Star Wars: The Last Jedi #1
Another Star Wars comic the Kiddo picked out at Merrymac Games and Comics in Merrimack NH. Star Wars books are the Kiddo's go-to comics of choice these days.
Title: Star Wars: The Last Jedi
Issue: 1
Publisher: Marvel Comics
Date: July 2018
Writer: Gary Whitta
Artist: Michael Walsh
Colorist: Mike Spicer
Letterer: VC's Travis Lanham
Cover: Mike Del Mundo
Editor: Heather Antos, Tom Groneman, Emily Newcomen
First part of Marvel's film adaptation for Star Wars: The Last Jedi. The book captures the pacing of the film well, and there is a nice bit of internal monologue from Luke Skywalker that adds a bit of perspective. But of course, an adaptation is somewhat limited by its own nature. I liked the film, and the comic does a good job retelling that story.
It does leave out one of the more memorable comedic moments from early in the movie, and the space battle scenes fall a bit flat in terms of the actual action between spaceships. Paige Tico's scene is handled really well, though.
This generally works, but does not add a whole lot if you've seen the film.
Rating: 5.5/10
Title: Star Wars: The Last Jedi
Issue: 1
Publisher: Marvel Comics
Date: July 2018
Writer: Gary Whitta
Artist: Michael Walsh
Colorist: Mike Spicer
Letterer: VC's Travis Lanham
Cover: Mike Del Mundo
Editor: Heather Antos, Tom Groneman, Emily Newcomen
First part of Marvel's film adaptation for Star Wars: The Last Jedi. The book captures the pacing of the film well, and there is a nice bit of internal monologue from Luke Skywalker that adds a bit of perspective. But of course, an adaptation is somewhat limited by its own nature. I liked the film, and the comic does a good job retelling that story.
It does leave out one of the more memorable comedic moments from early in the movie, and the space battle scenes fall a bit flat in terms of the actual action between spaceships. Paige Tico's scene is handled really well, though.
This generally works, but does not add a whole lot if you've seen the film.
Rating: 5.5/10
Tuesday, June 19, 2018
The Unbeatable Squirrel Girl Volume 1: Squirrel Power
I bought this at a book fair at my school in Shanghai.
Title: The Unbeatable Squirrel Girl
Issue: Volume 1: Squirrel Power
Publisher: Marvel Comics
Date: 2015
Writer: Ryan North, Steve Ditko, Will Murray
Artist: Erica Henderson, Steve Ditko
Colorist: Rico Renzi, Christie Scheele
Letterer: VC's Clayton Crowles, Brad K. Joyce
Cover: Erica Henderson
Editor: Jon Moisan, Jake Thomas, Wil Moss
Trade paperback collecting the first four issues of Squirrel Girl's first solo series, plus her debut appearance from Marvel-Super Heroes #8 in 1990.
Doreen Green, who has all the powers of a squirrel along with all the powers of a girl, is moving into her college campus in New York City. She's dealing with the usual issues: Annoying administrators who mess up schedules, a new roommate, Kraven the Hunter, Whiplash, and, um, Gaslactus.
This was amusing from start to finish, with Doreen's roommate, Nancy, almost completely stealing the show. There was also an awesome discussion about non-gendered pronouns between Doreen and Galactus,
The art is a perfect fit for the story and pacing, and Doreen's common-sense approach to dealing with villains is a winning formula.
The backup story is Doreen's debut appearance from 1990 where she takes on Doctor Doom. It does not go well for the Monarch of Latveria.
Rating: 8.5/10
Issue: Volume 1: Squirrel Power
Publisher: Marvel Comics
Date: 2015
Writer: Ryan North, Steve Ditko, Will Murray
Artist: Erica Henderson, Steve Ditko
Colorist: Rico Renzi, Christie Scheele
Letterer: VC's Clayton Crowles, Brad K. Joyce
Cover: Erica Henderson
Editor: Jon Moisan, Jake Thomas, Wil Moss
Trade paperback collecting the first four issues of Squirrel Girl's first solo series, plus her debut appearance from Marvel-Super Heroes #8 in 1990.
Doreen Green, who has all the powers of a squirrel along with all the powers of a girl, is moving into her college campus in New York City. She's dealing with the usual issues: Annoying administrators who mess up schedules, a new roommate, Kraven the Hunter, Whiplash, and, um, Gaslactus.
This was amusing from start to finish, with Doreen's roommate, Nancy, almost completely stealing the show. There was also an awesome discussion about non-gendered pronouns between Doreen and Galactus,
The art is a perfect fit for the story and pacing, and Doreen's common-sense approach to dealing with villains is a winning formula.
The backup story is Doreen's debut appearance from 1990 where she takes on Doctor Doom. It does not go well for the Monarch of Latveria.
Rating: 8.5/10
Monday, June 4, 2018
Darth Vader #1
The Kiddo picked this one out last summer at one of the Newbury Comics stores.
Title: Darth Vader
Issue: 1
Publisher: Marvel Comics
Date: July 2016
Writer: Charles Soule
Penciler: Giuseppe Camuncoli
Inker: Cam Smith
Colorist: David Curiel
Letterer: VC's Joe Caramagna
Cover: Jim Cheung, Matthew Wilson
Editor: Jordan D. White, Heather Antos
This picks up directly from where Revenge of the Sith left off, showing us a newly-armored Vader who is still very much the young, angry man who was brought over to the dark side by Emperor Palpatine.
His initial quest is to gain a lightsaber of his own, and this apparently has to be done to old-fashioned way: by killing someone for it. Of course, with Order 66 already in the books, finding a Jedi may be harder than actually defeating one. As is usual at this stage in the saga, it's all pretty much a win/win for Palpatine.
There was a fun little callback (call-forward, really) to the climactic moment of Return of the Jedi, and the characters and setting look excellent. I didn't find myself all that invested in Vader as a lead character. He's still the whiny Annakin of the prequels here, and it looks like it's going to be a bit of a tall order for this solo (see what I did there?) series to make much of a change in that.
Rating: 5.5/10
Title: Darth Vader
Issue: 1
Publisher: Marvel Comics
Date: July 2016
Writer: Charles Soule
Penciler: Giuseppe Camuncoli
Inker: Cam Smith
Colorist: David Curiel
Letterer: VC's Joe Caramagna
Cover: Jim Cheung, Matthew Wilson
Editor: Jordan D. White, Heather Antos
This picks up directly from where Revenge of the Sith left off, showing us a newly-armored Vader who is still very much the young, angry man who was brought over to the dark side by Emperor Palpatine.
His initial quest is to gain a lightsaber of his own, and this apparently has to be done to old-fashioned way: by killing someone for it. Of course, with Order 66 already in the books, finding a Jedi may be harder than actually defeating one. As is usual at this stage in the saga, it's all pretty much a win/win for Palpatine.
There was a fun little callback (call-forward, really) to the climactic moment of Return of the Jedi, and the characters and setting look excellent. I didn't find myself all that invested in Vader as a lead character. He's still the whiny Annakin of the prequels here, and it looks like it's going to be a bit of a tall order for this solo (see what I did there?) series to make much of a change in that.
Rating: 5.5/10
Labels:
2016,
cam smith,
charles soule,
darth vader,
david curiel,
giuseppe camuncoli,
heather antos,
jim cheung,
joe caramagna,
jordan d white,
marvel comics,
matthew wilson,
star wars,
vc,
vcs joe caramagna
Friday, May 25, 2018
Daredevil Noir
From from my unread books pile. I'm not sure where I got this one.
Title: Daredevil Noir
Publisher: Marvel Comics
Date: 2009
Writer: Alexander Irvine
Artist: Tom Coker
Colorist: Daniel Freedman
Letterer: VC's Joe Caramagna
Editor: Axel Alonso, Sebastian Girner, Jennifer Grunwald
Hardcover collection of the original four-issue series.
Set in Marvel's "Noir" alternate universe, this 1930s-era version of Daredevil has most of the classic elements readers will expect: Wilson Fisk, Foggy Nelson, Hell's Kitchen, and even a "Bullseye Killer".
This was a very well crafted story that stands on its own, and retains the heart of Daredevil's mythos. The action sequences were excellent, and the characters were spot-on. Foggy Nelson and the Kingpin were especially good.
Really, in many ways, this story could have been done in the standard continuity as easily as in this alternate world, and some readers may find that it is not enough of a departure. The changes made from the standard Marvel continuity didn't feel like much of a leap: Matt Murdock is an assistant to Foggy, a private investigator. Other than that, the biggest change is a new interpretation of Bullseye, and the addition of gangster Orville Halloran, and up-and-coming mobster who serves as an effective new villain.
The pacing of the story was a nice build to an effective conclusion, and I thought the climactic twists and action were effective, along with a really fun open ending in the final pages.
This is a good story that hits Daredevil's classic thematic elements through just enough of a different lens to make it feel fresh.
Rating: 8.5/10
Title: Daredevil Noir
Publisher: Marvel Comics
Date: 2009
Writer: Alexander Irvine
Artist: Tom Coker
Colorist: Daniel Freedman
Letterer: VC's Joe Caramagna
Editor: Axel Alonso, Sebastian Girner, Jennifer Grunwald
Hardcover collection of the original four-issue series.
Set in Marvel's "Noir" alternate universe, this 1930s-era version of Daredevil has most of the classic elements readers will expect: Wilson Fisk, Foggy Nelson, Hell's Kitchen, and even a "Bullseye Killer".
This was a very well crafted story that stands on its own, and retains the heart of Daredevil's mythos. The action sequences were excellent, and the characters were spot-on. Foggy Nelson and the Kingpin were especially good.
Really, in many ways, this story could have been done in the standard continuity as easily as in this alternate world, and some readers may find that it is not enough of a departure. The changes made from the standard Marvel continuity didn't feel like much of a leap: Matt Murdock is an assistant to Foggy, a private investigator. Other than that, the biggest change is a new interpretation of Bullseye, and the addition of gangster Orville Halloran, and up-and-coming mobster who serves as an effective new villain.
The pacing of the story was a nice build to an effective conclusion, and I thought the climactic twists and action were effective, along with a really fun open ending in the final pages.
This is a good story that hits Daredevil's classic thematic elements through just enough of a different lens to make it feel fresh.
Rating: 8.5/10
Monday, January 1, 2018
True Believers: Daredevil: Practice To Deceive #1
Title: True Believers: Daredevil: Practice To Deceive
Issue: 1
Publisher: Marvel Comics
Date: September 2016
Writer: Charles Soule
Artist: Matteo Buffagni
Colorist: Matt Milla
Letterer: VC's Clayton Cowles
Cover: Bill Sienkiewicz
Editor: Charles Beacham, Sana Amanat
Bringing back the classic Daredevil & Elektra vibe... No matter how many hoops need to be jumped through to do it.
So the backstory here is that Matt Murdock somehow managed to do some sort of mass memory wipe that conveniently rebooted his continuity so that he's back to having a secret identity. Apparently he wasn't all that good at keeping secrets the previous time around. So we've got the classic Matt Murdock, struggling attorney (prosecuting attorney this time!) by day, and Daredevil, masked vigilante by night.
Elektra shows up, oblivious as everyone else that Matt and Daredevil are the same dude (really, if she can't figure this out in the first three seconds of hand-to-hand combat with him, she should turn in her assassin card... or should I say... HAND it over). She asks Murdock to arrange a meeting with Daredevil, who shows up expecting to talk, and Elektra commences with the beatdown.
Oh, and Daredevil has a sidekick! His name is Blindspot. No, really. He basically appears to have all of the annoying qualities of Jason Todd, with none of the good qualities of Tim Drake or Dick Grayson.
He lasts all of a couple of panels with Elektra while Daredevil just kinda cringes.
Finally, Elektra reveals a big dramatic plot development to end it all, none of which required all of the fighting. Apprarently she was just annoyed and had decided she needed to waste some time hurting Daredevil before getting to the point.
And I'm not really sure what the point of all of this was. But I will add half a point for the always-awesome cover work by Bill Sienkiewicz.
Rating: 3.5/10
Saturday, October 21, 2017
Rogue One: A Star Wars Story #1
The Kiddo picked this one out at one of the Newbury Comics locations when we were in the US this past summer.
Title: Rogue One: A Star Wars Story
Issue: 1
Publisher: Marvel Comics
Date: June 2017
Writer: Jody Houser
Artist: Emilio Laiso, Oscar Bazaldua
Colorist: Rachelle Rosenberg
Letterer: VC's Clayton Cowles
Editor: Heather Antos
First of all, let me just say that I LOVE these action figure variant covers. So much fun!
This is the first issue of the official adaptation of Rogue One. It moves at a pretty fast pace to get to the point where present-time Jyn Erso is introduced and then takes its time a bit more from there.
The fight scenes look good, and the story becomes more focused in the second half of the issue, with the adaptation making some good choices in what to emphasize or cut.
This is competent and visually appealing, but there is a limit to what a comic can do adapting a film, and the result is something that never gets much past feeling like it's a competent adaptation
Rating: 5.5/10
Title: Rogue One: A Star Wars Story
Issue: 1
Publisher: Marvel Comics
Date: June 2017
Writer: Jody Houser
Artist: Emilio Laiso, Oscar Bazaldua
Colorist: Rachelle Rosenberg
Letterer: VC's Clayton Cowles
Editor: Heather Antos
First of all, let me just say that I LOVE these action figure variant covers. So much fun!
This is the first issue of the official adaptation of Rogue One. It moves at a pretty fast pace to get to the point where present-time Jyn Erso is introduced and then takes its time a bit more from there.
The fight scenes look good, and the story becomes more focused in the second half of the issue, with the adaptation making some good choices in what to emphasize or cut.
This is competent and visually appealing, but there is a limit to what a comic can do adapting a film, and the result is something that never gets much past feeling like it's a competent adaptation
Rating: 5.5/10
Friday, July 14, 2017
Star Wars #33
Our travels in the US continue. We spent last weekend in Annapolis MD, where we attended my cousin's wedding. In addition to wedding-based activities, we toured the US Naval Academy, saw Spider-Man: Homecoming (loved it!), and stopped by Capital Comics, where the Kiddo picked out this recent Star Wars issue.
Title: Star Wars
Issue: 33
Publisher: Marvel Comics
Date: September, 2017
Writer: Jason Aaron
Artist: Salvador Larroca
Colorist: Edgar Delgado
Letterer: VC's Clayton Cowles
Editor: Jordan D. White, Heather Antos
Cover: Mike Mayhew
This takes place between episodes 4 and 5, with Luke and Leia are stranded together on an uninhabited island located on a mostly-ocean planet.
Making the wise decision to completely ignore any potential awkwardness resulting from this scenario, the story focuses on Leia, whose narration adds some depth to her character while at the same time explaining how the Princess ended up with some wilderness skills.
This is a nice interlude without a lot of major plot implications. The visuals are good and the insights into Luke and Leia are interesting. There are enough twists to make a decent self-contained story.
Rating: 6/10
Title: Star Wars
Issue: 33
Publisher: Marvel Comics
Date: September, 2017
Writer: Jason Aaron
Artist: Salvador Larroca
Colorist: Edgar Delgado
Letterer: VC's Clayton Cowles
Editor: Jordan D. White, Heather Antos
Cover: Mike Mayhew
This takes place between episodes 4 and 5, with Luke and Leia are stranded together on an uninhabited island located on a mostly-ocean planet.
Making the wise decision to completely ignore any potential awkwardness resulting from this scenario, the story focuses on Leia, whose narration adds some depth to her character while at the same time explaining how the Princess ended up with some wilderness skills.
This is a nice interlude without a lot of major plot implications. The visuals are good and the insights into Luke and Leia are interesting. There are enough twists to make a decent self-contained story.
Rating: 6/10
Labels:
2017,
capital comics,
clayton cowles,
edgar delgado,
heather antos,
jason aaron,
jordan d white,
marvel,
marvel comics,
mike mayhew,
salvador larroca,
star wars,
vc,
vcs clayton cowles
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