Showing posts with label al williamson. Show all posts
Showing posts with label al williamson. Show all posts

Friday, May 13, 2016

Star Wars Episode IV: A New Hope Volume 2 (Hardcover Library Edition)

Another volume from my school library's extensive Star Wars graphic novel collection, brought home by the Kiddo.

Title: Star Wars Episode IV: A New Hope
Issue: Volume 2
Publisher: Lucas Books, Dark Horse Comics, Spotlight
Date: 2010
Writer: George Lucas, Bruce Jones
Penciler: Eduardo Barreto
Inker: Al Williamson, Carlos Garzon
Colorist: Cary Porter
Letterer: Steve Dutro
Cover: Dave Dorman
Additional Art: Adam Hughes, Matthew Hollingsworth

This volume, adapting the original Star Wars film, begins with the Death Star's arrival at Alderaan, and covers all of the subsequent action that takes place aboard the Death Star, up to the Millennium Falcon's escape into space.

With the addition of Princess Leia to the combination of Luke Skywalker and Han Solo, the snappy dialogue gets upped a notch, as Han finally has someone who can match his snark. The comic script is hit-and-miss with this, keeping some of the best lines, but noticeably cutting others for space. It's effective in terms of keeping the pacing of the action, but serious fans are going to want to read every good line.

The action feels a bit choppy within the limitations of the graphic novel. The Stormtroopers never seem like a major threat to the heroes, although that's really the case in the movie too.

This volume makes better use of occasional bigger panels than some others in this series, but still suffers from the limitations of trying to get all of the action into a limited page count.

Eduardo Barreto and Al Williamson do a nice job with the look of the characters, and their work of the setting and scenery of the Death Star is spot-on. Dave Dorman's cover is fantastic, and the extra pin-up art by Adam Hughes and Matthew Hollingsworth is a nice bonus.

Rating: 6/10


Saturday, April 23, 2016

Star Wars Episode IV: A New Hope Volume 3 (Hardcover Library Edition)

The library at the school where I work has a surprisingly extensive collection of Star Wars graphic novels, much to the delight of my son, who brought this one home today. He previously brought home Volumes 1 and 2 of Episode III: Revenge of the Sith, which I reviewed here and here.

Title: Star Wars Episode IV: A New Hope
Issue: Volume 3
Publisher: Lucas Books, Dark Horse Comics, Spotlight
Date: 2010
Writer: George Lucas, Bruce Jones
Penciler: Eduardo Barreto
Inker: Al Williamson, Carlos Garzon
Colorist: Cary Porter
Letterer: Steve Dutro
Cover: Dave Dorman

My first experience with Star Wars was not the original film in the theater, although I did see it somewhat late in its initial release. My first Star Wars experience was with the Marvel Comics adaptation of the film, and specifically, with the third issue, since I had missed the first two.

This new adaptation (also volume 3) covers almost the exact segment of the film: The flight from the Death Star to Yavin and the opening moments of the final battle with the Death Star.

In terms of story, this has some great interactions between Luke, Han, and Leia, plus some of the truly iconic Star Wars visuals ("Lock s-foils in attack position!"). There is a surprising amount of character development in these scenes, considering the frantic pace as the Rebel Alliance prepares for impending doom.

The artists do a good job with the characters. They look like the actors, which is not always the case in movie/TV adaptations. Facial expressions and body language are effective. The initial space battle between the Millennium Falcon and the TIE fighters falls short of capturing the pacing and action of the scene, but the lead-up to the final Death Star battle looks pretty good.

Dave Dorman's cover is gorgeous, and his three bonus pin-up pages look great too.

I still feel like a hardcover edition of a single issue of a comic is a bit of a waste, but library editions are odd beasts, and this does have the advantage of being durable when bounced around in my son's bookbag.

It was fun to see a new take on this story in the comics medium.

Rating: 7/10



Monday, March 14, 2011

2099 Limited

Title: 2099 Limited
Date: 1993
Publisher: Marvel Comics
Writer: Pat Mills, Tony Skinner, John Francis Moore, Peter David, Gerard Jones
Penciler: Tom Morgan, Pat Broderick, Grant Miehm, Rick Leonardi, Ron Lim, Dwayne Turner
Inker: James Palmiotti, Tom Florimonte, Bud La Rosa, Al Williamson, Adam Kubert, Dwayne Turner, Kyle Baker

Ah, the bright and shiny days of the early '90s, when comics were, well, shiny. This is a preview ashcan giveaway that was packaged with issue #7 of Hero magazine. It previews the full line of 2099 titles from Marvel, which feature one of the many zillions of possible alternate futures of the Marvel Universe. The world is a fairly generic dystopia that is played for laughs half the time (a thirty-mile long mall in California, and so on). The X-Men 2099 story looks like it has the most potential here, with a young mutant named Fitzgerald making his way across the desert to a refugee city that exists outside of the corporate totalitarian power structure.

Punisher 2099 had a generic fight scene featuring what had to be the dumbest "smart" weapon ever. It's a guided needle-bullet that never misses, but always lodges in the target's arm and then burrows to the heart, which of course gives Punisher time to remove it. Um... Why not just program it to always shoot the target in the head? Oh, right. Because that would make sense.

Spider-Man 2099 concentrated on character interactions. The spider-man character doesn't appear in costume. Much like the Doom 2099, Ravage 2099, and 2099 Unlimited (featuring Hulk 2099) bits, there really wasn't enough story to get a sense of what it was all about.

None of these titles rose above the level of generic in these previews, and the editors might have been better off devoting the space to show a bit more from one or two titles rather than trying to preview the whole line.

But the cover is shiny.

Rating: 4/10