Batman And Batgirl #21

Title: Batman And Batgirl
Issue: 21
Date: August 2013
Publisher: DC Comics
Writer: Peter J Tomasi
Penciler: Cliff Richards
Inker: Mark Irwin, Marlo Alquiza
Colorist: John Kalisz
Letterer: Carlos M. Mangual
Editor: Darren Shan, Rachel Gluckstern
Cover: Patrick Gleason, Mick Gray, John Kalisz

 You might be wondering where all the previous issues of "Batman And Batgirl" are. Well, actually, they were titled "Batman And Robin". With Robin dead (again!), we're left with something of a rotating slate of guest stars getting second billing in the title.

This issue was good. Bruce Wayne is feeling angst over the loss of Damien. Barbara Gordon is trying to help, and Bruce is having none of it.

The confrontation between Bruce and Barbara at the end is good. A scene in the middle of the story involving Barbara and Jim Gordon is even better. In between, there are a couple of generic battles with jobber-thugs just to remind the reader that Batman comics have fight scenes in them. The action is all very nicely drawn, and both scenes have several levels of interaction going on beyond just the immediate putting of fists to faces.

Good, intense issue.

Rating: 7.5/10

Batman And Robin Annual #1

I had some time to kill at the Cape Cod Mall this afternoon, so I picked this up at Newbury Comics. I wanted something that would be a self-contained story.

Title: Batman And Robin Annual
Issue: 1
Date: March, 2013
Publisher: DC Comics
Writer: Peter J. Tomasi
Penciler: Adrian Syaf
Inker: Vincente Cifuentes
Colorist: John Kalisz
Letterer: Carlos M. Mangual
Editor: Rickey Purdin, Rachel Gluckstern
Cover: Andy Kubert, Brad Anderson

Here's something surprising: A Damian Wayne story that I actually liked.

Damian has set up a scavenger hunt for the Batman, his way of saying thanks for Bruce Wayne's efforts to care for him and mentor him. Damian has discovered a series of moments from the lives of Thomas and Martha Wayne during their time in Europe, and he is traveling through Europe, leaving a trail of clues for the Batman to follow.

Except that he's not.

Damian's plan has more than one layer, and while Bruce is off on the vacation that Damian has devised, Damian is having his own kind of vacation.

This had a surprisingly Silver Age feel to it, especially considering that it centered on Damian, who is usually used in darker fare. It was nice to see Damian having fun, Bruce having fun, and a plot that wasn't overloaded with blood and gore on a massive scale. You can't do stories like this all the time (well, in the Silver Age, actually, you kinda could), but it was a really nice breath of fresh air for the annual.

The insights into the lives of Bruce Wayne's parents were great. Not continuity-shattering. Just nice little insights and vivid details.

Not everything here worked. The villain in the Gotham-based subplot felt thrown-together. And some attempted comedy in the ending sequence fell a bit flat.

But overall, this was a good story about the growth of trust between Damian and Bruce in a situation that was not life-or-death.

Rating: 7.5/10

Catwoman #2

Title: Catwoman
Issue: 2
Date: December 2011
Publisher: DC Comics
Writer: Judd Winick
Artist: Guillem March
Colorist: Tomeu Morey
Letterer: Sal Cipriano
Editor: Rachel Gluckstern, Rickey Purdin
Cover: Guillem March

Biggest disappointment of the New 52 so far for me.

The first issue of this was controversial. I was okay with that. I went to bat for it. (Went to "bat"! Um, sorry.). But then...

*grumbles*

*SPOILER WARNING*

Lola was the best character in the first issue by far. Competent and capable woman who's attractive, but with a body type that isn't, well, that isn't EVERY OTHER WOMAN IN THE DC UNIVERSE NOW THAT THEY MESSED WITH AMANDA WALLER. In other words, not an anatomically dubious body that ranges somewhere between bikini model and Barbie doll.

So, of course, what happens?

She gets tortured and killed in the friggin' second issue.

Women in Refrigerators much?

Nothing in this issue made this particular plot development worth it. And I suppose it's possible that Lola's death with be made meaningful and poignant as the story develops in the subsequent issues.

But I won't be around for that. Too bad. The first issue was a good start. But you've just lost a reader.

Rating: 2.5/10

Deathstroke #1

Still more New 52.

Title: Deathstroke
Issue: 1
Date: November 2011
Publisher: DC Comics
Writer: Kyle Higgins
Penciler: Joe Bennett
Inker: Art Thibert
Colorist: Jason Wright
Letterer: Travis Lanham
Editor: Rickey Purdin, Rachel Gluckstern
Cover: Simon Bisley

The problem with having a guy who's supposed to be the "world's greatest tactician" is that it holds the writing to a certain standard. The reader expects to see, well, good tactics.

Not bringing a sword to a gunfight (first scene). Not failing to get proper intel on your enemies (fourth scene). And definitely not letting your emotions goad you into killing your teammates for stupid reasons (last scene). And that applies even if the writer happens to let the supposed "world's greatest tactician" get away with all of the above. It even applies if the aforementioned teammates are annoying.

I know good tactics. This isn't it.

This is bad tactics being covered by even worse writing.

Rating: 3/10

Catwoman #1

After a brief detour for The Great New England Steampunk Exposition, it's back to DC's "New 52". Here's one of this week's releases.

Title: Catwoman
Issue: 1
Date: November 2011
Publisher: DC Comics
Writer: Judd Winick
Artist: Guillem March
Colorist: Tomeu Morey
Letterer: Sal Cipriano
Editor: Rachel Gluckstern, Rickey Purdin
Cover: Guillem March

The most unrealistic scene in this comic is not Selina crashing through an upper-story window and landing unharmed. It's not her dodging bullets, or outfighting overwhelming numbers of trained killers. It's not even Selina seducing the Batman.

The most unrealistic scene in this comic is Selina getting six cats into a single cat carrier in 30 seconds. Sorry, I don't care if she's the Catwoman. I wouldn't care if she had all the powers of Superman, the Flash, Green Lantern, and Darkseid. NOBODY can do that.

That being said, this was a fairly entertaining story. It's definitely a violent story, and it was REALLY pushing the T+ rating, but you know what? That was fine for this book. I know I tend to get annoyed with some of the excesses of comics when it comes to violence, but if any book should be sexy and violent, it's Catwoman.

The story gets off to a running start as Selina gets the type of foreclosure notification that is accompanied by armed thugs and explosives. So she's broke and out on the streets. That's the motivation. Fortunately she's got her own personal "Oracle", a fence named Lola ("...and she actually was a showgirl." Ha!). I liked Lola. She's attractive, but still more realistically drawn than pretty much every woman in the new DCU (Apparently including Amanda Waller! WTF? Actually, don't get me started. That one gets its own review rant).

Lola sets up Selina with a gig bartending at a Russian mob party. Actually, she just supplies the address of the party. Selina helps herself to the gig using the time-honored tradition of rendering the bartender unconscious and stealing her clothing (Yay! Oh, wait, the scene takes place off-screen... Boo!). Selina takes time out from scouting her next heist to inflict some payback on a bad guy in need of payback. Brawl follows.

And then there's a sex scene with the Batman. All of which leads us full circle back to the genuinely hilarious title of this story, "And most of the costumes stay on..." Ha!

Okay, this was not exactly a literary masterpiece, but it was fun, and everything in the story worked well. I'd rather have the raunch factor cranked up in this book than have it be the standard for the whole "New 52". Here it works.

Rating: 7/10