Thieves & Kings #44

I asked the Kiddo to pick out my next comic to read from the stack, and he chose the issue of Thieves & Kings that immediately follows yesterday's review. So here goes!

Title: Thieves & Kings
Issue: 44
Publisher: I Box Publishing
Date: 2004
Writer: Mark Oakley
Artist: Mark Oakley

Interesting essay about dreams, superpowers, and originality to start things off. Then a prose segment about a girl named Leahanna who served a witch queen and fell in love with a prince.

From there, a scene with Heath comforting a frightened boy who is being sent to sea by his parents to avoid conscription into the army.

But the real focus of this issue is Kim, who is dealing with anger and feelings of inadequacy, and those feeling are brought to a boil during an intense conversation with Lady Soracia. The dialogue is great, weaving between questions of past lives, predestination, and dark powers, with the very worldly concerns of friendship, jealousy, and the difficulties of being the third person in a relationship.

Good cliffhanger ending too, and lovely artwork as I have come to expect after sampling just a few issues of this series.

Rating: 8/10

Thieves & Kings #43

From the random stack of unread comics: I have a short run of three Thieves & Kings issues, of which this is the middle book. My review of #42 is here.

Title: Thieves & Kings
Issue: 43
Publisher: I Box Publishing
Date: 2003
Writer: Mark Oakley
Artist: Mark Oakley

This issue contains two stories. The first is longer and contains an extended prose segment. It involves Heath and Kim helping a boy with a bedwetting problem. Well, that is what his overbearing mother describes it as. Heath suspects something quite a bit more sinister is going on, and soon uncovers the source of the boy's nightmares.

This leads into the extended prose segment, telling the background story of the mysterious magical being at the heart of the boy's troubles. The prose storytelling was a smooth read, and I didn't find it interfered with the overall pace of the comic.

The second story concerns a rebellion of sorts by a group of clockwork soldiers. It's played a bit more for laughs, and requires more of the reader in terms of familiarity with ongoing storylines. As a result, I didn't get as much out of it as readers who have been with this series from the beginning probably would.

Still, it was fun, and the artwork continues to be amazing throughout the book.

Rating: 7.5/10

Star Wars Episode IV: A New Hope Volume 2 (Hardcover Library Edition)

Another volume from my school library's extensive Star Wars graphic novel collection, brought home by the Kiddo.

Title: Star Wars Episode IV: A New Hope
Issue: Volume 2
Publisher: Lucas Books, Dark Horse Comics, Spotlight
Date: 2010
Writer: George Lucas, Bruce Jones
Penciler: Eduardo Barreto
Inker: Al Williamson, Carlos Garzon
Colorist: Cary Porter
Letterer: Steve Dutro
Cover: Dave Dorman
Additional Art: Adam Hughes, Matthew Hollingsworth

This volume, adapting the original Star Wars film, begins with the Death Star's arrival at Alderaan, and covers all of the subsequent action that takes place aboard the Death Star, up to the Millennium Falcon's escape into space.

With the addition of Princess Leia to the combination of Luke Skywalker and Han Solo, the snappy dialogue gets upped a notch, as Han finally has someone who can match his snark. The comic script is hit-and-miss with this, keeping some of the best lines, but noticeably cutting others for space. It's effective in terms of keeping the pacing of the action, but serious fans are going to want to read every good line.

The action feels a bit choppy within the limitations of the graphic novel. The Stormtroopers never seem like a major threat to the heroes, although that's really the case in the movie too.

This volume makes better use of occasional bigger panels than some others in this series, but still suffers from the limitations of trying to get all of the action into a limited page count.

Eduardo Barreto and Al Williamson do a nice job with the look of the characters, and their work of the setting and scenery of the Death Star is spot-on. Dave Dorman's cover is fantastic, and the extra pin-up art by Adam Hughes and Matthew Hollingsworth is a nice bonus.

Rating: 6/10

Gekiga! Drawn & Quarterly Free Comic Book Day 2008

Drawn & Quarterly's book from 2008's Free Comic Book Day.

Title: Gekiga! Drawn & Quarterly Free Comic Book Day 2008
Date: 2008
Company: Drawn & Quarterly
Writer: Seiichi Hayashi, Yoshihiro Tatsumi
Artist: Seiichi Hayashi, Yoshihiro Tatsumi

This book hits a really interesting subgenre that doesn't normally get much attention: Japanese underground comics from the 1960s and 1970s.

Two excerpts are included here, both taken from longer works that Drawn & Quarterly has reprinted and translated.

First up is Seiichi Hayashi's Red Colored Elegy, originally published in the 1960s. The story centers on a comic artist and his girlfriend as they face a time of political and personal turmoil. This excerpt involves the main character's reaction to his father's death. The artwork is haunting and stark, and the dialogue sparse. The whole thing had a very lonely and hopeless feel to it, which left an impression despite the fact that I lost hold of what was going on in the last few pages.

The second excerpt is from Yoshihiro Tatsu's Good-Bye, which tells the story of the aftermath of the Hiroshima bombing through one man's obsession with a photo he took in the ruins. Excellent artwork, with a more traditional look, and a very strong sense of plot. This one really hooked me, and I'm intrigued with where it is heading.

This was a good effective preview book, and a fascinating look at some early manga.

Rating: 7.5/10

The Moth: Special Edition (FCBD 2008)

Yet another 2008 Free Comic Book Day book from the stack of random unread comics.

Title: The Moth: Special Edition
Publisher: Rude Dude Productions
Date: May, 2008
Writer: Steve Rude
Artist: Steve Rude

Narrated from the point of view of the main character's brother, this issue recaps a bunch of previous stories of Jack Mahoney, circus-man turned costumed bounty hunter.

There isn't a coherent plot here, or rather there are bits and pieces of many plots that serve to introduce a big cast of carneys, mobsters, bounty hunters, bikers, thugs, ninjas, assassins, superheroines, and some kind of were-lion monster. I was intrigued by the characters, but somewhat put off by the jumping in and out of stories.

The two consecutive poop jokes that the book started with didn't help matters as far as my own personal preferences go (although I will admit that they were above-average poop jokes).

I did like the brother's narration, and Rude's artwork worked well with an impressive variety of characters and situations.

As an introduction, I got a great sense of what it is that Jack Mahoney does as The Moth, but not much sense of who he is or why he does it.

Rating: 5.5/10

Sonic the Hedgehog: Free Comic Book Day 2008

Another of the stack of random unread comics proves to be a 2008 FCBD book

Title: Sonic the Hedgehog: Free Comic Book Day Edition
Date: 2008
Publisher: Archie Comics / Sega
Writer: Ian Flynn, Michael Gallagher
Penciler: Dave Manak
Inker: Bill White
Letterer: Bill Yoshida
Colorist: Lyrad Namlede
Editor: Daryl Edelman, Richard Goldwater

This Free Comic Book Day offering from 2008 reprints the complete first issue of Sonic the Hedgehog from 1993.

There are two main stories here. First up, Dr. Robotnik has a horde of robotic Aubrey-II-resembling plants all set to take over the forest above Knothole. But much like the invading aliens in the film, Signs, Dr. Robotnik fails to take one question into consideration: What if it rains?

Next, Sonic attends a casino sales pitch by Dr. Robotnik only to be captured and trapped inside the ball of a giant pinbasll machine.

The book finishes with a trio of joke strips (not all that funny, but kids might enjoy the slapstick moments). There is also a recipe for chilli. No, really! Actually it's technically  a recipe for chilli DOGS, but it still looks quite tasty.

The jokes were hit-and-miss throughout this book. The action had its moments, but overall this early issue seemed to still be finding its footing.

Rating: 5/10

Astonishing X-Men #13 (Variant)

From the random stack of unread comics. This is the second of two (close, but not consecutive) issues of Joss Whedon's run on Astonishing X-Men that found their way into the unread comics stack. I reviewed #10 here. Not sure where I got these. This one is marked as a variant cover.

Title: Astonishing X-Men
Issue: 13
Publisher: Marvel Comics
Date: April, 2006
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Sean Ryan, Nick Lowe

Black-and-white variant cover on this issue.

This is something of a catch-up issue, that manages to be a lot more satisfying a read than #10 was, in spite of #10's emphasis on plot and action.

The focus here is on character development, particularly on the romance between Kitty and Colossus, and the conflicting forces influencing Emma Frost.

There is also a very amusing reveal of the new low-tech version of the Danger Room (after the room ran amuck over several issues around the previously-reviewed #10). Now that Ms. Room has been officially "future-endeavored" (or whatever happened to her), the new plan for combat training is simpler, more elegant, and far more dangerous: The trainees are simply put into a darkened room in which Wolverine kicks their asses. Why did they not think of this in the first place? It seems like it would have saved everybody a lot of grief, and the quality of training would not have suffered.

In addition to that amusing bit, there is lots of Emma-intrigue, some seeds planted for future storylines involving SHIELD, some dream sequences, and a very shock-value final scene.

This is moving in the right direction.

Rating: 6/10

Dinner Ditz

I bought this minicomic last summer at Connecticon.

Title: Dinner Ditz
Publisher: Sparkler, Chromatic Press
Date: 2015
Writer: Alexis Cooke
Artist: Alexis Cooke

Manga-style gay romance minicomic about a divorced dad who is has a bit of a hangup about cooking. He meets a culinary instructor who offers to help solve his tendency toward disaster in the kitchen, but he fears that he might be just too hopeless a case. Will his kid ever get a decent home-cooked meal when he's cooking? And did I mention there's romance (only romance; the book carries a 13+ rating).

The comedy around the kitchen disasters was good, but nothing too original, but the characters were great, especially considering the relatively short length of the story. Every cast member had a distinctive and interesting personality that hinted at a lot more depth.

The romantic aspect of the book was sweet and adorable, and had a pretty natural flow to it. The artwork was quite good. It might have benefitted from a larger format than this minicomic edition (I should point out that the book is also available in digital format).

Overall, a very nice feel-good romantic comedy.

Rating: 7.5/10 

Astonishing X-Men #10

From the random stack of unread comics, as chosen by the Kiddo. This is the first of two issues from this title that I've got in the to-read stack.

Title: Astonishing X-Men
Issue: 10
Publisher: Marvel Comics
Date: May, 2005
Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Editor: Mike Marts, Sean Ryan, Nick Lowe

So, the Danger Room AI has become not just self-aware, but also righteously pissed off, and she (she appears in a vaguely female shapeshifting robotic form) proceeds to mop the (Danger Room) floor with the X-Men.

The team in this case consists of Cyclops, Emma Frost, Wolverine, Colossus, Kitty Pryde, and Beast. Joss Whedon (you know, that guy from Buffy and firefly; the director of the film version of The Avengers) is writing, and in a moment-by-moment sense, this is all good. Danger Room knows all of the X-Men's tactics and weaknesses, and so she takes them apart with relative ease, only having a couple moments of trouble when they make some attempts at breaking their normal patterns.

Unfortunately, as well executed as it is, it just didn't feel all that original or interesting, and Danger Room's constant talking about how she's fought  the X-Men thousands or times and knows them better than they know themselves and whatnot does not help the cause. By the time I was half way through this, I wanted the X-Men to win, not because Danger Room was such a horrible threat, but just because of how annoying she was.

Also, would someone please give Danger Room a name so that I don't have to keep referring to her as Danger Room?

A couple of the characters are apparently killed by the time it's all said and done, but this is the Marvel Universe (and as we have said many times, there is dead, and then there is dead-in-the-marvel-universe, and those two things are not particularly related), so there isn't a whole lot of emotional punch to those scenes.

I did like the ending line. Joss Whedon has always been great with the one-liners, and this one works nicely. I wish it had been saved for a better story.

Rating: 4.5/10

The Astounding Wolf-Man #1 (Free Comic Book Day Edition)

Another books from Free Comic Book Day 2007.

Title: The Astounding Wolf-Man
Date: May, 2005
Publisher: Image Comics
Writer: Robert Kirkman
Artist: Jason Howard
Letterer: Rus Wooton

A man is badly injured while camping with his family. He is transferred to a hospital in New York where he lies in a coma for 30 days only to be miraculously healed. Thirty days after that, things get even stranger.

This is a simple, straightforward werewolf story following pretty traditional werewolf mythology, that turns out to be quite a lot of fun.

Instead of focusing on what makes his werewolf different from everyone else's, writer Robert Kirkman (you might have heard of him from another Image comic: The Walking Dead) is able to rely on the readers knowing the basics of the folklore while the story focuses on character development, and a good plot twist at the end to hook the reader.

This was a clever and enjoyable story with good pacing, sparingly-used gore (enough to keep the horror vibe), and characters that show a lot of potential.

A good start.

This book also contains previews for Brit, Spawn: Godslayer, and the Witchblade tie-in First Born: Conception. Of those Brit looked entertaining, while the Spawn preview went with printing four full pages of art per page of the preview, badly limiting the effectiveness of the art. First Born took the opposite approach with lovely full-page character introduction pinups.

Rating: 7/10