Showing posts with label sonia oback. Show all posts
Showing posts with label sonia oback. Show all posts

Wednesday, May 27, 2020

Star Wars: Han Solo

This was a Christmas present I bought for the Kiddo at Boocup, Kerry Place, Jingan, Shanghai, China.

Title: Star Wars: Han Solo
Publisher: Marvel Comics
Date: January  2017
Writer: Marjorie Liu
Penciler: Mark Brooks
Inker: Mark Brooks, Dexter Vines
Colorist: Sonia Oback, Matt Milla
Letterer: VC's Joe Caramagna
Editor: Jordan D. White, Heather Antos

This exceeded all expectations, in spite of the story being a tiny bit contrived.

Trade paperback collection of a limited series. Taking place between A New Hope and The Empire Strikes Back, this has Han recruited by Leia to infiltrate a high-stakes spacecraft race while smuggling several rebel spies, at least one of whom may be a traitor.

What made this great were the original characters introduced for this series, something that can often be a weak spot in these adaptations. In this case the supporting cast was excellent, especially the mysterious space-racing veteran Loo Re Anno, who absolutely steals the show. Several other rival racers are fun characters, and there's also some good interactions with the various rebel spies and operatives that Han encounters.

There's good consistent character development for Han, as well. Nothing shocking, but a lot of little insights in his internal monologue that runs through much of the story.

Chewie and Leia get good moments as well, and the artwork is excellent, with some clever page layouts especially in some of the racing sequences.

This is a fun adventure perfectly suited to Han's character.

Rating: 8.5/10

Saturday, September 17, 2016

Action Comics #957

This is the last of the small stack of DC Rebirth tie-ins that I picked up over the summer. Like most of these, this one came from one of the Newbury Comics locations that I visited.

Title: Action Comics
Issue: #957
Date: August, 2016
Publisher: DC Comics
Writer: Dan Jurgens
Artist: Patrick Zircher
Colorist: Tomeu Morey
Letterer: Rob Leigh
Editor: Mike Cotton, Paul Kaminski
Cover: Ivan Reis, Joe Prado, Sonia Oback

As I mentioned in my review of Detective Comics #934, I love the fact that DC has restored the original numbering to these two long-running series. Looking forward to checking out Action Comics #1000 somewhere down the road!

In the meantime, though, this issue is something of a soft reboot for Superman. The original Superman is missing, possible dead (well, "Dead in the DC Universe", anyway). With Metropolis missing its greatest hero, Lex Luthor has stepped in, with what basically looks like his version of John Henry Irons' Steel suit, complete with Superman chest-shield symbol and cape.

This does not sit well with one Clark Kent, currently moving into a home in upstate New York (Maryland? Anyway, it was upstate somewhere) with his wife and newly-super-powered son. This, apparently, is a Superman from one of the (52? Is that still a thing?) alternate Earths in the multiverse.

He confronts Luthor with predictable results, but if Superman is battling Luthor, then who is the Clark Kent who just showed up to cover the story for the Planet?

In spite of all the multi-universe nonsense going on, this was a really well-paced story that was told in a nicely straightforward and logical way. Even with it being something of a weird situation in terms of continuity, this issue succeeds both as a jumping-on point for new readers, and as a fun entertaining read.

As a side note, nice to see Maggie Sawyer back in action.

Also, excellent cliffhanger ending with a least a reasonable attempt at a logical buildup.

Rating: 7/10

Monday, September 9, 2013

Forever Evil #1

Massive crossover in the New 52. I guess some things never change.

Title: Forever Evil
Issue: 1
Date: November 2013
Publisher: DC Comics
Writer: Geoff Johns
Penciler: David Finch
Inker: Richard Friend
Colorist: Sonia Oback
Letterer: Rob Leigh
Editor: Kate Stewart, Brian Cunningham
Cover: David Finch, Richard Friend, Sonia Oback

It's major crossover time at DC. Actually, considering that this is a direct follow-up to Trinity War, it seems like it's pretty much always major crossover time at DC.

But this one is particularly major. The Crime Syndicate arrives on Earth, having apparently killed off the Justice League. I didn't actually read Trinity War, so I'm not really sure what the deal is, and I'm not really sure I'd have any idea what the deal is if I had read Trinity War, so let's just humor them for the moment.

The Crime Syndicate are essentially alternate-Earth evil twins of the Justice League with variants on their powers and weaknesses.

Anyway, they arrive on Earth, bust a bunch of villains out of prison and recruit a bunch more, and beat up Nightwing because he happens to be in the wrong place at the wrong time.

This is all setting up a massive conflict between these off-world villains, and Earth's regular villains, although for the moment everyone is all pals because, hey, we're all evil. Forever evil.

The art is pretty, and it's gimmicky with a gigantic center fold-out crowd scene. Apparently there is a 3d cover variant for those collectors who want to party like it's 1994.

But the main problem with this issue is that not a whole lot happens. The best action takes place either before (what really happened to the Justice League), or is yet to come (okay, now that the Crime Syndicate is here and has assembled this big group of villains, what are they actually going to do?). The introduction of the new villains takes longer than it needs to, and the Nightwing subplot didn't actually seem particularly intense or interesting.

This story does have some potential, and DC has a huge slate of crossovers planned (at least one issue of all 52 titles, plus this series itself), but that is also a ton of investment in time/$ for a story that so far feels phoned in.

Rating: 5/10

Thursday, March 1, 2012

Birds of Prey #4

Title: Birds of Prey
Issue: 4
Date: February 2012
Publisher: DC Comics
Writer: Duane Swierczynski
Artist: Jesus Saiz
Colorist: June Chung
Letterer: Carlos M. Mangual
Editor: Bobbie Chase, Katie Kubert
Cover: David Finch, Richard Friend, Sonia Oback

Great opening as Canary tries to sacrifice herself to save innocent lives, and Sparrow comes up with an alternative plan in an awesome splash page shot. We jump forward and then flash back and get the conclusion of last issue's train battle in fast-paced recap form narrated by Sparrow, which includes just the right touch of humor.

I think I'm starting to "get" Sparrow. She's definitely the most entertaining character in this issue.

From there, Batgirl gets added to the team makes a guest appearance. Okay, that was a bit of a bait-and-switch, and there really isn't much explanation given for Barbara's arrival at this juncture except for the need for "extra muscle". This just seems like an excuse to put her on the cover.

Also, they decide to split up the party. That NEVER works! (Actually, they get away with it here; it's just an excuse to show the team members crawling around in ventilation shafts and such).

Weirdly, the bad guys' lair uses the exact same gimmick that the Court of Owls uses over in Batman: hidden spaces between the floors of buildings secretly built into the original design. It was so similar that I kept waiting to see if it's an actual crossover. If it isn't, then it's a pretty blatant failure at the brand editing level to be running essentially the same idea in two unrelated books (especially since this particular detail was pretty crucial to the plot in Batman). If this does turn out to be a crossover with Batman, then I'm all for it.

The infiltration appears to lead to a dead end at first, but of course things are not as they seem, and the ending cliffhanger is actually pretty clever.

This was the best issue so far in this series, in spite of some (hopefully; we'll see) minor flaws.

Rating: 7.5/10